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    Building blocks

    UH College of Architecture makes international splash with Venice Biennale appearance

    Shelby Hodge
    shelby hodge
    Jun 1, 2014 | 1:46 pm

    Cougar pride enjoys a quantum leap forward this first week of June when the University of Houston Gerald D. Hines College of Architecture joins the International Architecture Exhibition at the esteemed Venice Biennale.

    This will be the second of three biennale fests that the college will participate in during the 2013-2014 school year, a milestone for any higher education institution but particularly for the state's only urban, public research university. The project, dubbed The Three Continent Studio, an exploration of life on the water's edge in delta conditions, was presented at the Buenos Aires International Biennial of Architecture in September and will be presented again at the International Architecture Biennale Rotterdam after the Venice exposition.

    "Being accepted to three biennales around the world, our presence there lets the world know that this is the kind of work we do and the caliber," Oliver said.

    So significant is this in bringing recognition to the University of Houston as well as to the College of Architecture that UH president Renu Khator and her husband, associate dean Suresh Khator, will be in attendance along with college benefactor and namesake Gerald Hines. They will attend at least one of the back-to-back VIP opening night celebrations which are expected to draw, each night, some 2,000 visitors from around the world. By the time the exhibition closes in November, as many as 300,000 visitors will have seen the school's work on display in Palazzo Bembo.

    Architecture Dean Patricia Belton Oliver is leading the Cougar contingent that includes professors participating in the studio Thomas Colbert and Peter Zweig plus Philip Johnson Visiting Faculty member Michael Rotondi of Los Angeles and five students.

    "Being accepted to three biennales around the world, our presence there lets the world know that this is the kind of work we do and the caliber," Oliver said shortly before departing for Venice and Rotterdam.

    Three Continent study

    It was no mean feat to be selected to participate in the Venice Biennale, chaired this year by renowned architect and Pritzker Prize recipient Rem Koolhaas. The college presentation had to go through an application process that required surviving review boards which looked at presentations from a worldwide collection of organizations.

    For The Three Continent study of communities on the water's edge, UH joined forces with the University of Buenos Aires in Argentina, the Technical University, Delft, in the Netherlands and Tulane University in New Orleans. Through shared symposia and student/faculty exchanges, they explored the shared challenges of balancing housing, mobility, public space, civic engagement, economic development and environmental policy in what can be precarious environments.

    "Our goal was to take on the ship channel because it's too important to be trivialized because we are afraid of what we might find."

    In addition to models, photographs, drawings and a video, the UH contribution features a 20-foot-long scale model of the 52-mile long Houston Ship Channel. Twenty shipping crates were necessary to move the work to Venice, a transportation gift from UPS.

    "We took on the challenge of looking at our primary waterway, which is the Galveston Bay and into the Ship Channel and into our bayou system," Oliver explained. "It has every possible condition along it that you can dream of, so it presents a lifetime of challenge. Our goal was to take on the Ship Channel because it's too important to be trivialized because we are afraid of what we might find.

    "So for us if we can approach a study of the Ship Channel with an attitude of what can we do to turn something that has so many negatives into a positive, then that is going to be our directive."

    Spring board project

    UH students bringing the project to a conclusion and participating in the Venice exhibition are Jackson Fox, David Regone, Lacey Richter, Sam Goulas and Wells Barber.

    "Just knowing that these students are able to go to see their work in this context with hundreds of architects from around the world, that is enough of a reward in itself," Oliver said adding that participating in a biennale is rare opportunity that few architects experience, much less students. "I can guarantee you their lives will be changed."

    For the college, it's an opportunity for the school to broaden its exposure and for the faculty to take their research internationally, Oliver said. "And on top of that, this project is a spring board. It's not going to stop. It becomes an opportunity for us to build our strengths and interests in urban sustainability. "

    University of Houston College of Architecture professor Peter Zweig.

    UH architecture professor Peter Zweig May 2014
    Photo courtesy of University of Houston
    University of Houston College of Architecture professor Peter Zweig.
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    9 acres of gardens

    10 things to know about America's first Ismaili Center opening in Houston

    Emily Cotton
    Nov 6, 2025 | 1:05 pm
    Ismali Center, Houston exterior
    Photo by Iwan Baan
    The building is reflected in the pool, a feature common in Muslim design.

    The long-awaited Ismaili Center, Houston is set to open to the public next month. The 11-acre site has been painstakingly-designed and constructed to offer indoor and outdoor public spaces for Houstonians to enjoy, connect, and engage. As the only Ismaili Center in the United States, and seventh in the world, it joins its international communities in London, Vancouver, Lisbon, Dubai, Dushanbe, and Toronto.

    Nearly 20 years in the making, the Ismaili Center, Houston features a prayer hall, rotating art installations, a black box theater, a cafe, numerous social halls for weddings and other events, plus 9-acres of outdoor space and landscaped botanical gardens. Involved parties hope that the community will see the space as an extension of the neighboring parks along the bayou, and have included a garden entrance to the north lawn and gardens at the corner of Montrose Boulevard and Allen Parkway.

    While Houston is known for its many community engagement centers, the architects and designers believe that the seamless integration of indoor and outdoor spaces sets the Ismaili Center, Houston apart from all others.

    “What we know is the connections between buildings, environment, quality of life, and landscape — this is nothing new,” structural and facade engineer Hanif Kara tells CultureMap. “But, certainly, it’s hard to see that in other developments, particularly when they are done by developers. It’s quite difficult to find community spaces, and to see how quality of life is improved for everyone. I think we’ve all experienced that kind of hope that it will play out something like this.”

    Designed by Farshid Moussavi Architecture and Nelson Byrd Woltz Landscape Architects, the remarkable 11-acre site is designed both to receive LEED Gold certification and to withstand the tests of Houston’s sometimes extreme weather conditions.

    Principal architect Farshid Moussavi looks forward to seeing the Houston community utilize the space she’s worked so hard to deliver: “We’ve given the hardware to the community, now the software needs to come in. So I hope that there will be music recitals, or lectures, or book fairs, or other kinds of markets that can happen—even simultaneously. This is not an experiment, it’s the seventh in the world.”

    Community welcome events are scheduled for December 12 and 13, but, until then, here are 10 things to know about the Ismaili Center, Houston.

    What is the Ismaili Center, Houston
    “The use of the building is really meant for, or our hope, is that we are able to—on an enhanced view of what the community does today—have engagement on service projects, arts and culture, interfaith dialogue, and even just in bringing people together,” Omar Samji, Ismaili Council for the United States of America tells CultureMap. “The notion of bringing people together in a place where it is easy to create connections because it’s an open space, and because it’s specifically designed to be a place where people interact and where people find commonality. Because whether you’re out in the gardens, or on the environs, or in the atrium, this enables connection.”

    The Scale
    The Center stretches out across an 11-acre site along Montrose Boulevard, from West Dallas to Allen Parkway. The physical building is 150,000 square feet, leaving 9-acres for garden spaces on both the north and south sides of the building. The south side of the property is more formal, with gardens and community spaces that flank an 80-foot reflection pool and other water features. The gardens on the north side of the building are more informal, but densely planted and vast.

    The creation of Ismaili Center Houston was a huge team effort
    The development of the Ismaili Center was led by the Ismaili Council. It was initiated by His Highness Prince Karim Aga Khan IV (1936-2025), and completed under the leadership of his eldest son, Prince Rahim Aga Khan V.

    The project was designed and constructed by a team of both local and international firms. Farshid Moussavi Architecture joined forces with structural and facade engineer Hanif Kara, co-founder and creative director of AKT II. DLR Group is the architect and engineer of record, while contractor McCarthy Building Companies built the project. Thomas Woltz, senior principal and owner of landscape architecture firm Nelson Byrd Woltz, along with principal Jeff Aten taking lead on the nine acres of garden space. The project is targeting LEED Gold certification.

    Walk, work, play, or find a cozy spot to enjoy nine acres of native Texas plants and trees
    The Center will be recognized as a leading cultural asset for the City of Houston, complementing nearby institutions such as The Menil Collection, Rothko Chapel, Asia Society Texas, and the Museum of Fine Arts, Houston. While the surrounding gardens will add to the other notable Nelson Byrd Woltz projects within close proximity at Memorial Park, Rothko Chapel, and Rice University.

    “We’ve been building massive projects in Houston for 12 years,” Woltz tells CultureMap. “We know the horticultural community in the region, and we did a deep, deep dive in ecological research to understand ‘What are the native plants of whatever region?’ It’s just baked into our process. Right when we are starting any project in Houston—right to the river. Look at the soils, ‘What are the plants appropriate to that place?’ Its solar aspect, its humidity, it’s moisture in soils, the shadow of the building.

    But then, this idea of taking a section across the state of Texas, so that each of those distinct ecological regions is represented by one of the terraced gardens — so it’s very clear. It’s a diagram of the state of Texas and all of its native plants. This is functioning like a botanic garden and a repository for biodiversity — this is work in service.”

    The exterior is eco-friendly
    The exterior of the building is clad in stone, a durable material with low embodied carbon. The stone cladding is a rainscreen over in-situ ‘fair-faced’ concrete walls, exposed on the interior to minimize additional material use. The concrete mix used has replaced 35-62 percent of Portland cement with fly ash and slag, reducing CO2 emissions by roughly 30 percent compared to standard mixes. The exterior stone rainscreen uses smaller tiles to increase the stone yield, utilizing 20-25 percent more of the irregular blocks they are cut from. This reduction in waste has also lent itself to crafting the cladding in a unique way.

    The tessellation of the stone pieces changes across the building's surfaces to create different patterns on different sides of the buildings and at the corners. Relief stone tiles are used to add texture to the facades.

    It will host outdoor plays and concerts
    The north-facing botanical gardens that will accommodate the 200-year flood plain offer a 27 foot gradient toward the building. This allowed for various levels of seating and gathering areas that culminate at an elevated terrace that will act as a stage for various events such as plays and concerts. Attendees can stretch out and enjoy the shows from an extensive lawn area that is surrounded by dense gardens of native trees and plants.

    Check out both international and community events and performances in the Black Box Theater
    A 2,600-square-foot black box multipurpose space which seats 125 people is found on the second floor of the building’s west wing. It can host public events, such as exhibitions, film screenings, theatrical performances, music recitals, and other artistic programs throughout the year. It will also serve as a flexible space for teaching and learning. With acoustic isolation to surrounding spaces and the mechanical mezzanine above, it is designed to operate simultaneously without disrupting other events in the building. Design includes an upper-level control room, pipe grid, and flexible drapery and seating configurations to allow for a wide variety of programming.

    Grab a bite or a beverage at the cafe
    The center’s café is a 1,600-square-foot, double-height space located in the west wing (Montrose side) that opens onto an enormous terrace, offering visitors the option to enjoy their coffee or food outdoors. The terrace near the cafe is lined by an exterior wall and long, trough-style fountains that aid in noise reduction from Montrose Boulevard. The second-floor wall overlooking the Café is fully glazed, creating visual connection with the levels above.

    There is a The Prayer Hall / Jamatkhana available to members of the Ismaili community.
    The prayer hall is a whopping 12,240 square feet, featuring a unique structural system of seven interlocking squares, formed from steel beams spanning the 115-by-115-foot open space. These beams are clad in concrete to enhance durability, beneath which lies a two-layer perforated aluminum ceiling with integrated diffused lighting. Its intricate pattern recalls the traditional jālī screens of Islamic architecture creating a soft, seemingly infinite ceiling effect, adding to the serenity of the prayer hall.

    Who is His Highness the Aga Khan?
    His Highness Prince Rahim Aga Khan V is the 50th hereditary Imam (spiritual leader) of the Shia Ismaili Muslims and a direct descendant of the Prophet Muhammad. He was educated at Philipps Academy in Andover and Brown University (Class of 1995). He became Imam in February 2025 upon the passing of his father, His Highness Prince Karim Aga Khan IV.

    The Aga Khan promotes an understanding of Islam rooted in values of generosity, tolerance, pluralism, environmental stewardship, and the shared unity of humanity. He also chairs the Aga Khan Development Network (AKDN), one of the world’s largest private development agencies, which works across more than 30 countries to improve quality of life for marginalized communities regardless of faith or background.

    Ismali Center, Houston exterior

    Photo by Iwan Baan

    The building is reflected in the pool, a feature common in Muslim design.

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