When it comes to travel, the Elle Decor magazine's approved list is short and chic: Vienna, Chicago, Milan, and now Houston.
In Elle Decor's latest issue, writer Rob Brinkley illuminates the "dichotomous" nature of Houston, from sprawling River Oaks mansions (Bayou Bend is a favorite), world-class art and architecture installations (Rothko Chapel, Cy Twombly Gallery, Renzo Piano's Menil) and endless new shopping destinations (West Ave, CityCentre), to the more offbeat offerings like Art Car, Orange Show and the Beer Can House. (Nevermind that the Orange Show runs all three of these events/places).
It's a flattering portrait of the city as modernist, niche, and fabulous — "Those who live here consider it a city of charm and quaintness, with can't-miss restaurants, one-off shops and quirky sights, all infused with that certain Texas élan," Brinkley writes.
But at the same time, it feels like something is off. It's accurate in the sense that someone looking for those things could surely find them here. But it misses what makes Houston different. It feels like a portrait of Dallas — or like a Dallasite's idea of what makes Houston great.
Why else tout the "socialite and celebrities" swarming to Armando's with nary a mention of the Original Ninfa's on Navigation? Why spend so much time on River Oaks without even a whisper of the Heights or Montrose?
Limiting a portrait of Houston to the modernist, moneyed sectors flatters but rings false. After all, the city famous for forsaking zoning knows that everything is better when it's a mixed bag — give us our RDG, but also our Antidote Coffee, our Thelma's, our Les Givral's Kahve.