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    and the tony goes to...

    Standout Houston-born Broadway star shines as Best Actor nominee in Tony Awards

    Holly Beretto
    Jun 9, 2023 | 8:05 pm
    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked

    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked.

    Mathew Murphy & Evan Zimmerman

    UPDATE: Celebrated Houstonian Kevin Cahoon did not ultimately win the Tony for Best Actor in a Featured Role in a Musical on Sunday, June 11. That honor went to his Shucked costar, Alex Newell, the first out, non-binary performer to win a Tony Award. Newell gave a riveting speech at the awards show.

    -----

    Left to right Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in SHUCKED

    Matthew Murphy and Evan Zimmerman

    (Left to right) Alex Newell, Caroline Innerbichler, Kevin Cahoon, and Andrew Durand in Shucked.

    Houstonians tuning into the 76th Annual Tony Awards on Sunday, June 11 honoring Broadway's best and brightest have an inspiring special reason to cheer.

    Kevin Cahoon, a graduate of the Kinder High School for the Performing and Visual Arts, is in the running for Best Actor in a Featured Role in a Musical for his performance in Shucked. He plays Peanut in the show, which Variety called "surprise delight of the Broadway season."

    "It is a lifelong dream come true," Cahoon tells CultureMap. "I am gobsmacked. And every time someone brings it up, it's like hearing it for the first time. I keep pinching myself."

    A Houston star is born

    Cahoon said he knew from a very early age he wanted to perform. At age six, he began working as a rodeo clown. HIs father was a calf roper who met his mother at a school rodeo club. Over his next decade, Cahoon would go on to perform in rodeos across Texas and Oklahoma, including at the Houston Livestock Show and Rodeo.

    By age 10, he was enrolled in TUTS' Humphreys School of Musical Theatre and was performing on the mainstage. That's where he met Vanessa Garner, who became his HSPVA classmate and the founder of the Nashville Theatre School.

    "She's my date to the Tonys," Cahoon notes.

    For Cahoon, attending HPSVA gave him more than just an opportunity to hone his skills as an actor and a launching pad for a career that, thus far, has spanned three decades.

    "HSPVA really was a safe haven for smart, talented, brilliant oddballs to feel supported," he sats. "I was a gay kid. I wasn't out, but the writing was on the wall. And it wasn't an easy daily existence in middle school. But I got to HSPVA and it was this school full of unicorns in the best possible way!"

    He graduated from HSPVA in 1989 and went on to earn his BFA from NYU's prestigious Tisch School of the Arts.

    "Houston is one of the most diverse cities in the country, and growing up here caused my heart, my mind, my eyes to be open to people of other backgrounds," says Cahoon. "When I hit New York City, I'd already been exposed to people from so many different backgrounds, and a lot of that was true at HSPVA, too."

    Once he arrived in New York, he stayed.

    From PVA to Broadway

    Following graduation from NYU, he made his Broadway debut in The Who's Tommy, stepping into the ensemble as a replacement after the show opened. He originated the role of Ed, one of the hyenas in the original Broadway cast of Disney's The Lion King.

    He was in the original casts of The Rocky Horror Show as Phantom and Chitty Chitty Bang Bang as the Childcatcher, and originated the role of George in The Wedding Singer, the musical based on the Adam Sandler film of the same name.

    Television audiences will know him as Ed Clark in Fox's Monarch and Hugo from seasons two and three of A Series of Unfortunate Events on Netflix, as well as that streaming service's season three of Glow, where he played Bobby Barnes.

    Shucked and awe

    Shucked, with a score by Brandy Clark & Shane McAnally and book by Robert Horn, is nominated for nine Tony Awards. The musical tells the story of Maizy and Beau, two residents of the fictional Midwestern community of Cobb County who are forced to call off their wedding when the corn crop gets blighted.

    As corn is the lifeblood of this community, Maisy heads off to the big city looking for help and a way to save the crop. The show's corniness has been compared to the classic "Hee-Haw" comedy TV show, and its earnestness has been delighting audiences and critics. Cahoon's Peanut is something of the show's everyman, serving as county clerk, resident philosopher, and more. He's the guy with lines like, “I think if you have time to jump in front of a bullet for someone, they have time to move.”

    The New York Post called his performance "brilliant."

    "It's been peaks and valleys, peaks and valleys," reflects Cahoon on his journey with Peanut in the show, which as taken 12 years from development to the Great White Way. He's been part of it for a decade, through workshops and readthroughs. A pre-Broadway run in D.C. was shuttered due to the pandemic.

    So, having the show finally arrive on Broadway is a triumph.

    "Audiences tell us, ''I'm from Nebraska,' 'I'm from Ohio,'" says Cahoon. "And they've never felt like they've seen themselves in a positive light in a lot of media."

    For Cahoon, playing Peanut is a joy.

    "I love that does everything in the town," he says. "And he tries to keep everyone's spirits afloat. He looks at the world, which can be unfair and sometimes unjust and he still has this positive, sunshiny view of it. This is one of the great gifts of my career."

    Kinder in the house

    At the Tony Awards on Sunday, Cahoon won't be the only HSPVA representing H-Town. While his is the only performance by an alumni that's nominated for an individual award, Sterling Overshown, HSPVA Class of 2012, wrote the music for Ain't No Mo, nominated for six Tony, including Best Play.

    Meanwhile, Fernell Hogan, Class of 2015, is in the musical Kimberly Akimbo, which received eight nominations, including Best Musical. Jarvis B. Manning, Jr., Class of 2005, is in Some Like It Hot, nominated for 13 Tonys, including Best Musical. Brandon Lee, Class of 2001 plays trumpet in that show's orchestra.

    A standing-o representation, indeed.

    ----

    Watch for Kevin Cahoon on The 76th Annual Tony Awards, broadcast live on CBS and Paramount+ at 7 pm Sunday, June 11.

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    best july art

    MFAH celebrates America 250 and 7 more must-see art openings for July

    Tarra Gaines
    Jul 7, 2026 | 2:00 pm
    ​Orkhan Mammadov’s “Visions” at Art Club
    Photo courtesy of Art Club
    Orkhan Mammadov’s “Visions” at Art Club

    The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

    Art Club’s New Season at POST (ongoing)
    When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

    One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

    Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

    “This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

    “Horizon” at The Plaza at Avenida Houston (now through September 7)
    Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

    Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

    “George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
    The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

    “America 250” at the Museum of Fine Arts, Houston (now through January 3)
    The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

    From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

    "On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

    "Representation of Form" at MATCH (July 9-12)
    Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

    “Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
    Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

    For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

    "World of Color” at Laura Rathe Fine Art (July 16-August 14)
    This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

    "Learning Curve 18” at Houston Center for Photography (July 16-August 16)
    This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

    “As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

    \u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

    Photo courtesy of Art Club

    Orkhan Mammadov’s “Visions” at Art Club

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