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    best june art

    Houston's most eye-catching art: Majestic murals, powerful Pride pieces, and more for June

    Tarra Gaines
    Jun 13, 2023 | 9:45 am

    Get ready for a big, artful summer, as several museums and prominent art spaces in town open fantastic new exhibitions and shows in June.

    Indoors, we’ve got ancient textiles that will always be in fashion, plus cool, cutting-edge shows of local and Texas contemporary art. Meanwhile, the streets of downtown Houston heats up with sizzling and giant new murals from a local and internationally renowned artists.

    "Big Art. Bigger Change" murals throughout Downtown Houston (ongoing)

    Art grows everywhere in Houston, especially downtown, as we seem to spot another building-sized mural with each visit. So if you’re starting to suspect that the Downtown District has become one giant art gallery in the last two years, well that’s no artistic accident.

    In fact, the Big Art. Bigger Change program, which began as a series of 10 large murals spanning a mile-long stretch of city blocks from Hilton Americas Houston Hotel to the Historic District, has grown this year to include 28 large-scale murals from a local, national and global lineup of acclaimed artists.

    Apropos for our international city, this year’s artists hail from countries from all over the world: Ukraine, Iran, Canada, Ireland, Mexico, France, UK, Lithuania, Ghana, Italy, Holland, Germany, and South Korea.

    The project also gives 3 Houston artists and one University of Houston Downtown college student a city-wide stage. Art-lovers and downtown explorers can even download a “Behind the Wall,” app that maps the murals and gives vibrant profiles on the art and artists.

    “Ian Gerson: Tremble” at Art League Houston (now through July 22)

    This exhibition of new works by the Houston artist showcases the interdisciplinary nature of Gerson’s work, incorporating sculpture, installation, and community engagement into the show.

    Taken together, the work in “Tremble” investigates climate injustices, trans consciousness, and queer longing. Gerson weaves flimsy tapestries with ropes culled from Galveston Bay and the Houston Ship Channel, mylar, personal and hand-dyed clothing scraps, and dried plants as a way of centering the refused, the invisible, the marginal.

    “Familiar” at Art League Houston (now through July 22)

    The art duo of Big Chicken (Tsz Kam) and Baby Bird (Nat Power) have been collaborating since their art meeting as students at UT Austin. In their latest show, the art team bring viewers into a painted imagined world of mythological creatures and characters.

    With themes of duality and pairings, their works create a new mythology that centers around the ambiguity of gender and the experience of shifting between girlhood and womanhood.

    “The Big Show” at Lawndale Art Center (now through August 12)

    The (figurative) curtain rises on the Big Show once again at Lawndale, and we can’t wait to see what local artists are up to this year.

    For those not in the Big Show-know, every year Lawndale holds an ambitious open-call juried competition of artists practicing within a 100-mile radius. A long-time example of Lawndale’s commitment to supporting local and regional artists at various stages in their career, the program also showcases a different juror each year, adding a unique perspective on the local art scene.

    Selecting 113 works by 112 artists from 400 entries, this year’s juror, Dr. Kanitra Fletcher, stated “the entries represented the extraordinary range and richness of creative expression in Houston, making my task as difficult as it was inspiring.”

    “Woven Wonders: Indian Textiles from the Parpia Collection” at Museum of Fine Arts (now through September 4)

    Step into the galleries of new, MFAH-organized exhibition to see such a vivid array of colors and textures and you’ll never doubt the creation of textiles can be its own wondrous art form.

    Spotlighting key pieces from the collection of Banoo and Jeevak Parpia, who have assembled one of most significant private collections of Indian textiles outside of India, “Woven Wonders” features 70 textiles spanning the 14th to the early 20th century.

    The exhibition depicts a broad range of textile techniques, including painting, block printing, ikat, tie-dye, brocade, tapestry and embroidery, reflects the diversity of regional textile production within India.

    “Banoo and Jeevak Parpia have over recent years brought their insight and expertise to programs and to our collections of textiles from India,” explains MFAH director Gary Tinterow. “With this exhibition from their exceptional collection, we will be able to further our representation of the rich cultural heritage of Houston’s South Asian community, while exploring the history of one of India’s most treasured art forms.”

    “Layla Klinger: Hot House" at Houston Center for Contemporary Craft (now through September 9)

    The patterns of the natural world, specifically electricity, meet the delicacy and intricacies of human-made textile, specifically lace, in this exhibition by the Brooklyn-based fiber artist, Layla Klinger.

    The show features contemporary lace creations and large electroluminescent installations. Klinger uses electroluminescent wire to create large-scale, light-emitting, bobbin lace installations, which generate incredible variations in light patterns.

    Displayed in dark rooms, Klinger says the holes in the lace artwork become defined not by the physical reality of the wires but by the light.

    “Gabo Martinez: The Land of Flowers” at Houston Center for Contemporary Craft (now through September 9)

    Photo_Big Art. Bigger Change 2023 Mural by Alex Arzu

    Photo by Egidio Narvaez Photography

    “Unity” by Alex Arzu is just one of the many Big Art. Bigger Change Murals recently painted in Downtown Houston.

    The other big summer exhibition from HCCC centers around San Marcos-based artist Martinez’s reclamation of indigenous identity through craft production, using materials and motifs with ties to prehispanic cultures.

    “Land of Flowers” features ceramics and printmaking with images of the mythical, flower-filled paradise, known in Nahuatl as xochitlalpan. Martinez inscribes glazed terracotta vessels and large-scale prints with motifs like the flower, a deeply significant symbol in the poetic tradition of Nahuatl speakers, known as In xochitl In cuicatl (Flower and Song).

    “John Guzman: Flesh and Bone” at Blaffer Art Museum (June 23-September 24)

    This new survey of the award-winning Texas artist focuses on large-scale works produced in the artist’s hometown of San Antonio and the Texas debut of paintings completed during, and immediately following, time at the NXTHVN Studio Fellowship Program in New Haven, Connecticut.

    Guzman translates reflections on traumatic childhood experiences into paintings of distorted, tangled, and deteriorated figures confined in cramped domestic spaces, concealing their behaviors from others and themselves.

    The Blaffer notes that through his work, Guzman “visualizes inexpressible yet consequential conditions of suffering and, in so doing, articulates a departure from cyclical patterns of self-destruction becoming his own reality.”

    “William Kentridge: In Praise of Shadows” at Museum of Fine Arts (June 25-September 10)

    This traveling exhibition of the acclaimed South African multimedia artist surveys 35 years of the celebrated Kentridge’s career, and features more than 80 works touching on every aspect of his art explorations into the visual arts, film, and theater.

    "In Praise of Shadows" will survey his world-renowned charcoal drawings and animated films, as well as prints, bronzes, tapestries, and theater models. The show also has a special focus on Kentridge’s use of paradoxes in light and shadow in his work that directly engages with the aftermath of colonialism, the recording and memory of historical narratives, and how the artist’s studio can disrupt the certainties of long-held belief systems.

    “William Kentridge brings a profound humanism and collaborative spirit to every aspect of his work,” says MFAH’s curator of modern and contemporary art, Alison de Lima Greene. “He surveys the world around us with an attentive and critical eye, uncovering stories that are at once viscerally personal and universally relatable.”

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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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