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Arts News

Houston arts organization spins up a new record label for creative works

Jef Rouner
Jan 27, 2026 | 2:30 pm
Two CD copies of Tyshawn Sorey's Monochromatic Light (Afterlife)

DACAMERA's unique musical contribution to Houston now comes in LP form.

Photo courtesy of DACAMERA Editions

For more than three decades, Houston arts and music non-profit DaCamera has brought innovative and unique jazz and chamber music performances to the city. Now, they are launching their own record label called DaCamera Editions, starting with TyShawn Sorey's Monochromatic Light (Afterlife) releasing on January 30.

Since 1987, DaCamera has been a nationally-celebrated curator, commissioner, and presenter of modern works that often fly under the mainstream radar. With the establishment of an in-house record label, the music they are known for becomes more widely available to audiences.

"Following the thrilling experience of commissioning, performing, and recording Monochromatic Light (Afterlife), we saw an opportunity to launch our own label," DaCamera artistic director Sarah Rothenberg said in a statement. "DaCamera Editions will enable us to share our distinctive, curated mix of new music, classical repertoire, and jazz in a way that emphasizes connections to art, literature and the world in which we live, all under the DaCamera umbrella."

Monochromatic Light (Afterlife) is the perfect album to herald a new Houston record label. The meditative piece was a joint commission from DaCamera and the Rothko Chapel to celebrate the 50th Anniversary of the renowned Houston landmark. Featuring soloists Davóne Tines (bass-baritone), Kim Kashkashian (viola), Sarah Rothenberg (piano/celesta), Steven Schick (percussion), and the Houston Chamber Choir, the 75-minute work was a critical hit when it premiered in 2022. It built on a previous work, Morton Feldman's Rothko Chapel, which debuted at the site in 1972. Sorey composed a bass-baritone part for Tines and expanded the keyboard role by adding piano. As part of the performance, Tines sings lines from the spiritual "I Feel Like a Motherless Child."

Both The New York Times and The New Yorker named the premiere of Monochromatic Light (Afterlife) as a top 10 classical performance of 2022. It was also a Finalist for the 2023 Pulitzer Prize in Music.

The album will be released on both CD and digital formats. Pre-orders are available at DaCameraEditions.com.

Future planned releases include Rothenberg's In Darkness and Light (May 2026), a piano album inspired by the anxiety of COVID and featuring Vijay Iyer’s eloquent personal memorial "For My Father;" and Tyshawn Sorey’s solo piano work For Julius Eastman, a tribute to the minimalist composer and activist whose work has undergone a 21st Century renaissance since his death in relative obscurity in 1990.

"DaCamera Editions will enable us to share our distinctive, curated mix of new music, classical repertoire, and jazz in a way that emphasizes connections to art, literature and the world in which we live,” Rothenberg said.

performing-arts dacamera music
news/arts

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raise the baton

Prestigious international conductor competition will debut in Houston

Joel Luks
Jan 23, 2026 | 4:00 pm
Van Cliburn Conductor Competition
Photo by Clayton Stephenson
Conductor Marin Alsop will lead the judging panel.

Houston is about to get a new baton in town, and this one comes with international ambitions.

The Cliburn has announced the launch of the Cliburn International Competition for Conductors.

Classical music cognoscenti might be asking what this has to do with Houston. After all, the Van Cliburn International Piano Competition has long been synonymous with Fort Worth. The answer lies in legacy, logistics, and a bit of full-circle musical fate: Houston is home to a world-class orchestra, a premier music school, and a deep-rooted connection to Van Cliburn himself, who made his orchestral debut here at age 12.

The new program is set to debut in June 2028 in Houston. So there it is.

Open to conductors ages 21 to 35, the competition marks the first major international conducting competition in North America, placing the city on the global podium for emerging musical leadership.

The new initiative is a collaboration between The Cliburn, the Houston Symphony, and the Shepherd School of Music at Rice University. The Houston Symphony will perform with all competitors.

“The event will bring people to Houston from around the world, enhancing our reputation as an international city with a thriving arts and cultural sector,” Gary Ginstling, executive director and CEO of the Houston Symphony, tells CultureMap.

Competition rounds will take place at both the Shepherd School and Jesse H. Jones Hall for the Performing Arts.

“Collaborations like this are central to who we are as a university,” Matthew Loden, dean of the Shepherd School of Music, says. “They build on a deep network of relationships we’ve established with renowned arts organizations in Texas and around the world, and they strengthen the multifaceted programs already in place at Shepherd.

Loden frames Houston — and Texas more broadly — as uniquely positioned to lead in the arts. Often dubbed the Third Coast, he sees the region as more than a participant in the global cultural conversation. Instead, he views Texas as actively shaping a growing center for artistic innovation, making Houston a fitting home for the first major international conducting competition in North America. It’s a point of pride, he notes, but hardly a surprise.

At the helm of the jury will be Marin Alsop, who also conducted the 2022 and 2025 Van Cliburn International Piano Competitions. An artistic advisory committee stacked with conducting prowess will help shape the competition’s structure and repertoire, including former Fort Worth Symphony Orchestra music director Miguel Harth-Bedoya (Shepherd’s resident director of orchestras), current Fort Worth Symphony Orchestra music director Robert Spano, Kent Nagano, Juraj Valčuha (Houston Symphony music director), and Xian Zhang.

Applications will open in October 2026, with submissions due in November 2027. A screening jury will narrow the pool to as many as 25 applicants for live auditions in early 2028, ultimately selecting 12 competitors. All rounds will be open to the public, with tickets going on sale in early 2028, and performances livestreamed to a global audience.

One grand prize winner will receive $50,000, concert engagements, and enhanced career support, while finalists will each earn $20,000.

Building on the Cliburn’s digital reach, more than 100 million video views across 180 countries in recent years, the new competition aims to be a launchpad for the next generation of maestros, with Houston as the overture.

performing-arts houston symphony rice university
news/arts
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