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    School of life

    Got Shock? Time Magazine's cover photo sets back drive for acceptance ofbreastfeeding

    Christina Pesoli
    May 12, 2012 | 5:15 pm
    • Are you Mom Enough? Time Magazine
      Photo by Martin Schoeller for Time Magazine
    • Photo by Martin Schoeller for Time Magazine

    When it comes to the acceptability of breastfeeding, Time Magazine just turned back the clock 50 years.

    The cover photo for the May 21, 2012 issue depicts an attractive twenty-something woman breast feeding a kid who looks every bit old enough to make his own peanut butter sandwich, if not run to the store to pick up a jug of milk to wash it down with.

    In an era when Sandra Fluke, a poised 30-year-old law student, can’t speak to a congressional committee about whether insurance plans should cover the cost of contraception without being called a slut and a prostitute, Time Magazine should have known better.

    I am not saying this as some uptight suburban mom who gets wigged out by anything that seems a little bit unconventional. When it comes to non-mainstream choices in parenting, I have plenty of street cred. I have given birth via natural childbirth two times (and to prove it I can give you the names of the people who heard the screams). Both of my children were delivered by midwives. And one of my kids was even delivered at home — on purpose.

    In an era when Sandra Fluke, a poised 30-year-old law student, can’t speak to a congressional committee about whether insurance plans should cover the cost of contraception without being called a slut and a prostitute, Time Magazine should have known better.

    I’m not ashamed to say I’m a cloth diaper-carrying member of the natural mom movement. From the effectiveness of spanking, to the pros and cons of circumcision, to whether or not to vaccinate, to advisability of co-sleeping, I have found myself on the Grape Nut rather than the Frosted Flake side of many of these issues.

    To be clear, it’s not so much the cover story but the actual photo that I am sour on. The cover story is about Attachment Parenting, a philosophy of child rearing that is intended to promote a strong emotional bond between parent and child. Extended nursing, co-sleeping and baby wearing are the holy trinity of this approach — the intelligent design behind the eternal bond.

    But while I hold more than my fair share of non-traditional parenting beliefs, I’ve never been a follower of Attachment Parenting. It’s not because I am against co-sleeping, baby wearing or breast feeding. And of course I want to be close to my kids — especially when it’s almost Mothers’ Day.

    But my goal as a mom is to help my kids to be as independent as possible given their age and developmental level. And I’ve always felt that past a certain point, co-sleeping and breast feeding might be more about meeting the parent’s emotional needs than the child’s, and in that sense might work to interfere with the child’s emerging independence.

    Although Attachment Parenting may not be for me, there are certainly aspects of the philosophy that I respect. And at the end of the day, I believe that how one parents children is a highly personal decision.

    But as I said, my issue with the cover photo isn’t about Attachment Parenting. My objection is to the cover photo because of the inflammatory effect I fear it will have on the acceptance of breast feeding.

    When it comes to feeding your baby, study after study has proven that “breast is best,” as the saying goes. From building your child’s immunities, to decreasing the odds of becoming obese, to dodging bullets like diabetes or asthma, to fewer childhood ear infections, to higher IQs later in life, to a reduced likelihood of breast cancer for moms, the science is all there.

    Yet despite the obvious public health benefits of breast feeding, the public climate remains anything but supportive. (There’s an underwire bra joke in there somewhere, but even I can’t go there.) Behind the opposition seems to be the mistaken notion that breasts are strictly sexual accoutrements rather than body parts designed to dispense milk to babies. It’s as if people see breastfeeding as taking something that was designed for sexual gratification and retooling it for use in child rearing — like using an old issue of Hustler to teach your kindergartener to read.

    It’s as if people see breastfeeding as taking something that was designed for sexual gratification and retooling it for use in child rearing — like using an old issue of Hustler to teach your kindergartener to read.

    Given this tawdry misconception, it is perhaps not surprising that there is a perennial debate over the appropriateness of breast feeding in public. Plenty of people feel that the sight of a woman discreetly breastfeeding a baby in a restaurant is not just inappropriate, it is actually stomach turning. This view has always dumbfounded me.

    The notion that propriety and manners dictate that in order to feed her baby a woman must leave the room where everyone else is eating and sequester herself in a room where everyone else is doing the opposite of eating sounds not just illogical, but inconvenient and unsanitary, as well. No one suggests that adults should eat in private just because they use their mouths in the process and mouths are body parts that are also often involved in sexual acts.

    Yet the battle against breast feeding being viewed as somehow perverted continues, and mothers who want to do what they feel is best for their babies are caught in the crossfire of this ridiculous battle of the overall culture war.

    And in running this cover photo, Time Magazine just emptied an entire magazine of bullets into this battle. But by staging this photo to be as bizarre as possible, rather than defending the majority of breast feeding moms, Time Magazine intentionally turned its firepower against them.

    The fact is, most moms do not breastfeed while standing up. Why? Because the mechanics of it don’t work well that way plus it’s not at all comfortable. But by having the mom in a standing position, then having the boy stand on a chair to elevate him to breast height, the effect is that the kid appears older and bigger than he already is.

    Additional touches like the mom resting one hand on her hip while staring somewhat defiantly at the camera and the boy holding his arms down rather than having them around his mom, all tend to create the impression that these are two individuals involved in breast feeding rather than a mother and her small child.

    Had the cover photo been of the very same mother breast feeding the very same child, except with the mom sitting on a couch with her three-year-old in her lap while she gazed down at him, the effect of this photo would have been very different.

    Reasonable minds can differ as to the appropriate age to wean your baby as well as the pros and cons of Attachment Parenting. But by deliberately going for shock value in its cover photo, Time Magazine hasn’t helped Attachment Parenting gain acceptance; it has only pushed breast feeding farther into the dark, seedy shadows where it doesn’t deserve to be.

    unspecified
    news/city-life

    preserve Houston's history

    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

    preservationpreservation houstongarden oaks
    news/city-life

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