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    proud gigi

    Houston-born actress comes home to star in Tina: The Tina Turner Musical

    Holly Beretto
    Jan 2, 2024 | 6:00 am

    Excited doesn't quite capture the emotion Houston native GiGi Lewis feels about coming through her hometown in the national tour of Tina: The Tina Turner Musical, opening January 2 at the Hobby Center for the Performing Arts.

    "I'm trying to keep it down because I'm over here losing it," she laughs. "I'm like a kid in a candy store!"

    The musical tells the story of Tina Turner, the iconic superstar known for her big voice, big presence, and big drama in her relationship with husband Ike Turner. Across her more than 50-year career, she sold more than 100 million records worldwide, shattered records and barriers, won 12 Grammy Awards, was the first Black woman to be featured on the cover of Rolling Stone, and acted in Mad Max Beyond Thunder Dome, among many other accomplishments.

    Tina features a slew of her hits across the decades, and was nominated for 12 Tony Awards, garnering one for Adrienne Warren for Best Performance by a Leading Actress in a Musical. Jesse Green of the New York Times wrote of the show, "I’ve rarely heard an audience with this mighty a roar.” The Daily Beast said of the musical, "Be prepared to be ecstatically blown away. It’s a miracle the roof hasn’t taken flight to space.”

    From H-Town to the Big Apple

    Lewis' road to the national tour isn't the typical story of a kid who gets bit by the theater bug, studies it in college, then hoofs off to the Big Apple, looking to land on Broadway. Neither Aldine High School, from which she graduated, nor Prairie View A&M University, where she spent three years, had musical theater programs.

    "But I had incredible music teachers and drama teachers," she tells CultureMap. "And we put on small choir productions for other students. That began to create a path to where I am today."

    She also credits her parents for helping to teach her the craft of singing, especially her dad. From the age of about 5 or 6, she says, her father, a singer himself and a preacher, would sit down and sing to her all the time. She began mimicking him, and he would offer her tips.

    "I'd sing in the choir at church, then come home and sing with my dad," she recalls. "I learned everything, music-wise, from my dad."

    After high school, while she was a student at Prairie View A&M, she began singing in gigs around Houston, going back and forth between Prairie View and H-Town, with occasional trips to Dallas and other cities, even being part of the cast of Motown and More for a couple of years at Miller Outdoor Theatre. The experience, she says in hindsight, helped open her to the idea that being a professional singer was really what she wanted, along with helping her get used to the idea of being in the public eye.

    She's on a boat!

    It would take a cruise to really change her life. She and her cousin and an aunt took a Carnival trip sailing out of Galveston, and there was a talent show on the ship. Her cousin signed her up.

    "Girl, what are you doing?" she says she told her. "That's crazy."

    But she got up there and sang anyway, performing "I Will Always Love You." Her cousin recorded it and posted it to her social media — and Royal Caribbean came calling, asking her to audition.

    "I'm just thinking, what in the world? I'm in my late 20s. I did a GoFundMe that paid for my travel to Miami."

    She landed the gig, and set sail with Royal Caribbean in 2016. She'd work for the company for seven years, taking on roles such as Pearl in Hairspray, and performing in Dare to Dream, a musical about the Wright Brothers, along with Las Vegas-style shows. It was an opportunity for her to explore the world and hone her craft. While performing in Hairspray at sea, she learned about auditions for Tina. There was one problem: she was in Spain and the auditions were in New York. Across a frantic 24 hours, she flew back to the States and nailed the audition.

    Tina's true BFF

    Lewis hit the road with Tina in October, taking on the roles of Aline, Tina's sister and confidant; an Ikette; and being part of the ensemble. She also understudies the role of Tina.

    "Tina," she exclaims. "Tina. Tina. Tina. What an incredible honor this is. I was a fan before I got here. I still pinch myself."

    Juggling the roles she has might seem daunting, but Lewis loves the challenge. She describes Aline as one of Turner's "best friends. She had such a huge role in her life. She was the manager of the Ikettes. She wrote songs for Ike and Tina. In the show, she serves as someone Tina can confide in. She'd loud. She's bold. She's funny."

    Those are traits Lewis says she recognizes in herself.

    A true Houston star

    Right now, she's having a blast touring the country. On a stop in St. Louis, the cast of the show got to visit the school Tina Turner attended. When she isn't performing, she seeks out significant places in Black history in each city the tour rolls through. And she's learned a great deal about life on the road.

    "It's a big difference from life on the ships!" she says, clearly making fun of herself. "I'm carrying my own suitcases now. Every Monday, I'm in line at the airport."

    But she wouldn't have it any other way. And she's elated for her hometown friends and family to see what she does.

    "They've seen me sing, and they've seen me dance and act, but never all three at once," she explains. "I just feel so supported from the people who've reached out and said they're coming. My teachers. My principal. My dream was always to be on that big stage, so having people me doing what I always said I'd do — that makes me teary-eyed."

    Tina: The Tina Turner Musical runs January 2-8 at the Hobby Center for the Performing Arts. Find tickets, showtimes, and more details here.

    GiGi Lewis

    Motley Crew Media

    Aldine High School graduate GiGi Lewis landed the roles of Aline and one of the Ikettes in Tina: The Turner Musical. She'll be in H-Town when the national tour comes to the Hobby Center for the Performing Arts this week.

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    let's dance

    Houston Ballet leaps into 2026-2027 with world premieres and Swan Lake

    Tarra Gaines
    Feb 17, 2026 | 10:30 am
    Artists of Houston Ballet in Stanton Welch’s Swan Lake
    Photo by Lawrence Elizabeth Knox
    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    Announcing its 2026-2027 season, Houston Ballet leaps into an immersive wonderland with the world premiere ballet Where’s Alice? from co-artistic director Stanton Welch. This is just one of many dance adventures set for a season filled with spectacular story ballets, cutting edge contemporary dances, and world premieres.

    “This season reflects the full breadth of what Houston Ballet is — and where we’re going,” Houston Ballet co-artistic director Julie Kent said in a statement. “We are honoring the great choreographic voices that have shaped our art form, from Balanchine and MacMillan to Lubovitch and Peck, while simultaneously opening the door to new creative possibilities through world premieres and bold collaborations.”

    The season begins September 11 through 20 with a classic Texas twang for Pecos Bill, the title production of an eclectic mixed repertory program. Stanton Welch’s fun and rollicking dance follows the adventures of the folklore cowboy, Pecos Bill. The program also showcases a work from 20th century dance master, George Balanchine, with the elegant and dynamic Symphonie Concertante. And for the first time, the company will perform celebrated choreographer Lar Lubovitch’s Meadow, a piece Julie Kent herself once danced when it first debuted.

    Sir Kenneth MacMillan’s Manon returns September 24 through October 4. First performed by the company in 1994, the doomed love story between irresistibly beautiful femme fatale, Manon, and impoverished student, Des Grieux, has had audiences swooning for decades.

    Of course, it wouldn’t be a Houston Ballet season without the annual Margaret Alkek Williams Jubilee of Dance. And then closing out 2026, the company gifts Houston with Welch’s delightful and delectable Nutcracker Ballet.

    The new year premieres Where's Alice? , Welch’s brand new work will be a re-envisioning of Lewis Carroll’s Alice in Wonderland, February 25 through March 7. Describing it as one of the most ambitious undertakings in HB’s recent history, the company plans for Alice to become a fully immersive theater experience that incorporates cutting-edge audio and visual effects that will take audience down the rabbit hole into a living, breathing, wondrous world.

    Keeping with what looks to be the 26-27 season’s theme of blockbuster ballets from Welch, the company floats into spring, March 11 through 21, with the classic story of Madam Butterfly, a dramatic exploration of love, sacrifice, and cultural collision danced to Puccini’s heartbreaking score.

    Beginning May 27 through June 6, HB offers the second mixed repertory program of the season, The Rite of Spring, and with it another world premiere. First, the company brings back the hypnotic, contemporary ballet, Reflections, a piece it originally debuted by the dance world’s reigning rock star, Justin Peck. Company member and up-and-coming choreographer Jacquelyn Long will create a new ballet for the program. Another highlight of the evening and the title work, Welch’s The Rite of Spring, offers a a visceral and elemental reimagining of dance for Stravinsky’s score that shocked the music world when it first debuted.

    Artists of Houston Ballet in Stanton Welch\u2019s Swan Lake

    Photo by Lawrence Elizabeth Knox

    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    The season ends June 10 through 27 with one of ballet’s most beloved stories, Swan Lake. Stanton Welch’s celebrated production was first staged by the company in 2006 and has gone on to become an audience favorite. Inspired by Pre-Raphaelite painter John William Waterhouse’s painting “The Lady of Shalott,” the production features lavish sets and costumes.

    Reflecting on the whole season and his Alice in particular, Welch echo’s Kent’s belief that the programming offers a vision that connects the company’s history, present, and future.

    “Where’s Alice? is an example of that vision – a production that pushes the boundaries of ballet through immersive sets and thought-provoking storytelling that makes you question, 'Who in the world am I?' as Alice did, creating an entirely new world audiences can step into,” Welch said. “It’s work like this that allows us to welcome new audiences into the theater while continuing to challenge and inspire our longtime supporters.”

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