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    Best November Theater

    Tony winners and holiday favorites lead Houston's 11 best shows this month

    Tarra Gaines
    Nov 3, 2025 | 12:15 pm

    Houston theater gets set to ring in the holidays with some traditional favorites and roaring new works. But for those holiday Scrooges in the house, performing arts companies also unwrap some intriguing and theatrical dance, new and intimate visions for classic drama, and one heavenly world premiere. Plus, Broadway at the Hobby Center makes some noise presenting two smash productions this month.

    A Beautiful Noise: The Neil Diamond Musical presented by Broadway at the Hobby Center (November 4-9)
    When Broadway at the Hobby Center first announced its 25-26 season, this production seemed poised to be the sleeper hit of the year. And a recently-added and rare Thursday matinee proves Houston theater lovers will “Come Running” for this look at the life and songs of Neil Diamond. In the tradition of jukebox musicals like Jersey Boys and Tina, this latest Broadway biography puts the Grammy winner and Rock and Roll Hall of Fame inductee at center stage.

    Created in collaboration with Diamond himself, the show chronicles his beginnings as a poor kid from Brooklyn to became a chart-busting, American showman with 120 million albums sold. Featuring some of the biggest songs of Diamond’s catalogue, including “Sweet Caroline,” “Love on the Rocks,” and “Kentucky Woman,” Beautiful Noise draws connections between the songs’ powerful lyrics and important moments in Diamond’s life.

    Dada Gert from Open Dance Project (November 7-22)
    Houston’s source for truly immersive dance continues to celebrate its 20th anniversary by bringing back some of its most innovative works. Debuting in Houston back in 2018, the multidisciplinary Dada Gert transported audiences back into Weimar-era Berlin and into to the life and dances of pioneering Jewish dancer/performance artist/film star, Valeska Gert. The original production wowed critics, contemporary dance lovers, and those simply immersive-curious.

    The show invites audiences to wander through cabaret and street scenes amid set pieces, video projections, and the dancers themselves who depict some of the Gert-created personas and characters. Resembling some of the big immersive performance art companies in New York or London, ODP encourages audiences to explore the story as closely as they want within a space that surrounds them with dramatic dance and stunning sets.

    Angels in America at Rec Room (November 8-December 20)
    One of the smallest theater spaces in town has always done things a little bit differently, like organizing its seasons by the calendar year. It wraps up its 2025 season with what might be the most ambitious production of this fall, Tony Kushner’s masterpiece of late 20th century American theater, Angels in America. Rec Room will produce both part one, Millennium Approaches, and two, Perestroika, on alternating evenings in repertory.

    Winning pretty much every award possible, including a Pulitzer and multiple Tonys, Angels depicts the AIDS crisis on both a personal and cosmic scale, while also holding up a celestial mirror to America at the end of the 20th century. Look for a few special dates that pack both shows into one day and include dinner.

    Take the Soul Train to Christmas at Ensemble Theatre (November 14-December 21)
    Ensemble always presents heartfelt holiday musicals. This one takes audiences on board a Soul Train for a joyous, family celebration. The show tells the story of three students assigned some winter break homework, a research paper chronicling how African Americans have celebrated Christmas throughout history. Luckily their granddad possesses time traveling powers and summons the magical Soul Train for a field trip into the past. The show features the sounds of African drumming, Harlem Renaissance jazz, the beats of the Civil Rights Movement, disco party jams, hip-hop, and traditional holiday tunes.

    Of the message of the musical, director and choreographer, Aisha Ussery, says, “Christmas is a time when we look for hope despite our circumstances. This piece is a whimsical and joyous journey through various eras wherein African Americans make magic from mud.”

    A Christmas Carol at Alley Theatre (November 16-December 28)
    The Alley premiered this charming production of the classic story, as adapted by Alley artistic director Rob Melrose, in 2022, and it’s already a Houston holiday theater tradition. Melrose went back to the original Charles Dickens novella for inspiration, making a Carol from the heart. David Rainey is back as Scrooge with the rest of the resident acting company and Alley regulars playing all the time-traveling ghosts and human characters.

    The Alley creative team weaves its own holiday magic alongside the actors in this production to create a music-filled Victorian wonderland with floating houses, intricate and sometimes spooky costumes, beautiful puppetry, and wondrous stage illusions. We might even forecast a bit of magical light theatrical snow for every performance.

    The Outsiders presented by Broadway at the Hobby Center (November 18-23)
    Winner of the 2024 Tony Award for Best Musical, this show is based on the classic young adult novel by S. E. Hinton, as well as Francis Ford Coppola’s 1983 film adaptation. Set in 1960s Oklahoma, The Outsiders tells the story of orphan Ponyboy Curtis, his brothers, his best friend Johnny Cade, and their Greaser family of ‘outsiders.’ Always in battle with the upper-class Socs, the Greasers live in a world of violence where “nothing gold can stay” but they dream of a better life filled with love and acceptance. In the end, hope might live in the act of storytelling. People who saw the show in New York are still talking about the choreography and theatrical effects of the “rumble scene” — expect it to be just as extraordinary on the road as it was on Broadway.

    Narnia the Musical at A.D. Players (November 19-December 23)
    A.D. Players celebrates the holidays with this magical musical based on C.S. Lewis’s most cherished novel, The Lion, the Witch, and the Wardrobe. Narnia tells the story of the four siblings — Peter, Susan, Edmund, and Lucy — who stumble upon a mysterious wardrobe that leads them into the enchanted land of Narnia. But all is not well in this wintery world. The evil White Witch has cast a spell, trapping Narnia in eternal snow and ice. With the help of talking animals, brave warriors, and the mighty lion Aslan, the children must find the courage to fight for Narnia’s freedom. This one will definitely be a show for the whole family.

    Birdy presented by Performing Arts Houston (November 21-22)
    Taiwan’s Hung Dance has garnered international acclaim for its lyrical precision and spiritual intensity that melds the meditative flow of Tai Chi and the expressive force of contemporary dance. Currently on their first U.S. tour, choreographer and company founder Lai Hung-chung explores themes of wild creativity forged by constraints and a burning desire to fly free. PAH says that the dance is set to an evocative blend of electronic and Chinese classical music and becomes a dialogue between tradition and modernity, where stillness and motion, struggle and hope, move as one.

    Beautiful Princess Disorder from Catastrophic Theatre (November 21-December 13)
    While Catastrophic Theatre might be one of the more experimental theater companies in town, it does have some steadfast traditions beloved by Cat fans. Every November or December, Houstonians head on down to the MATCH for whatever weirdly wonderful or avant garde show the company will gift us as holiday counter-programming with not an elf, sugarplum, or cute Victorian street urchin in sight. This year, they're performing a world premiere work by emerging playwright Kathy Ng.

    The show follows Triangle Person, a being with a human body and triangle head, on TP’s many adventures living in Heaven’s parking lot hanging out with Mother Teresa. While that premise only adds more mystery to the premiere, the title’s acronym, BPD, might give some psychological hints. Ng has described the work as an invitation to a party in her mind, and this is one wild, non-holiday blowout we don’t want to miss.

    Our Town at 4th Wall Theatre (November 21-December 20)
    While not necessarily a holiday play, Thornton Wilder’s masterpiece makes for a contemplative drama about some of those ideas and ideals we hold so dearly this time of the year, like family, love, and memory. With minimal props and an all-knowing stage manager as narrator, this great American play tells the story of small town life in the early 20th century.

    The Stage Manager introduces us to Grover’s Corners and the Webb and Gibbs families. The audiences watches their children grow up, marry, and have children of their own. In Our Town, the seemly simplest of relationships and stories hold wonder of lives well-lived, whether long or cut short. 4th Wall’s intimate space will likely add even more universal connections between audiences and these players, especially with a strong cast of Houston favorites, including company co-founder Philip Lehl as the Stage Manager.

    Georgiana and Kitty: Christmas at Pemberley at Main Street Theater (November 22-December 21)
    After a break last year, MST journeys back in time to Regency England and the beloved world of Jane Austin’s Pride and Prejudice. Lauren Gunderson and Margot Melcon’s trio of Christmas sequels to the classic novel — told with a persuasive 21st century sense and sensibility — have become a new holiday tradition among regional theaters across the country.

    This time Mr. Darcy’s talented pianist sister, Georgiana, and her best friend, the younger, spunky, and usually forgotten Bennet sister, Kitty, have their chance in to become heroes of their own stories. When unexpected guests arrive for the annual Christmas celebration at the Pemberley estate, new love and new music might be in the air. While staying close to the themes of family, love, and sisterhood of the earlier plays in the trilogy, Georgiana and Kitty, expands the story beyond Pemberley, exploring what women can achieve with bravery and determination even admit societal restrictions and some well meaning brotherly disproval.

    HUNG Dance
    Photo by 劉人豪 LIU, Ren-haur

    Performing Arts Houston presents HUNG Dance Birdy

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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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