a very fine house

Pioneering Houston Latino folkart gallery will close next year

It’s the end of a cultural era as Chrissie Ramirez, owner of the Heights gallery and cultural space Casa Ramirez Folkart Gallery, announced that after 40 years she will close the 3,000-plus-square-foot space on W. 19th St. at the end of the current lease period in March 2026.

$\u200bMacario Ramirez$

Photo by Agapito Sanchez

Macario Ramirez founded Casa Ramirez Folkart Gallery in 1984.

Filled with traditional art, especially paintings and sculptures, the space also showcased textiles, home accessories, religious objects, clothing, literature, and antiques. But it was the husband-and-wife owners, Macario and Chrissie Ramirez, who turned this Casa into a real home for the local Latino community, as well as a cultural landmark in Houston’s art landscape. Macario Ramirez founded Casa Ramirez in 1985 to honor his father, a folk artist and part-time jeweler who had his own business in San Antonio selling Mexican crafts. Over 40 years, Macario and Chrissie's longtime support for Latino artists along with the gallery's culturally rich programming and educational outreach helped to popularize Mexican and Latin American folk art and traditions.

Chrissie Ramirez continued her husband’s mission after his death in 2020, keeping the gallery and his life’s work going. After five years running the business, she wants to travel and lead a less scheduled live. Houstonians won’t have to say goodbye just yet, as Ramirez says they will stay stay open and continue their annual holiday celebrations and programming.

“Casa Ramirez will continue to operate as a retail establishment and offer the colorful mix of folk art, crafts, work by local artists and focus on the vibrant culture and traditions of Mexico, Latin American and the Southwest that we are so well known for and held in our hearts for so long,” Ramirez said in a statement.

Throughout her remarks, Ramirez recalled her husband’s pioneering cultural and civil rights work in the community and his continuing legacy in Houston.

Prominent Texas author, analyst, radio host, and Nuestra Palabra founder Tony Diaz spoke about the cultural reach Case Ramirez had over the years. Diaz especially credits Macario Ramirez and the gallery for helping to make Dia de los Muertos such an important Texas holiday and for helping to spread understanding of its celebrations in the U.S.

“Today Day of the Dead is socially acceptable —it’s a movie by Disney. That was not always the case,” Diaz said. “There was a moment in our history when people would see the sugar skulls that are now beloved and they would think that it had something to do with ‘other things.’ You could come to Casa Ramirez, and the street would be full with our gente who knew that it was something beautiful to preserve. And before the rest of the nation caught on, Casa Ramirez was the home for that dear celebration of ours. ”

Though she might be retiring, Ramirez says she will keep the name Casa Ramirez for future projects and activities in other locations. She also plans to continue her cultural work, with a focus on organizing “the collection of writings, documents, and artifacts” that are part of the Casa Ramirez and her family’s history with a goal to “archive them for their educational and historical value.”

Ramirez emphasized that Casa Ramirez will remain open until March. She will spend this time “clearing, closing, and cleaning out” the gallery, but has plans for holiday and closeout sales before shuttering the space for good. It will still host traditional annual gatherings and programs for the rest of the year, including Hispanic Heritage Month in September, the Day of the Death holiday celebrations in October/November, and Christmas and New Years programming with special guests and music events in the works. Thankfully, that means Houstonians still have plenty of time to visit and share their own memories of this extraordinary Casa.

on the bright side

'First-of-its kind' Houston park reveals 6 murals by local artists

Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.

Photo by Scott Julian, courtesy of Houston Parks Board

"Birth From the Sea" by Ade Odunfa

One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

“When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

"Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

parks visual-art hills at sims anderson