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    Must-see Art

    Meow Wolf's debut leads 9 can't-miss Houston art openings for October

    Tarra Gaines
    Oct 11, 2024 | 10:15 am

    Many diverse and major art exhibitions debut this month, as the fall art season kicks into gear. The Museum of Fine Arts, Houston gets spiritual. The Menil Collection finds folly and chance can lead to extraordinary creations, and the Asia Society launches into space art. We’ll also head to the park for the Bayou City Art Festival and turn our radios on as Meow Wolf hits the art waves with Radio Tave.

    “Solid State - A Celebration of the Material World” at Site Gallery Houston at The Silos (now through November 30)
    Part of Sculpture Month, this group show’s playful title refers to the classical materials for sculptures such as marble, bronze, and terracotta, while also hinting at the 21st century state of sculpture which is sometime created and built from concrete, steel, iron, plastic, found objects, and even organic material and LED light sources. Featuring Houston and Texas artists, the works will be on view in one of the city’s most unique art spaces, the former rice silos of Sawyer Yards.

    “Proposal for a 28th Amendment? Is It Possible To Amend An Unequal System?” at Project Row Houses (now through January 26, 2025)
    This interactive art installation by artist collaborators Alex Strada and Tali Keren will invite visitors to engage critically with the U.S. Constitution and pose the two questions of the title. The exhibition features sonic soapbox sculptures that build upon the history of the soapbox as a site of collective struggle, while also emphasizing listening, mutuality, and access. Visitors can enter the soapboxes to listen to archival recordings and then add their responses. Those new voices will be added to the archive and will be heard by new audiences in future installations of the work. With Project Row Houses as a central hub, elements of the project will also be on view at the Houston Museum of African American Culture and Lawndale Art Center, creating space for civic dialogue across the city during this election year.

    Bayou City Art Festival at Memorial Park (October 11-13)
    Cooler days and nights make for a great art weekend in Memorial Park for one of our favorite art festivals of the year. Bringing more than 250 local and national artists together in one place, the festival also supports local organizations and illustrates the impact that art has on the Houston community. Wander amid the booths featuring one-of-a-kind art, prints, jewelry, sculptures, functional art, and maybe get that holiday shopping done early. Along with all that art, the three-day festival features live entertainment stages, a food truck park, a craft beer and wine garden, an Active Imagination Zone for kids, and a VIP Hospitality Lounge.

    “Makeshift Memorials, Small Revolutions” at Blaffer Art Museum (October 11, 2024-March 9, 2025)
    Examining the shifts in dilated time, ritual, memory-keeping, and community-building in artistic practices in the years 2020-2024, this exhibition features contemporary artists who sometimes act as activists and chroniclers of the world with their work. According to the Blaffer, the show will highlight artists as prognosticators and trace their evolving practices and approaches, informed by activism and the creation of mutual aid networks spurred from lived experiences

    “Tacita Dean: Blind Folly” at the Menil Collection (October 11, 2024–April 19, 2025)
    In this first major museum survey of Berlin and Los Angeles-based British artist Tacita Dean, “Blind Folly” will focus on Dean’s approach to creating art though a chance-based drawing process. From film to printmaking, Dean lets the behavior of her mediums dictate the results of her work, letting chance and fate factor into her artistic creations. The exhibition will also feature new works inspired by Dean’s time in Houston, some following her residency at the Menil’s Cy Twombly Gallery.

    “Weaving together an array of subjects, from classical mythological narratives to natural phenomena, Tacita Dean’s work presents a poignant and urgent reflection on experience in an increasingly virtual and ecologically volatile world,” describes Menil senior curator Michelle White. “In this moment, she shows us the power of analogue through the act of drawing.”

    “Space City: Art in the Age of Artemis” at Asia Society Texas (October 17, 2024-March 16, 2025)
    Featuring the work of 31 contemporary artists exploring the wonders and mysteries of outer space, the show will “orbit” around four themes: Origins, Celestial Bodies, Space Technology, and Other Worlds. The exhibition also showcases artists with current or previous ties to Houston and includes nine newly commissioned works from Houston-based artists. Keeping with the space and science themes, “Space City” will include works of more traditional medium, like painting, ceramics, and photography, but also cutting-edge light and sound artworks.

    “Grounded in Clay: The Spirit of Pueblo Pottery” at Museum of Fine Arts, Houston (October 20, 2024-January 12, 2025)
    This first Native-curated exhibition at the MFAH will focus on Pueblo voices and aesthetics while showcasing over 100 historical, modern, and contemporary objects in clay. Along with these striking works of art, the exhibition lays new ground in curating as “Grounded in Clay” gives voice to the Pueblo Pottery Collective, a group of more than 60 individual members of 21 tribal communities. Together, they selected and wrote about artistically and culturally distinctive pots from two significant Pueblo pottery collections — the Indian Arts Research Center of the School for Advanced Research (SAR) in Santa Fe, New Mexico, and the Vilcek Foundation in New York.

    “The visual and material languages of Native pottery and intergenerational narratives are highlighted throughout the exhibition,” explains Chelsea Dacus, assistant curator, MFAH, and organizing curator for the Houston presentation. “Choices were elicited from the curators and organized into the themes of Ancestors, Utility, Elements, and Connections, ones which are important to Native knowledge and understanding. Label texts consist of personal reactions, poems, and stories by the curators, which bring the artworks to life and exhibit the intangible force that they have in the lives and cultures of the Pueblo peoples.”

    “Living with the Gods: Art, Beliefs, and Peoples” at Museum of Fine Arts, Houston (October 27, 2024–January 20, 2025)
    For what will likely be one of the largest exhibitions of the fall, the MFAH invited British art historian and longtime museum director Neil MacGregor to revisit his 2017 BBC radio series and book of the same title to organize this exhibition of great objects from the MFAH’s collection and from museums around the world. From ancient statues and masks to contemporary video works, these objects of art and religion all have in common is they were created with some spiritual intent. Displayed across 11 galleries, over 200 masterpieces will be organized around elemental themes: the cosmos, light, water, and fire; the mysteries of life and death; the divine word; and pilgrimage.

    “For millennia, people have been making art to communicate with their God or gods and to sustain their communities,” described MFAH director Gary Tinterow. “Neil MacGregor’s acclaimed 2017 BBC radio series and book brilliantly chronicled this enduring form of human expression. We are honored that he brought that perspective to Houston, making it visible through objects chosen from our own collections as well as some truly exceptional loans. This exhibition is a magnificent capstone to our first century as a museum."

    Radio Tave at Meow Wolf Houston (opening October 31)
    After over a year of waiting, the Santa Fe art collective Meow Wolf opens its latest immersive exhibition in Houston’s historical Fifth Ward. Like previous Meow Wolf immersive experiences in Santa Fe, Vegas and Grapevine, Texas, Radio Tave will have an original, science fiction narrative that connects together other worldly art pieces and installations from international, national and local artists. Visitors will step into a giant, building-sized exhibition and enter a story where a radio station has been transported to another dimension. Traveling within the story and across art dimension, we’ll find a labyrinth of paths, portals, and hidden doors, all filled with interactive mysteries for guests to solve. The space features dozens of rooms, designed by more than 100 artists — over 50 of whom are based in Texas.

    'Binary Star' by James Clar on view at Asia Society Texas for the 'Space City:\nArt in the Age of Artemis' exhibition from October 17 2024, to March 16, 2025
    Courtesy of the artist
    'Binary Star' by James Clar on view at Asia Society Texas for the 'Space City: Art in the Age of Artemis' exhibition from October 17 2024, to March 16, 2025
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    let's dance

    Houston Ballet leaps into 2026-2027 with world premieres and Swan Lake

    Tarra Gaines
    Feb 17, 2026 | 10:30 am
    Artists of Houston Ballet in Stanton Welch’s Swan Lake
    Photo by Lawrence Elizabeth Knox
    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    Announcing its 2026-2027 season, Houston Ballet leaps into an immersive wonderland with the world premiere ballet Where’s Alice? from co-artistic director Stanton Welch. This is just one of many dance adventures set for a season filled with spectacular story ballets, cutting edge contemporary dances, and world premieres.

    “This season reflects the full breadth of what Houston Ballet is — and where we’re going,” Houston Ballet co-artistic director Julie Kent said in a statement. “We are honoring the great choreographic voices that have shaped our art form, from Balanchine and MacMillan to Lubovitch and Peck, while simultaneously opening the door to new creative possibilities through world premieres and bold collaborations.”

    The season begins September 11 through 20 with a classic Texas twang for Pecos Bill, the title production of an eclectic mixed repertory program. Stanton Welch’s fun and rollicking dance follows the adventures of the folklore cowboy, Pecos Bill. The program also showcases a work from 20th century dance master, George Balanchine, with the elegant and dynamic Symphonie Concertante. And for the first time, the company will perform celebrated choreographer Lar Lubovitch’s Meadow, a piece Julie Kent herself once danced when it first debuted.

    Sir Kenneth MacMillan’s Manon returns September 24 through October 4. First performed by the company in 1994, the doomed love story between irresistibly beautiful femme fatale, Manon, and impoverished student, Des Grieux, has had audiences swooning for decades.

    Of course, it wouldn’t be a Houston Ballet season without the annual Margaret Alkek Williams Jubilee of Dance. And then closing out 2026, the company gifts Houston with Welch’s delightful and delectable Nutcracker Ballet.

    The new year premieres Where's Alice? , Welch’s brand new work will be a re-envisioning of Lewis Carroll’s Alice in Wonderland, February 25 through March 7. Describing it as one of the most ambitious undertakings in HB’s recent history, the company plans for Alice to become a fully immersive theater experience that incorporates cutting-edge audio and visual effects that will take audience down the rabbit hole into a living, breathing, wondrous world.

    Keeping with what looks to be the 26-27 season’s theme of blockbuster ballets from Welch, the company floats into spring, March 11 through 21, with the classic story of Madam Butterfly, a dramatic exploration of love, sacrifice, and cultural collision danced to Puccini’s heartbreaking score.

    Beginning May 27 through June 6, HB offers the second mixed repertory program of the season, The Rite of Spring, and with it another world premiere. First, the company brings back the hypnotic, contemporary ballet, Reflections, a piece it originally debuted by the dance world’s reigning rock star, Justin Peck. Company member and up-and-coming choreographer Jacquelyn Long will create a new ballet for the program. Another highlight of the evening and the title work, Welch’s The Rite of Spring, offers a a visceral and elemental reimagining of dance for Stravinsky’s score that shocked the music world when it first debuted.

    Artists of Houston Ballet in Stanton Welch\u2019s Swan Lake

    Photo by Lawrence Elizabeth Knox

    Artists of Houston Ballet in Stanton Welch’s Swan Lake.

    The season ends June 10 through 27 with one of ballet’s most beloved stories, Swan Lake. Stanton Welch’s celebrated production was first staged by the company in 2006 and has gone on to become an audience favorite. Inspired by Pre-Raphaelite painter John William Waterhouse’s painting “The Lady of Shalott,” the production features lavish sets and costumes.

    Reflecting on the whole season and his Alice in particular, Welch echo’s Kent’s belief that the programming offers a vision that connects the company’s history, present, and future.

    “Where’s Alice? is an example of that vision – a production that pushes the boundaries of ballet through immersive sets and thought-provoking storytelling that makes you question, 'Who in the world am I?' as Alice did, creating an entirely new world audiences can step into,” Welch said. “It’s work like this that allows us to welcome new audiences into the theater while continuing to challenge and inspire our longtime supporters.”

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