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    we can rebuild it

    Houston's Rothko Chapel indefinitely closed by Hurricane Beryl damage

    Holly Beretto
    Aug 15, 2024 | 9:00 am
    Rothko Chapel
    Photo courtesy of Rothko Chapel

    One of the city's most-loved landmarks announced it's indefinite closure, following damage from Hurricane Beryl. The Rothko Chapel's ceiling and several walls sustained water damage following the storm, and three of Mark Rothko’s panels were also affected to varying degrees.

    The chapel announced this week it would remain closed while it determined its next course of action, including a full damage assessment and cost of repairs. It enlisted Whitten & Proctor Fine Art Conservation, one of the country’s premier art-conservation firms, to lead the conservation analysis.

    "We are deeply saddened by the impact of the hurricane on the Chapel and across Houston," executive director David Leslie said in a statement. "The Chapel’s continued stewardship of this beloved cultural and sacred site, renowned for its Mark Rothko panels, remains our highest priority, and the closure will ensure that the necessary repairs and restorations can be made as effectively and completely as required. Our focus now is on the restoration of the building and panels, and on continuing our mission of both contemplation and action at the intersection of art, spirituality, and human rights.”

    The chapel stressed that it will share more details as they are available, given the developing nature of the current situation. The closure also has an affect on the chapel's fall programming slate, although it is possible those events, including the 3rd Annual Time of Remembrance: Contemplating Cycles of Life & Death on October 31 and the launch of Undivided: The Quest for Racial Solidarity in an American Church by Hahrie Han on November 7, may be held at other venues.

    The interfaith chapel and art museum first opened in 1971. Fueled by a commission by arts patrons Dominique and John de Menil, it was designed to be a place where people of all backgrounds could find a refuge for prayer, meditation and shared understanding. Located between the University of St. Thomas's Chapel of St. Basil and the Menil Collection, the chapel is home to 14 paintings by artist Mark Rothko, each one created in various shades of black. It's been on the National Register of Historic Places since 2000.

    The Rothko Chapel's homepage encourages visitors to check back regularly for updates. In the interim, The Suzanne Deal Booth Welcome House remains open Tuesday through Saturday from 11 am to 5 pm.

    Rothko Chapel Phase 2 expansionA rendering illustrates the new buildings coming to the Rothko campus. Rendering courtesy of ARO

    The chapel last underwent renovations between 2019 and 2021 that included a new skylight, upgrades to the lighting and A/V systems, and improvements to the building’s infrastructure. Earlier this year, the Rothko announced phase two of the Opening Space project, a $42 million campaign that will add two new buildings and landscape improvements just north of the existing chapel on the other side of Sul Ross St.

    Those wishing to learn more about supporting recovery efforts can find details on the chapel's website.

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    Salutations, Soon Youn

    Houston Ballet principal dancer announces retirement after 13 years

    Holly Beretto
    Jun 20, 2025 | 10:00 am
    ​Houston Ballet Principal Soo Youn Cho
    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.
    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    Houston Ballet principal dancer Soon Youn Cho has announced her retirement, after 13 years with the company.

    For more than a decade, she has captivated audiences with her elegance, emotional authenticity, and technical brilliance. Audiences have seen her in roles such as Aurora in The Sleeping Beauty, Kitri in Don Quixote, Odette/Odile in Swan Lake, the Sugar Plum Fairy in The Nutcracker, and Suzuki in Madame Butterfly, among many others.

    Cho’s retirement follows a period of recovery from spinal surgery prompted by chronic back issues that intensified during and after her pregnancy.

    "This decision was not made lightly, but with a great deal of reflection and acceptance over the past year," said Cho. “Since I first began ballet at the age of four, it has been the greatest love of my life. Even through pain and injury, I felt joy and purpose in every moment. I gave my best to every step along the way, and I now leave the stage with a peaceful heart and deep gratitude.”

    Cho further said that even before becoming pregnant, she had been managing chronic back issues throughout her career.

    “With dedication, careful conditioning, and the unwavering support of those around me, I was able to continue dancing for many years,” she said. “Despite my best efforts to recover, I’ve come to the difficult realization that I won’t be able to return to dancing at the level I once did. With a heavy but full heart, I’ve decided to retire from the stage.”

    Born in Korea and trained there, as well as in Canada and Germany, Cho danced with Opera Leipzig Ballet in Leipzig, Germany and the Tulsa Ballet in Tulsa, Oklahoma, where she was promoted to principal in 2010. She joined the Houston Ballet in 2012 as a demi soloist. She quickly rose through the ranks, promoted to soloist in 2014, then first soloist in 2016. In 2018, she became the Houston Ballet’s first Korean principal.

    Upon achieving the designation, she said, “I feel like I have made an important mark in history, along with other great dancers, for my people in such a great company.”

    Cho’s roles onstage reflected her wide artistic range and commitment to storytelling through dance. Her Houston Ballet colleagues and audiences admire and praise the passion and sincerity she brought to every performance. One of those, Cho’s portrayal of Suzuki in Madame Butterfly, is especially close to her heart, not only for its emotional depth but for the lifelong friendship it sparked with fellow principal Yuriko Kajiya.

    “Becoming part of this Company and working alongside such extraordinary people has been one of the greatest blessings and privileges of my life. I close this chapter with a full heart and immense appreciation for the art, the audiences, and the people who made it all so meaningful.”

    Cho said that while she doesn’t yet know what will come next, she departs the company filled with gratitude.

    “Looking back, I feel nothing but gratitude,” she said. “Gratitude for the incredible colleagues and mentors I’ve shared the studio with. Gratitude for the audiences who supported us performance after performance. And gratitude for the art form itself — so demanding, so beautiful, and so deeply rewarding. I leave the stage with peace in my heart. Because I gave everything I had to this journey, I can move forward without regret.”

    \u200bHouston Ballet Principal Soo Youn Cho
      

    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.

    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

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