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    The curator's take

    Secrets to the Houston Fine Art Fair: It's international with a Latin flair &some serious Fotofest love

    Tyler Rudick
    Sep 16, 2011 | 12:57 am
    • Graciela Sacco, Esperando a los Barbaros, Serie Tension Admisible, 2011,installation on wood, courtesy Diana Lowenstein Fine Art, Miami.
    • Houston Fine Art Fair director, Fran Kaufman
      Photo by Priscilla Dickson
    • Chul-Hyun Ahn, Colored Space II, 2010, plywood, mirror, lights (animated),courtesy C. Grimaldis Gallery, Baltimore.
    • Wifredo Lam (Cuban), Standing Woman, 1944, gouache on paper laid down on canvas.
    • Manuel Reyna, El Padre Grenon Frente a La Capilla De Barrio Goal Belgrano, 1976,mixed media on board.

    With the Houston Fine Art Fair opening to the public Friday at the George R. Brown Convention Center, fair director Fran Kaufman spoke with CultureMap to shed light on curating the Bayou City's first international art show.

    Three successful seasons as director of palmbeach3 (now Art Palm Beach) allowed Kaufman to build a reputation for breathing new life into the art fair format. Revamping the South Florida city’s decade-old art and antique show, Kaufman offered a wide swath of contemporary art, design, photography, speaking to the buying trends of a more localized art market.

    Specializing in a brand of “boutique-style” shows, Hamptons Expo Group — which produces annual art shows in San Francisco, Aspen, and the Hamptons — hired Kaufman earlier this year to replace director Max Fishko, finding her curatorial approach a perfect match for the intimacy HEG hopes to achieve in Houston.

    Fishko’s new art fair company artMRKT will launch its inaugural Texas Contemporary Art Fair at the George R. Brown Oct. 21-23. Rough waters within the city’s art community calmed over the summer, with major local galleries like Moody and Sicardi electing to maintain a presence at both fairs.

    Latin American art will be an additional focus throughout the fair, with a talk on the influence of historic Latin American movements on today’s artists working around the world.

    A distinctly international show with a concentration on both postwar art and contemporary work, Houston Fine Art Fair presents more than 80 dealers from the United States, Europe and Latin America. Museum-quality pieces will be available from 20th-century stalwarts like Robert Rauschenberg and Willem de Kooning, in addition to emerging artists such as Isca Greenfield-Sanders and Chul-Hyun Ahn.

    Latin American art will be an additional focus throughout the fair, with a talk on the influence of historic Latin American movements on today’s artists working around the world. On the fair’s main floor, works from current artists like Argentine Graciela Sacco and Guatemalan photographer Luis Gonzalez-Palma will be showcased with icons like Venezuelan op-artist Carlos Cruz-Diez and Cuban painter Wifredo Lam.

    An additional exhibit on contemporary Latin American photography will be presented by FotoFest. Kaufman worked as a portfolio reviewer for Fotofest's 2004 biennial.

    “You need to look at what works in a particular city and its unique collecting practices,” Kaufman told CultureMap from her offices in New York, where she continues to work as a curator and art advisor. She stages international exhibitions, in addition to maintaining a client list that has included Magnum Photos and the Soros Foundation.

    She said the Houston fair is curated to appeal to the city’s “broad range of collectors,” from established buyers to burgeoning aficionados. Through the Collectors Forum series, the Houston Fine Art Fair will present public talks on collecting fine art photography and the aesthetic, emotional and economic measures of acquiring art.

    Also scheduled are on-stage interviews with internationally-recognized artist Donald Sultan and three-time Pulitzer Prize winning playwright Edward Albee.

    Kaufman geared the show to focus on younger artists as well, particularly through a relationship with the Museum of Fine Arts, Houston and its Glassell School of Art.

    “We’ve worked closely with Joseph Havel at the Glassell to promote emerging artists during the fair,” she said. “The school’s Core Fellowship Program will have a dedicated booth on the floor showing the work of 12 fellows — four incoming, four current and four recent graduates.”

    Concerning Houston’s galleries and institutions, Kaufman said, “I’ve never met a more welcoming community — extraordinarily warm and welcoming.” She looks forward to meeting collectors firsthand this weekend.

    “It’s been important for us to establish lasting relationships throughout the city,” Kaufman continued. “The Houston Fine Art Fair is a long-term event and, as these relations deepen, the quality of the show can only get better every year.”

    Houston Fine Art Fair runs Friday through Sunday at the George R. Brown. Tickets are $17 a day or $26 for a three-day pass. The show runs from 11 a.m. to 7 p.m. Friday and Saturday, and from 11 a.m. to 6 p.m. on Sunday.

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    washed out

    Houston DJs remember pioneering music store that's closing after 50 years

    Craig D. Lindsey
    Apr 28, 2026 | 4:49 pm
    Soundwaves record store closing sign
    Photo by Craig D. Lindsey
    Soundswaves announced its imminent closure on Saturday, April 25.

    The parking lot of the Soundwaves on 3509 Montrose was well-populated on Saturday, April 25. Earlier in the day, the record/skate/surf shop announced on Instagram that the store would be closing soon and all the merchandise was 50 percent off. Of course, people showed up to grab as many items – LPs, T-shirts, skate shoes – as they could, waiting in line as longtime owner Jeff Spargo rang up customers one-by-one.

    Soundwaves was once Houston’s mightiest independent record-store chain, with locations all over the city (its South Main location was frequented by hip-hop heads like the late DJ Screw and famed producer/ex-employee DJ Premier). It all started in 1970 when a then-19-year-old Jeff Spargo opened the Inland Surf Shop in Westbury. Seven years later, he would open up his first Soundwaves near Hobby Airport. He would later merge surfing and sounds when he launched the Montrose location in 1997. An official closing date has yet to be announced, and CultureMap was unable to reach Spargo for comment.

    As the new millennium introduced streaming-music platforms that made physical media almost obsolete, record chains like Soundwaves were on the decline. The Montrose store – once a prime destination for local and visiting DJs, with its overwhelming, eclectic selection of vinyl and CDs – would eventually become the last one standing.

    We asked a few of the city’s finest spinners if they have memories of stocking up at that location and/or other Soundwaves spots:

    Emdee “DJ Kool Emdee” Anderson: “I used to frequent it very often. I remember when DJ Premier used to work at the original Main St. location. And when No More Mr. Nice Guy [from his hip-hop group Gang Starr] was released, he put copies of the album in the front of every record slot. I joke with him about that when I see him.

    “That location was a hangout spot for DJs and producers. I got a number of gigs by helping others with music suggestions.”

    Kris Stivers: “I have tons of memories (and spent tons of money on records). I was there all the time – practically every location. I introduced my sister to a buddy of mine who worked there and, now, he’s my brother-in-law. My sister then got a job at the Montrose location. She called me once from the store and put Questlove on the phone. I met Little Brother and other artists there. I miss those days.”

    GrandfatherCLOC: “I met Blind Rob and Devin The Dude at the one on Gessner & 59. I still have a Soundbombing II T-shirt from when The ARE was working at South Main.

    “The most memorable was meeting DJ Theory from [KTRU radio show] 12" Sub, a few years after it was off the air, at the one on Montrose. I heard one of the employees speaking and was like, that's Theory's voice!”

    Jason “Flash Gordon Parks” Woods: “I went to all the locations. One of my fondest memories was finding Roy Ayers Ubiquity’s Starbooty and feeling like Steel in Juice.”

    Jason “DJ Burb” Rodgers: “I only went to the one on Main. I used to go there every Tuesday after getting out of class at UH-D to listen to some new releases in the listening booths.”

    Jason Graeber: “I remember all the great music lovers who worked there. Chris and Brandon always knew about the new EDM artists that were coming out. Bucky was great at introducing people to new rock and underground music. Before you had online influencers, the kids at the record stores drove what people listened to. I remember walking in and checking the end caps from my favorite employees to see what new music they were recommending. I feel that this is something that is missing and why it is harder for great bands to get traction.”

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