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    Razzle dazzle 'em!

    Houston-born America's Got Talent star jazzes up new TUTS' production of Broadway smash Chicago

    Holly Beretto
    Jan 31, 2023 | 6:30 pm

    When Christina Wells steps onto the Hobby Center stage as Matron "Mama" Morton in the 25th Anniversary Tour of Chicago, she knows she's coming full circle.

    Wells takes on the famed role in the highly anticipated Chicago run produced by Theatre Under the Stars, which runs January 31 through February 12 at the Hobby Center for the Performing Arts.

    Houston — and national —audiences fell in love with her during her breakout, Season 13 of NBC's America's Got Talent.

    "The city of Houston showed up for me," she tells CultureMap, explaining the hometown love she felt in her appearance on the talent show. "I feel such joy in returning here. You know, performing is a two-way street, and I feel like, we did it!"

    Wells' gratitude for her home and her career runs deep. The H-Town native is a trained registered nurse, and didn't step into performing full time until after her stint on the hit show. By that point, she was in her 40s, with two grown children.

    All the stars seemed to align, pointing her in a brand-new direction.

    "I was always that nurse who would whip open the curtain on a patient before surgery and say, hey!" Her voice notches up, evoking an emcee warming up the crowd. "So, I always brought that kind of entertaining aspect to it."

    Following the AGT appearance, she secured and agent and began the path to full-time acting. The single mother (her sons are now 27 and 21, and she has a toddler grandson) calls it her "second adulthood."

    Chicago is her first national tour, and every day is adventure for Wells, being in a new city every week — sometimes multiple times a week — and learning who she is in this new phase of her life.

    "It's just surreal," she says about having the tour stop in Houston. "I started in community theater and I looked up to TUTS. That was the goal."

    A goal she met in 2021, with a dream role of Ursula the sea witch in Disney's The Little Mermaid. Now, she's back on the Hobby Center stage in another iconic role in an another iconic musical.

    Matron "Mama" Morton is in charge of the women's ward of the Cook County Jail, where she oversees the musical's accused murderers, taking the occasional bribe in exchange for favors and preferential treatment Her big number, "When You're Good to Mama" is often a showstopper, sung by some of show business' biggest names. Think Patti LaBelle, Lilias White, Jennifer Holliday, and Queen Latifah.

    That might nbe intimidating to some. Not to Wells.

    "I try not to think of stepping into other people's shoes," she says. "I want to myself to this. I want to be authentic in it. [Mama's] a big woman, and she loves these girls. She protects them. But she's tough. She gets what she wants."

    The musical, with music by John Kander and lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, opened to mixed reviews on Broadway in 1975. But its 1996 revival fared better. That iteration of the show is still running on Broadway.

    And the 2002 movie musical was a hit, starring Richard Gere, Catherine Zeta-Jones, Renee Zellweger, and Latifah. It explores the idea of celebrity criminals and a corrupt justice system, blending those dark themes with some of Broadway's most instantly recognizable tunes such as "All That Jazz," "Razzle Dazzle," and "Nowadays."

    Being part of the tour has taught Wells a lot, both about the business of performing and about her self. She prioritizes singing over everything else, she says. And she's tapped into her own desire for authenticity in her roles to amp up her acting. She credits the show's creative team, especially the show's director and assistant choreographer, in helping her to grow in her craft an confidence.

    That confidence is something she wants to share.

    "Opportunity and talent don't just belong to the young," she says. "Everyone has value."

    That's the message she shares with others when she offers workshops and talks, where she not only offers her own journey as an example, but encourages others to tap into theirs.

    "I'm a cheerleader," she explains. "I have one friend who teases me, 'Don't listen to her; she'll have you going back to college and leaving your terrible boyfriend.'" Wells laughs. "But I say, stand in my confidence for a little while. If I'm going to have a platform in this life, I'm going to tell you to believe in yourself."

    -----

    Chicago runs January 31 through February 12 at the Hobby Center for the Performing Arts (800 Bagby St.). For tickets, showtimes, and more information, visit TUTS online.

    Christina Wells Chicago tour 25th anniversary

    Photo by Jeremy Daniel

    Christina Wells plays "Mama" Morton in TUTS' Chicago.

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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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