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    going global

    Houston Ballet leaps into streaming with performance on Marquee TV

    Tarra Gaines
    Mar 12, 2025 | 12:02 pm

    The Houston Ballet takes a leap into streaming realms with the just announced premiere of the filmed ballet Elapse on the prestigious Marquee TV global streaming platform for the performing arts. HB first premiered Elapse to audience and critical raves as a part of their celebratory 50th season in 2019. The debut also made dance history as it was the company’s first ballet choreographed by internationally acclaimed Chinese choreographer Disha Zhang, as well as Zhang’s first work in the U.S.

    Featuring a cast of 16 dancers – eight women and eight men – Elapse beautifully explores concepts of aging and time’s passage. Zhang set her dance to a haunting score by Zeng Xiaogang that combines wind and water sounds with the ancient stringed instrument, the guqin. In 2023, the company performed the dance at the Kennedy Center in Washington, DC as part of 10,000 Dreams: A Celebration of Asian Choreography and last summer brought the work back to the Wortham Center as part of their Four Seasons program. Now dance lovers around the world will have the chance to see the brilliance of the Houston Ballet dancers as they perform this exquisite and poignant ballet.

    “The filming of Elapse is a significant milestone for Houston Ballet, as it is a meaningful way to share our artistry with a global audience,” said Julie Kent, Houston Ballet artistic director. “Marquee TV’s platform allows us to expand access to ballet and introduce new viewers to the depth and beauty of our work.”

    Along with renowned international opera and theater productions, Marquee TV showcases dance performances from some of the most celebrated ballet companies across the globe, including the Royal Ballet, the New York City Ballet, the Paris Opera Ballet, and the Australian Ballet, so it is about time that the Houston Ballet gets its own place in the streaming spotlight. The subscription-based service costs $10 per month or $100 per year.

    "The team at Marquee TV is very excited to be working with Houston Ballet in our shared mission to introduce the joy of dance to a global audience and to enable that audience to enjoy this wonderful premiere," said Susannah Simons, Director of Performing Arts at Marquee TV.

    Elapse, of course, is not the first filmed production from the Houston Ballet, though it is the company’s first collaborative filming effort since Ghost Dances (1991) and the first to launch on a streaming platform such as Marquee TV. Dance lovers will likely remember that HB was one of the first Houston performing arts institutions to jump into producing filmed content during the pandemic, first with HB artistic director Stanton Welch’s, “Restoration” when the company danced through many beloved outdoor landmarks across the city to the music of the Canadian band, The Dead South. Later Welch choreographed the longer "In Good Company," also to The Dead South’s music, and filmed dancers alone on a stage and then edited the individual dancers together.

    Houston Ballet Principal Karina Gonz\u00e1lez and Corps de Ballet dancer Samuel Rodriguez in Disha

    Photo by Amitava Sarkar (2024). Courtesy of Houston Ballet

    Houston Ballet Principal Karina González and Corps de Ballet dancer Samuel Rodriguez in Disha Zhang’s Elapse.

    As they take what they learned from these previous endeavors and now from Elapse, HB aims to expand their digital presence, making high-caliber performances more accessible to audiences around the world. The company plans to continue exploring new opportunities in digital storytelling and streaming to engage dance lovers everywhere.

    houston balletperforming artsmarquee tvtv
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    raise the baton

    Prestigious international conductor competition will debut in Houston

    Joel Luks
    Jan 23, 2026 | 4:00 pm
    Van Cliburn Conductor Competition
    Photo by Clayton Stephenson
    Conductor Marin Alsop will lead the judging panel.

    Houston is about to get a new baton in town, and this one comes with international ambitions.

    The Cliburn has announced the launch of the Cliburn International Competition for Conductors.

    Classical music cognoscenti might be asking what this has to do with Houston. After all, the Van Cliburn International Piano Competition has long been synonymous with Fort Worth. The answer lies in legacy, logistics, and a bit of full-circle musical fate: Houston is home to a world-class orchestra, a premier music school, and a deep-rooted connection to Van Cliburn himself, who made his orchestral debut here at age 12.

    The new program is set to debut in June 2028 in Houston. So there it is.

    Open to conductors ages 21 to 35, the competition marks the first major international conducting competition in North America, placing the city on the global podium for emerging musical leadership.

    The new initiative is a collaboration between The Cliburn, the Houston Symphony, and the Shepherd School of Music at Rice University. The Houston Symphony will perform with all competitors.

    “The event will bring people to Houston from around the world, enhancing our reputation as an international city with a thriving arts and cultural sector,” Gary Ginstling, executive director and CEO of the Houston Symphony, tells CultureMap.

    Competition rounds will take place at both the Shepherd School and Jesse H. Jones Hall for the Performing Arts.

    “Collaborations like this are central to who we are as a university,” Matthew Loden, dean of the Shepherd School of Music, says. “They build on a deep network of relationships we’ve established with renowned arts organizations in Texas and around the world, and they strengthen the multifaceted programs already in place at Shepherd.

    Loden frames Houston — and Texas more broadly — as uniquely positioned to lead in the arts. Often dubbed the Third Coast, he sees the region as more than a participant in the global cultural conversation. Instead, he views Texas as actively shaping a growing center for artistic innovation, making Houston a fitting home for the first major international conducting competition in North America. It’s a point of pride, he notes, but hardly a surprise.

    At the helm of the jury will be Marin Alsop, who also conducted the 2022 and 2025 Van Cliburn International Piano Competitions. An artistic advisory committee stacked with conducting prowess will help shape the competition’s structure and repertoire, including former Fort Worth Symphony Orchestra music director Miguel Harth-Bedoya (Shepherd’s resident director of orchestras), current Fort Worth Symphony Orchestra music director Robert Spano, Kent Nagano, Juraj Valčuha (Houston Symphony music director), and Xian Zhang.

    Applications will open in October 2026, with submissions due in November 2027. A screening jury will narrow the pool to as many as 25 applicants for live auditions in early 2028, ultimately selecting 12 competitors. All rounds will be open to the public, with tickets going on sale in early 2028, and performances livestreamed to a global audience.

    One grand prize winner will receive $50,000, concert engagements, and enhanced career support, while finalists will each earn $20,000.

    Building on the Cliburn’s digital reach, more than 100 million video views across 180 countries in recent years, the new competition aims to be a launchpad for the next generation of maestros, with Houston as the overture.

    performing-artshouston symphonyrice university
    news/arts

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