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    and the tony goes to...

    Standout Houston-born Broadway star shines as Best Actor nominee in Tony Awards

    Holly Beretto
    Jun 9, 2023 | 8:05 pm
    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked

    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked.

    Mathew Murphy & Evan Zimmerman

    UPDATE: Celebrated Houstonian Kevin Cahoon did not ultimately win the Tony for Best Actor in a Featured Role in a Musical on Sunday, June 11. That honor went to his Shucked costar, Alex Newell, the first out, non-binary performer to win a Tony Award. Newell gave a riveting speech at the awards show.

    -----

    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in SHUCKED

    Matthew Murphy and Evan Zimmerman

    (Left to right) Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked.

    Houstonians tuning into the 76th Annual Tony Awards on Sunday, June 11 honoring Broadway's best and brightest have an inspiring special reason to cheer.

    Kevin Cahoon, a graduate of the Kinder High School for the Performing and Visual Arts, is in the running for Best Actor in a Featured Role in a Musical for his performance in Shucked. He plays Peanut in the show, which Variety called "surprise delight of the Broadway season."

    "It is a lifelong dream come true," Cahoon tells CultureMap. "I am gobsmacked. And every time someone brings it up, it's like hearing it for the first time. I keep pinching myself."

    A Houston star is born

    Cahoon said he knew from a very early age he wanted to perform. At age six, he began working as a rodeo clown. HIs father was a calf roper who met his mother at a school rodeo club. Over his next decade, Cahoon would go on to perform in rodeos across Texas and Oklahoma, including at the Houston Livestock Show and Rodeo.

    By age 10, he was enrolled in TUTS' Humphreys School of Musical Theatre and was performing on the mainstage. That's where he met Vanessa Garner, who became his HSPVA classmate and the founder of the Nashville Theatre School.

    "She's my date to the Tonys," Cahoon notes.

    For Cahoon, attending HPSVA gave him more than just an opportunity to hone his skills as an actor and a launching pad for a career that, thus far, has spanned three decades.

    "HSPVA really was a safe haven for smart, talented, brilliant oddballs to feel supported," he sats. "I was a gay kid. I wasn't out, but the writing was on the wall. And it wasn't an easy daily existence in middle school. But I got to HSPVA and it was this school full of unicorns in the best possible way!"

    He graduated from HSPVA in 1989 and went on to earn his BFA from NYU's prestigious Tisch School of the Arts.

    "Houston is one of the most diverse cities in the country, and growing up here caused my heart, my mind, my eyes to be open to people of other backgrounds," says Cahoon. "When I hit New York City, I'd already been exposed to people from so many different backgrounds, and a lot of that was true at HSPVA, too."

    Once he arrived in New York, he stayed.

    From PVA to Broadway

    Following graduation from NYU, he made his Broadway debut in The Who's Tommy, stepping into the ensemble as a replacement after the show opened. He originated the role of Ed, one of the hyenas in the original Broadway cast of Disney's The Lion King.

    He was in the original casts of The Rocky Horror Show as Phantom and Chitty Chitty Bang Bang as the Childcatcher, and originated the role of George in The Wedding Singer, the musical based on the Adam Sandler film of the same name.

    Television audiences will know him as Ed Clark in Fox's Monarch and Hugo from seasons two and three of A Series of Unfortunate Events on Netflix, as well as that streaming service's season three of Glow, where he played Bobby Barnes.

    Shucked and awe

    Shucked, with a score by Brandy Clark & Shane McAnally and book by Robert Horn, is nominated for nine Tony Awards. The musical tells the story of Maizy and Beau, two residents of the fictional Midwestern community of Cobb County who are forced to call off their wedding when the corn crop gets blighted.

    As corn is the lifeblood of this community, Maisy heads off to the big city looking for help and a way to save the crop. The show's corniness has been compared to the classic "Hee-Haw" comedy TV show, and its earnestness has been delighting audiences and critics. Cahoon's Peanut is something of the show's everyman, serving as county clerk, resident philosopher, and more. He's the guy with lines like, “I think if you have time to jump in front of a bullet for someone, they have time to move.”

    The New York Post called his performance "brilliant."

    "It's been peaks and valleys, peaks and valleys," reflects Cahoon on his journey with Peanut in the show, which as taken 12 years from development to the Great White Way. He's been part of it for a decade, through workshops and readthroughs. A pre-Broadway run in D.C. was shuttered due to the pandemic.

    So, having the show finally arrive on Broadway is a triumph.

    "Audiences tell us, ''I'm from Nebraska,' 'I'm from Ohio,'" says Cahoon. "And they've never felt like they've seen themselves in a positive light in a lot of media."

    For Cahoon, playing Peanut is a joy.

    "I love that does everything in the town," he says. "And he tries to keep everyone's spirits afloat. He looks at the world, which can be unfair and sometimes unjust and he still has this positive, sunshiny view of it. This is one of the great gifts of my career."

    Kinder in the house

    At the Tony Awards on Sunday, Cahoon won't be the only HSPVA representing H-Town. While his is the only performance by an alumni that's nominated for an individual award, Sterling Overshown, HSPVA Class of 2012, wrote the music for Ain't No Mo, nominated for six Tony, including Best Play.

    Meanwhile, Fernell Hogan, Class of 2015, is in the musical Kimberly Akimbo, which received eight nominations, including Best Musical. Jarvis B. Manning, Jr., Class of 2005, is in Some Like It Hot, nominated for 13 Tonys, including Best Musical. Brandon Lee, Class of 2001 plays trumpet in that show's orchestra.

    A standing-o representation, indeed.

    ----

    Watch for Kevin Cahoon on The 76th Annual Tony Awards, broadcast live on CBS and Paramount+ at 7 pm Sunday, June 11.

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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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