The University of Houston has unveiled a new work of art by a local giant that also gives love to Third Ward.
The Line, Houston-based artist and social sculptor Rick Lowe’s latest work, is permanently on display to the public at the UH ’s new John M. O’Quinn Law Building.
Commissioned specifically for Public Art for the University of Houston System (Public Art UHS), the colorful collage-like abstraction is a reference to the Third Ward’s informal demarcation of Scott Street—commonly referred to as “the line”—as the boundary between the University of Houston and the neighborhood in the early 1990s.
“University of Houston is in the Third Ward, and it’s important to emphasize that we are part of the community,” said Michael Guidry, Public Art UHS curator. “‘The Line’ literally maps out where we are and shows this geographical distinction, but also asks us to consider blurring or eliminating that line and engage us in a dialogue about working together and building up the whole community.”
One of seven founders of Project Row Houses, Lowe is recognized for his community engagement projects and philosophical approach of “social sculpture” that uses creativity as a catalyst for change and empowerment of people in economic, social and political realms.
A close-up view of Rick Lowe's work.Image courtesy of University of Houston
Nationally renowned, Lowe is also noted for his visual artistic repertoire that includes abstract works on paper and paintings often referencing maps and the linear patterns of dominos. Lowe’s work aims to question the ways in which the communities surrounding the university were geographically separated, as well as their residents’ struggle to preserve their unique character.
Photo by Will Michels
Rick Lowe's new work, The Line, is a clever nod to UH's boundary to Third Ward.
“I wanted to create a piece that spoke to the complexity around urban development and the history of red lining, with the goal of ultimately inspiring people to examine these topics,” said Lowe, a professor of art at UH. “I hope the painting sparks an exploration around these issues and creates meaningful conversations among students and visitors alike.”
In late September, Public Art UHS and the University of Houston Law Center hosted a two-part conference inspired by themes showcased in “The Line”—the first session focusing on Black and Latino issues pertaining to the law, and the second session discussing Black and Latino issues reflected in the arts.
“UH Law Center serves as a forum of academic inquiry and scholarship, sometimes focusing on societal issues,” said University of Houston Law Center dean Leonard Baynes in a statement.
“By featuring eye-opening art like ‘The Line’ in UH Law’s John M. O’Quinn Law Building, we’re shedding light on issues and topics that align with the valuable lessons our students are learning in their courses and research. These artworks are mirrors, sometimes reflecting societal inequities referencing what our faculty teach — knowledge, ethics, compassion, and remedies designed to make the world a better place.”
