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    best april art

    9 vivid and eye-catching April events and openings no Houston art fan should miss

    Tarra Gaines
    Apr 13, 2023 | 1:16 pm

    Time to get revved up, Houston: we’ve got a zooming month of art ahead.

    From nature-inspired wilderness sculptures to a pioneering graphic novel, to museum basketball to photography taken with youthful eyes, April brings art in a multitude of unique and innovative forms.

    Fasten those seat belts and hit the road for art everywhere — including the streets themselves, as the world’s greatest Art Car Parade rolls into town once more.

    “CAMH Court” at Contemporary Arts Museum (now through April 27)

    Houston-based artist Trenton Doyle Hancock makes basketball into (even more) visual art with this interactive installation presented by a slam-dunk of a partnership between CAMH and adidas Basketball.

    Billed as the first-ever playable basketball court in an art museum, CAMH COURT conforms to the signature dimensions of CAMH’s Brown Foundation Gallery through canting a regulation-size court into a parallelogram. Emerging from Hancock’s hyper-imagination, the court is an immersive and uniquely spirited environment where players might dunk from the three-point line or lose themselves in the embrace of Hancock’s striped Bringback characters, which swarm from baseline to baseline.

    In addition to the custom court, Hancock has designed the backboards and basketballs, extending the cast of characters that populate his fantastical world into new dimensions.

    “Ada Trillo & the Sirkhane: Darkroom” at Houston Center for Photography (now through June 4)

    These two, parallel solo exhibitions put at the forefront the migration and immigration experience of family and children in geographic distant border countries: United States-Mexico-Central America and the Middle East.

    First-generation, Mexican-American photographer Trillo shares a series of photographs that make visible the migrant caravans traveling through Honduras, Guatemala, and Mexico since 2020.

    Self-taught Syrian-born photograph Serbest Salih and founder of Sirkhane Darkroom, non-profit mobile darkroom and photo lab dedicated to underprivileged children from Syria, Turkey, and Iraq, exhibits some of Darkroom students’ analog photographs.

    "Ripple Effect” at Retrospect Coffee Bar (April 14)

    Gray Foy, Dimensions , c.1945 \u2013 46. Pencil on paper, 21 1/2 x 27 3/4 in. (54.6 x\n70.5 cm). The Museum of Modern Art, New York, Gift of Steve Martin, 2005. \u00a9\nEstate of Gray Foy. Photo: John Wronn
    John Wronn; Courtesy of the Menil Collection
    Gray Foy, Dimensions , c.1945 – 46. Pencil on paper, 21 1/2 x 27 3/4 in. (54.6 x 70.5 cm). The Museum of Modern Art, New York, Gift of Steve Martin, 2005. © Estate of Gray Foy. Photo: John Wronn

    This collective exhibition organized by local artist Anna Hazel will benefit the Buffalo Bayou Partnership. Works inspired by Buffalo Bayou from over 25 artists will be on display for one night only, and a percentage of sales from every piece sold will support BBP and their mission to create and steward welcoming parks, trails, and unique spaces along the city’s most significant natural waterway.

    Art Car Parade Weekend at various locations throughout Houston (April 13-16)

    As we note in our breakdown of events, the weekend keeps it artfully weird with the Main Street Drag April 13, designed to bring the parade to those people who might not be able to attend the parade, with artists bringing their Art Car Art Cars to schools, hospitals, nursing homes, developmental facilities and other locations.

    Friday brings the ultimate art party, the Legendary Art Car Ball at the Orange Show World Headquarters. Appropriately, Marilyn Oshman, Founder of the Orange Show Center for Visionary Art, will be this year’s grand marshal.

    On Saturday the 36th Annual Houston Art Car Parade brings us our full day of rolling folk art with every kind of animal, vegetable, mineral and political statement made artfully manifest in car form.

    Finally, cheer on your favorites at the Awards Ceremony on Sunday back at the Orange Show.

    “Eye on Houston: High School Documentary Photography” at Museum of Fine Arts (April 19-Spring 2024)

    Each spring, we get a peek at tomorrow’s artists today with this annual exhibition of student photography from area high schools that celebrates Houston’s diverse neighborhoods from the perspective of these budding artists who live here.

    In this 28th year, the exhibition features images by students representing eight high schools: Bellaire, Carnegie Vanguard, DeBakey, Eastwood Academy, Furr, Westbury, Westside, and Jack Yates.

    The students documented daily life in their respective communities, capturing moments that reflect their sense of self, their future, and their imminent transition into adulthood.

    “Hyperreal: Gray Foy” at Menil Drawing Institute (April 21-September 3)

    Enter the surrealistic and sometimes magical world of Gray Foy’s imaginative artwork in this first solo museum exhibition of the midcentury American, Dallas-born artist.

    Spanning the artist’s career from the 1940s to the 1970s, the exhibition traces Foy’s early Surrealism influences, which he described as “hyper-realism,” to his later inspiration in nature’s transitional and transformative states, culminating in works were he explored botanical and ecological subjects.

    The exhibition also celebrates two recent gifts of nearly 80 drawings to the Menil, a selection of which will be on display.

    “Gray Foy’s unusual talent caught the eye of some of the savviest drawings connoisseurs of the mid-20th century, but because Foy stopped working mid-career, he is not well remembered today. This exhibition is selected from recent gifts to the Menil Collection, now an important repository of Foy’s drawings,” describes Menil director, Rebecca Rabinow.

    “Si Lewen: The Parade” at Menil Drawing Institute (April 21-September 3)

    In a first for the U.S., the MDI brings together all 55 original drawings that the ground-breaking Polish-born American artist created for graphic novel, The Parade, about the never-ending cycle of war.

    The Parade speaks to cycles of war, the seductive glory and pomp, followed by soldier enlistment, community deprivation, devastating destruction, death, and heartbreak.

    Of the monumental work, MDI assistant curator Kelly Montana describes, “Si Lewen: The Parade evokes the destruction and despair surrounding World War II in Europe as authoritarian violence built and lives were lost. Inspired by the traditions of visual narrative by artists like Frans Masereel, Lewen created a deeply affecting set of works that carry a message as potent today as it was in the 1950s when the book was published.”

    “A Gift from the Bower” at Locke Surls Center for Art and Nature (April 22-23)

    Yes, we have to get outside the Loop — multiple loops — for this art in nature exhibition at Splendora Gardens in Cleveland, Texas. But with a partnership between DiverseWorks and the Locke Surls Center for Art and Nature (LSCAN), we expect it worth the drive.

    Originally conceived by artists James Surls and Charmaine Locke, this outdoor, multidisciplinary art exhibition lies within natural galleries formed by small clearings in the woods of Southeast Texas.

    The project is co-curated by Jack Massing and Xandra Eden to include newly commissioned works by fourteen artists and artist teams. The flora and fauna of the grounds of LSCAN take a central role in a number of the artists’ works, while others focus on community, the environment, and our relationships to nature and land.

    Look for art from renowned and up and coming artists including Leticia R. Bajuyo, Susan Budge and George Tobolowsky, John Calaway, Carlos Canul and Rachel Gardner, Lina Dib, Alton DuLaney, Ronald L. Jones, Sharon Kopriva, Charmaine Locke, Jack Massing, Sherry Owens and Art Shirer, Patrick Renner, Kaneem Smith, and James Surls.

    “Evita Tezeno: Out of Many” at Houston Museum of African American Culture (April 27-June 17)

    This new exhibition by the Texas-born collage artist showcases her technique that combines painting and collage.

    Tezeno’s tapestry-like works are carefully constructed from a variety of materials she brings together to depict everyday scenes from Black Life in America. Turning the phrase “Out of Many, One” and its Latin form E Pluribus Unum, which articulates the ideals of America’s Founding Fathers, the exhibition “Out of Many” aspire to those ideals, representing, with fondness, the days in the lives of everyday Black Americans.

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    Best January Art

    Blockbuster Frida Kahlo exhibit and 8 more new Houston art openings

    Tarra Gaines
    Jan 8, 2026 | 3:00 pm
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    The Museum of Fine Arts, Houston presents "Frida: The Making of an Icon

    The art world looks to the Museum of Fine Arts, Houston this month as it unveils a monumental Frida Kahlo exhibition, but there’s many other shows around Houston opening this month, especially of contemporary and new art. From possible AI photographic futures to photo art that weaves the past and present together, from ceramics turned inside out to magic mirrors, and the art of agriculture, Houston museums and galleries bring us a very artful New Year.

    “Anachronous” at Holocaust Museum Houston (now through March 8)
    In this new exhibition of work from Argentinian photographer Cynthia Isakson, the artist has selected old family photos taken and kept over decades through war, displacement, and travels across continents. She then takes those images and incorporates them into her contemporary photography. Melded together, these layered images become new stories and expansive portraits of a family over many years.

    The 18 digital photographs in the exhibition were printed on fabric and thematically draw ties between the past and present, illustrating the family threads woven through time. Generations and place also become linked, as viewers witness the connections between Warsaw, Buenos Aires, and Houston through five generations of one family.

    “norMAL and unreMARKable” at Throughline (January 10-February 7)
    Featuring works by Heather L. Johnson and Henry G. Sanchez, this show of recent pieces explore how we define the “unusual” and “exceptional” in both psychological and sociological terms. Johnson works with embroidery and drawing to explore physical manifestations of environmental toxicity brought on by society’s technological dependence. After being diagnosed with cancer, Sanchez broke with his past social art practice to experiment with multimedia installations. He uses this work as a way to consider how that diagnosis has changed his artistic and personal mission. Taken together, these “norMAL and unreMARKable” pieces examine the fragility of contemporary life.

    “The Uncanny In-Between” at Blaffer Art Museum (January 10-March 14)
    This exhibition of ceramic work will showcase five acclaimed artists of Korean heritage who work across the U.S., including Audrey An (Philadelphia), Wansoo Kim (Clarksville), Hoon Lee (Allendale), Texan Hayun Surl, and Hae Won Sohn (Alfred, New York). Organized by Sso-Rha Kang, curator at the Carnegie in Covington, Kentucky, these ceramic pieces have subversive forms that weave together personal mythologies, traditional techniques, and technological interventions.

    At once an exhibition and also an archival project, the ceramic pieces will be shown beside high-resolution 3D digital renderings of the interiors of each artwork. These renderings allow Blaffer visitors to glimpse the interior of some of the pieces, viewing the art beyond the surface into their hidden depths.

    “End Cash Bail” at Lawndale Art Center (January 14-17)
    This limited-time exhibition centered on Texas prison systems brings together the visual and literary arts with works of poetry, paintings, collages, cyanotypes, photography, and more. Curated by KB Brookins, the ACLU of Texas artist-in-residence, Lawndale states that the exhibition is intentionally wide-spanning in perspective and art mediums and genre to show the extensive impact and responses to the Texas jail crisis.

    “Magic Mirrors” at Art League Houston (January 16-April 19)
    While the term probably conjures up vain queens in need of a beauty pep talk , magic mirrors are real historic pieces of art first invented in ancient China. When light hits the front of the “mirror,” an engraving on the back is projected onto an opposite surface. Interdisciplinary artist Jamie Ho began with the concept of a “magic mirror” to create art that explores how Chinese American women and their bodies have been depicted historically and in popular culture.

    Ho’s work uses GIFs, sculptures, new media, and installations to play with concepts of mirror images. As her sculptures reference historical and current Chinese diasporic objects, Ho also projects GIFs of her body onto the surfaces of some of her sculptures to create ghostly afterimages.

    “The River Entered My Home” at Art League Houston (January 16-April 19)
    Collaborating as Hammonds + West, Austin multimedia artist Hollis Hammonds and Austin poet and professor Sasha West interweave Morton’s drawings and West’s poetic text into multimedia installations and exhibits. The duo create work with an ecological and environmental focus on a personal and societal scale. Hammonds’ drawings depict the melancholy and darkness manifested in West’s poems, while West’s poems connect to Hammond’s visual landscapes which are often reflections on a fire that consumed her childhood home in Kentucky. As they collaborate across several different mediums, they blend sound with sculptural installation, video with drawings, and words with images.

    “Mud + Corn + Stone + Blue” at Blaffer Art Museum (January 17-March 14)
    Art, political history, and agriculture meet in this new exhibition organized by Blaffer chief curator Laura Augusta. Through the art works selected, the exhibition traces historical entanglements between the United States and Central America through the distinctive angle of U.S. agricultural policy.

    The show looks to be both expansive and personal as Augusta has drawn upon connections between her family’s history in the Great Plains and her relationships built through art in Guatemala. She notes the shared histories across the U.S. and Central America since the 1960s related to the corn industry. The artists showcased in “Mud + Corn + Stone + Blue” are from the U.S. Corn Belt, Guatemala, Nicaragua, El Salvador, and Honduras, with the exhibition drawing links between these places to illustrate their connections that cross borders and time.

    “Frida: The Making of an Icon” at Museum of Fine Arts, Houston (January 19-May 17)
    Fridamania will grip Houston this year, as the MFAH opens this brand new exhibition that they also organized. (Dance lovers should also look for the Houston Ballet to present Broken Wings, a ballet about the life of Kahlo in March.) What makes “Frida: The Making of an Icon” so different from most of the other surveys and retrospectives of Kahlo’s work around the world is this exhibition’s focus on how both her life and art inspired other artists over the many decades since her death.

    While the show will feature 35 masterpieces by Kahlo herself, it will also examine her great legacy and influence on other artists, including painters, sculptorsm and photographers, as well as activists and social communities. Organized thematically around some of those movements, like “Surrealism” and “Gendered Dialogues,” the show will also feature a special gallery of Frida related mass produced merchandise, as well as handcrafted tributes to her.

    “The exhibition reveals how the different facets of Kahlo’s complex persona(lity), which she so carefully crafted and projected, were adapted again and again over her decades-long transformation into an icon,” explains exhibition curator Mari Carmen Ramírez.

    “Imaging after Photography” at Rice’s Moody Center for the Arts (January 23-May 9)
    With the rise of AI as a tool to generate visual imaging, seeing may no longer be believing when it comes to the use of photography for documenting reality. As artists and photographers explore this new technology, they wrestle with how AI technology might reshape their art and how we see the world.

    Always on the vanguard of where art and science meet, the Moody Center presents this new exhibition of works by seven acclaimed national and international artists, including Nouf Aljowaysir, Refik Anadol, Grégory Chatonsky, Sofia Crespo, Joan Fontcuberta, Lisa Oppenheim, and Trevor Paglen. Though working in different photographic and video mediums, they all incorporate contemporary technologies into their practice in order to reflect on the history and future of photography. While their perspectives on a future where AI becomes a significant component of everyday life span a range from optimistic to pessimistic, these artists never shy from the complexity of those possibilities.

    “There are few topics as urgent as artificial intelligence and its impact on all facets of society,” describes Alison Weaver, Moody Center executive director and co-curator of the exhibition. “Through this presentation of works by some of today’s most thoughtful and visionary artists, we hope to inspire dialogue about the influence of new technologies on the images that populate our daily lives and shape our visual culture.”

    Nickolas Muray, Frida with her Pet Eagle, Coyoac\u00e1n, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.

    The Museum of Fine Arts, Houston presents "Frida: The Making of an Icon."

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