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    the love songs of HGO

    Houston Grand Opera performs West Side Story and 5 other romances for 2024-25​

    Holly Beretto
    Mar 21, 2024 | 10:00 am

    Houston Grand Opera's 2024-2025 season lights up the Wortham Theater Center stage with drama and passion. The six-opera series blends audience favorites and new productions in a season that "explores the most profoundly human of emotions, in all its myriad forms: romantic love," said HGO General Director Khori Dastoor.

    The season opens October 18, 2024 with the debut of an original, new HGO-commissioned production of Verdi’s Il trovatore from industry-leading director Stephen Wadsworth. Sung in Italian with projected English translations, it's set in contemporary Spain, where the royalist Count di Luna and the revolutionary leader Manrico love the same woman, Leonora. As the men face off, they become ensnared in a larger web of lies, murder, and revenge. Superstar soprano Ailyn Pérez, fresh from HGO's Madame Butterfly, performs the role of Leonora opposite virtuoso baritenor Michael Spyres as Manrico, with baritone Lucas Meachem as Count di Luna. HGO Artistic Director Patrick Summers conducts. The opera runs until November 3.

    A couple in bed, with the woman sitting in front, the man kissing her shoulder from behind.

    Photo by James Glossop.

    Breaking the Waves, a critically acclaimed opera which premiered in 2016, makes its HGO debut in the spring of 2025.

    Rossini’s frothy delight, Cinderella, opens October 25. Directed by Joan Font, the production, first seen in HGO's 2006-2007 season, features eye-poppingly colorful sets and costumes by Joan Guillén. In this version, Cinderella, renamed Angelina, is a sweet young beauty who finds love with a prince. Leading the vocally challenging bel canto opera is world-famous mezzo-soprano Isabel Leonard, who Houston audiences can see as Maria in this season's upcoming The Sound of Music, as Angelina, with baritone Alessandro Corbelli, a revered Rossini specialist, as Don Magnifico. With a sparkling score and some hilarious, scene-stealing rats, it's an opera that should delight all ages. Lorenzo Passerini, making his company debut, conducts. There's a special HGO Family Day performance on November 9, a 90-minute version of the opera, perfect for young guests and featuring kid-friendly lobby activities. The performance is the first of this new initiative for the opera company. Cinderella runs until November 9.

    Kicking off the new year is Puccini’s heart-wrenching La bohème, in a revival co-production from HGO, Canadian Opera Company, and San Francisco Opera, created by Tony Award-winning director John Caird. The beloved opera is the story of a group of friends and lovers navigating their artistic endeavors and passionate relationships against the backdrop of belle époque Paris. Soprano Yaritza Veliz makes her HGO debut in the role that has garnered her international acclaim — that of the fragile Mimì — opposite Grammy Award-winning lyric tenor Joshua Guerrero as her Rodolfo. Baritone Edward Parks, also a Grammy winner, performs the role of the painter Marcello with Juliana Grigoryan, an electrifying new star who recently took top honors at Operalia, as his lover Musetta. Another Grammy winner, the celebrated conductor Karen Kamensek, takes the HGO podium to conduct Puccini’s unforgettable score. The production runs January 24 to February 14, 2025.

    Another beloved story of star-crossed lovers, West Side Story, runs in repertory with La bohème. The musical theater masterpiece, composed by Leonard Bernstein, with lyrics by Stephen Sondheim, choreography by Jerome Robbins, and book by Arthur Laurents, opens January 31. A modern take on Romeo and Juliet set in New York City in the 1950s, it's the story of Tony, a member of the Jets, who falls for Maria, a young Puerto Rican immigrant whose brother Bernardo is the leader of their rivals, the Sharks. It's filled with some of Broadway's best-loved songs, including "Tonight" and "America." Last seen in 2018, when HGO was displaced from its Wortham Theater Center home by Hurricane Harvey, this rendition is an opportunity for audiences to experience the production, co-produced by HGO, Glimmerglass Festival, and Lyric Opera of Chicago, and directed by by the legendary Francesca Zambello, in all its romantic, tragic glory. Soprano Shereen Pimentel makes her HGO debut as Maria. Tenor Brenton Ryan sings Tony. Broadway's Kyle Coffman, who also appeared in Steven Spielberg’s 2021 film version, makes his company debut as Riff, leader of the Jets. Internationally acclaimed conductor Roberto Kalb takes the podium in his HGO debut. The production runs January 31 to February 15, 2025.

    Breaking the Waves, the critically acclaimed contemporary opera from sought-after composer-and-librettist team Missy Mazzoli and Royce Vavrek, makes it Houston debut, opening April 19. Set in strict, Calvinist 1970s Scotland, its the story of the impressionable young Bess and offshore oil rigger Jan. After they marry, Bess embarks on a journey of sexual exploration that, following a series of shocking events, ends in tragedy. Soprano Lauren Snouffer returns to the HGO stage to sing Bess. HGO Studio alumnus and charismatic bass-baritone Ryan McKinny is Jan. Sara Brodie directs and Summers conducts. The production runs until May 2, 2025.

    Closing the season is a new staging of Wagner’s Tannhäuser from internationally acclaimed director Francesca Zambello. HGO audiences will be the first to see this new adaption, a co-production from HGO and Washington National Opera. Tenor Russell Thomas, an acclaimed Wagnerian, seen in HGO's Parsifal this season, performs the role of Tannhäuser, a poet struggling between the forces of lust and love. World-famous soprano and HGO Studio alumna Tamara Wilson portrays his spiritual love, the pure Elisabeth, with mezzo-soprano Sasha Cooke as the tempting goddess Venus. Erik Nielsen, acclaimed music director of Bilbao Symphony Orchestra, makes his company debut at the podium. The opera runs April 25 to May 11.

    Other season highlights that are not part of the main stage series include the popular Concert of Arias and Giving Voice. Concert of Arias, the live final round of the Eleanor McCollum Competition for Young Singers, features a small group of talented young artists selected following an extensive international search. In 2025, for the first time in company history, the singers performing in the concert will be accompanied by the HGO Orchestra. The performance is January 17. Subscribers receive first access to tickets. The sixth annual Giving Voice, an adored company tradition created by renowned tenor Lawrence Brownlee, showcases the monumental artistry and historic contributions made by Black artists in opera and song. Subscribers receive premier access to register. The date is still TBD.

    Season subscriptions are available now. For information see houstongrandopera.org.

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    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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