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    and the tony goes to...

    Standout Houston-born Broadway star shines as Best Actor nominee in Tony Awards

    Holly Beretto
    Jun 9, 2023 | 8:05 pm
    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked

    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked.

    Mathew Murphy & Evan Zimmerman

    UPDATE: Celebrated Houstonian Kevin Cahoon did not ultimately win the Tony for Best Actor in a Featured Role in a Musical on Sunday, June 11. That honor went to his Shucked costar, Alex Newell, the first out, non-binary performer to win a Tony Award. Newell gave a riveting speech at the awards show.

    -----

    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in SHUCKED

    Matthew Murphy and Evan Zimmerman

    (Left to right) Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked.

    Houstonians tuning into the 76th Annual Tony Awards on Sunday, June 11 honoring Broadway's best and brightest have an inspiring special reason to cheer.

    Kevin Cahoon, a graduate of the Kinder High School for the Performing and Visual Arts, is in the running for Best Actor in a Featured Role in a Musical for his performance in Shucked. He plays Peanut in the show, which Variety called "surprise delight of the Broadway season."

    "It is a lifelong dream come true," Cahoon tells CultureMap. "I am gobsmacked. And every time someone brings it up, it's like hearing it for the first time. I keep pinching myself."

    A Houston star is born

    Cahoon said he knew from a very early age he wanted to perform. At age six, he began working as a rodeo clown. HIs father was a calf roper who met his mother at a school rodeo club. Over his next decade, Cahoon would go on to perform in rodeos across Texas and Oklahoma, including at the Houston Livestock Show and Rodeo.

    By age 10, he was enrolled in TUTS' Humphreys School of Musical Theatre and was performing on the mainstage. That's where he met Vanessa Garner, who became his HSPVA classmate and the founder of the Nashville Theatre School.

    "She's my date to the Tonys," Cahoon notes.

    For Cahoon, attending HPSVA gave him more than just an opportunity to hone his skills as an actor and a launching pad for a career that, thus far, has spanned three decades.

    "HSPVA really was a safe haven for smart, talented, brilliant oddballs to feel supported," he sats. "I was a gay kid. I wasn't out, but the writing was on the wall. And it wasn't an easy daily existence in middle school. But I got to HSPVA and it was this school full of unicorns in the best possible way!"

    He graduated from HSPVA in 1989 and went on to earn his BFA from NYU's prestigious Tisch School of the Arts.

    "Houston is one of the most diverse cities in the country, and growing up here caused my heart, my mind, my eyes to be open to people of other backgrounds," says Cahoon. "When I hit New York City, I'd already been exposed to people from so many different backgrounds, and a lot of that was true at HSPVA, too."

    Once he arrived in New York, he stayed.

    From PVA to Broadway

    Following graduation from NYU, he made his Broadway debut in The Who's Tommy, stepping into the ensemble as a replacement after the show opened. He originated the role of Ed, one of the hyenas in the original Broadway cast of Disney's The Lion King.

    He was in the original casts of The Rocky Horror Show as Phantom and Chitty Chitty Bang Bang as the Childcatcher, and originated the role of George in The Wedding Singer, the musical based on the Adam Sandler film of the same name.

    Television audiences will know him as Ed Clark in Fox's Monarch and Hugo from seasons two and three of A Series of Unfortunate Events on Netflix, as well as that streaming service's season three of Glow, where he played Bobby Barnes.

    Shucked and awe

    Shucked, with a score by Brandy Clark & Shane McAnally and book by Robert Horn, is nominated for nine Tony Awards. The musical tells the story of Maizy and Beau, two residents of the fictional Midwestern community of Cobb County who are forced to call off their wedding when the corn crop gets blighted.

    As corn is the lifeblood of this community, Maisy heads off to the big city looking for help and a way to save the crop. The show's corniness has been compared to the classic "Hee-Haw" comedy TV show, and its earnestness has been delighting audiences and critics. Cahoon's Peanut is something of the show's everyman, serving as county clerk, resident philosopher, and more. He's the guy with lines like, “I think if you have time to jump in front of a bullet for someone, they have time to move.”

    The New York Post called his performance "brilliant."

    "It's been peaks and valleys, peaks and valleys," reflects Cahoon on his journey with Peanut in the show, which as taken 12 years from development to the Great White Way. He's been part of it for a decade, through workshops and readthroughs. A pre-Broadway run in D.C. was shuttered due to the pandemic.

    So, having the show finally arrive on Broadway is a triumph.

    "Audiences tell us, ''I'm from Nebraska,' 'I'm from Ohio,'" says Cahoon. "And they've never felt like they've seen themselves in a positive light in a lot of media."

    For Cahoon, playing Peanut is a joy.

    "I love that does everything in the town," he says. "And he tries to keep everyone's spirits afloat. He looks at the world, which can be unfair and sometimes unjust and he still has this positive, sunshiny view of it. This is one of the great gifts of my career."

    Kinder in the house

    At the Tony Awards on Sunday, Cahoon won't be the only HSPVA representing H-Town. While his is the only performance by an alumni that's nominated for an individual award, Sterling Overshown, HSPVA Class of 2012, wrote the music for Ain't No Mo, nominated for six Tony, including Best Play.

    Meanwhile, Fernell Hogan, Class of 2015, is in the musical Kimberly Akimbo, which received eight nominations, including Best Musical. Jarvis B. Manning, Jr., Class of 2005, is in Some Like It Hot, nominated for 13 Tonys, including Best Musical. Brandon Lee, Class of 2001 plays trumpet in that show's orchestra.

    A standing-o representation, indeed.

    ----

    Watch for Kevin Cahoon on The 76th Annual Tony Awards, broadcast live on CBS and Paramount+ at 7 pm Sunday, June 11.

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    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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