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    Best April Theater

    Houston's 10 best theater shows for April spotlight Shakespeare, Cher, and Bob Dylan

    Tarra Gaines
    Apr 1, 2024 | 3:00 pm

    From Bob Dylan to Mozart to Rodgers and Hammerstein, Houston theater gets musical this April with sublime operas, touring and homegrown musicals putting a song in our spring. New takes on the classics with the spotlight on complex women characters also make a fabulous entrance this month. But for the ultimate diva performance we’ve got three Chers on stage at the Hobby Center.

    Here are our April must-sees.

    Cleansed from Catastrophic Theatre (April 5-27)
    Houston’s home for avant-garde theater goes to extremes with this regional premier of British playwright Sarah Kane’s intense work. Kane caused much cultural controversy in the UK in the 90s, garnering great critical praise and bouts of condemnation before her untimely suicide. Co-directed by core artist T Lavois Thiebaud and founding artistic director Jason Nodler, Cleansed tells the story of a group of inmates in an institution under the authority of a sadistic Tinker. They try to save their bodies and spirits through human connection and love. Along with a cast of Catastrophic core actors used to tackling risky and edgy drama, the production will showcase design work from some of our favorite local innovative designers and theatrical creators, including choreography by Adam Castan͂eda, set design by Afsaneh Aayani and music, sound, special effects and video design by James Templeton.

    The Taming of the Shrew from Classical Theatre Company (April 11-20)
    One of Shakespeare’s more prickly comedies usually needs some interpretative twists for the show to land with 21st century audiences. In the story, younger sister Bianca wants to marry, but her father insists the older, fiery Katherina marry first. But no man wants the challenge until roguish Petruchio enters the story. Classical founder John Johnston, who will direct, thinks the play calls for a setting change, in this case, as a mid-century sitcom.

    “Using the script to explore the values that we once held in our popular culture, and do still to this day, in some respects, our goal is to examine and critique the treatment of women rather than glorify it, and the play-within-the-play will help us to do that,” explains Johnston.

    Jane Eyre at Alley Theatre (April 12-May 5)
    Charlotte Brontë’s classic novel gets a big stage adaption by Elizabeth Williamson in this Alley production filled with members of their resident acting company and some our favorite Houston actors. Brontë’ wrote the book on creating a head-strong, spirited female hero’s journey that would be the prototype for so many coming of age stories, but orphan Jane’s tale remains unique. This production looks to keep both the drama and complexity of the novel as most of the cast will play a multitude of roles in the different points in Jane’s journey. It’s not just her romance with the mysterious Mr. Rochester. The play looks to portray many of Jane’s distinct trials on her way to maturity and love.

    The Cher Show present by Theatre Under the Stars (April 16-28)
    While there’s not a major theater award for the most amount of costume changes, if it did exist — perhaps represented as a golden zipper — it would likely go to this bio jukebox musical. After all, with three actresses playing the three stages of Cher (Babe, Lady, and Star) and Bob Mackie as both a character in Cher’s show and the real costume designer who won a Tony for the production, we expect lots of sequins, beading, and feathers. The show follows Cher’s rise to superstardom and yes the famous men in her life like Sonny Bono and Gregg Allman. Look for songs from all the Cher eras from “I Got You Babe” to “Believe” to “Turn Back Time.”

    Driving Miss Daisy at A.D. Players (April 17-May 12)
    Before the Oscar winning film, the 1948-set story of a wealthy, septuagenarian Jewish widow and her Black chauffeur was a Pulitzer Prize winning play. When Miss Daisy crashes her car into her neighbor’s yard, her son hires 60-year-old Hoke Colburn to drive her. Though Daisy at first refuses to give up her driving independence, in a series of absorbing interactions spanning 25 years, Miss Daisy slowly relents and the two become friends and pillars of support for one another. Over the decades they remain united against the racism and anti-Semitism that permeates their everyday lives in the deep south.

    Reefer Madness from Garden Theatre (April 19-27)
    Hide those CBD gummies when you head down to the MATCH for this musical satire insincerely based on an 1930s completely serious film. The original cinematic warning to parents depicted that slippery slope of one inhalation of the “demon weed” to eventual madness and death. The campy musical is framed as a high school drama club show, led by the gravely stern Lecturer, who illustrate the perils of the “leafy green assassin” by telling the story of Jimmy, an All-American boy whose life fell apart because of the evil reefer. Chris Patton, who directed several musicals at the greatly missed Obsidian Theatre helms the production, so we’re hoping he drives the madness over a comic cliff to hilarity.

    Don Giovanni from Houston Grand Opera (April 19-May 3)
    The story sung in Mozart’s glorious opera remains the same with Don Giovanni, the womanizing Spanish nobleman, murdering the father of one of his victims in a duel. Despite his crimes, Don Giovanni continues to believe his actions have no consequences — until he is dragged to hell. But this is a Don Giovanni with psychological complexity enhanced with innovative theater high tech. Director Kasper Holten’s vision for the production pairs an intentionally minimalist set from designer Es Devlin with stunning projection design from Luke Halls for a mental hell of Giovanni’s own making. International opera superstar bass-baritone Luca Pisaroni takes on the title role. Rounding out the acclaimed cast is bass-baritone Ryan McKinny as Leporello, tenor Kang Wang in his company debut as Don Ottavio, and mezzo-soprano Sasha Cooke as Donna Elvira.

    The Father from 4th Wall Theatre (April 26-May 11)
    Andre is an elderly man who is struggling with memory loss and confusion as he ages. Through shifting perceptions of reality, he grapples with the loss of his sense of self and the people around him. Winner of the Molière Award for Best Play, this poignant and timely story questions the nature of identity, memory, and the human experience, as it explores the profound impact that dementia can have on individuals and their loved ones. Noted local actor Kevin Cooney stars as the father, and long-time Alley Theatre resident actor Elizabeth Bunch takes a break from the onstage spotlight to direct.

    The Sound of Music from Houston Grand Opera (April 26-May 12)
    HGO bids “So Long, Farewell” to their stellar 2023-24 season with a favorite thing of a production for the whole family. Rodgers and Hammerstein’s timeless tells the musical story of the Von Trapp children, their stern father, and the novice governess, who will never be a nun, Maria. The story and music we all know so well will be taken to operatic heights, as the Wortham comes alive with the sound of the world-class HGO Orchestra and Chorus. This new staging from acclaimed director Francesca Zambello’s is co-produced by HGO and the Glimmerglass Festival where it debuted. Houston must have done “Something Good” this last year, for this production stars world-famous mezzo-soprano Isabel Leonard as Maria and baritone Alexander Birch Elliott as the Captain.

    Girl From the North Country presented by Broadway at the Hobby Center (April 30-May 5)
    This critically acclaimed Broadway show is not your average jukebox musical. Reowned Irish playwright, Conor McPherson, weaves the songs of Bob Dylan into this story of lives changed on one faithful night as strangers meet. Though Dylan originally wrote many of these songs in the 60s and 70s, they set an authentic mood for this depression era saga. In Duluth, Minnesota (Dylan’s birthplace), we meet a group of wayward travelers whose lives intersect as they take shelter in a guesthouse one stormy night. The Tony-nominated show reimagines 20 Dylan’s songs as they’ve never been heard before, including “Forever Young,” “All Along The Watchtower,” “Hurricane,” “Slow Train Coming,” and “Like A Rolling Stone.”

    The Cher Show
    Photo by Meredith Mashburn Photography

    The Cher Show plays at Theatre Under the Stars, April 16-28.

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    fall theater preview

    Sneak peek at the 2026 fall performance slates for 15 Houston companies

    Tarra Gaines
    Aug 18, 2026 | 1:00 pm
    Theatre Under the Stars presents The Music Man
    Photo courtesy of Theatre Under the Stars
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    For theater and performing arts lovers, late summer is the most wonderful time of the year, as stage companies across the city begin their new 2026-2027 seasons. But before the curtains rise, most of those companies also give us the gift of Houston Theater Week and all those buy-one-get-one-free discounts.

    To get ready, CultureMap has put together this fall theater guide with the opening shows and dates for each company, as well as taking an early look at what the rest of the fall and holidays will bring. So grab those discounted tickets for a fall filled with blockbuster musicals, dramas, comedies, as well as lots of classics and audience favorites.

    A.D. Players opens with Holly Street (August 19)
    The spiritual and family friendly theater company began its season a bit early with a poignant world premiere set in small town Kentucky in the 1940s after World War II. Holly Street tells the story of two sisters at Christmas time and two unexpected guests.

    The company takes a break for a month and then offers one of the funniest, yet heartwarming holiday plays for all ages withThe Best Christmas Pageant Ever, the beloved comedy about a children’s play that goes wrong.

    Houston Ballet opens with Pecos Bill (September 11)
    HB says howdy to a great fall season with a mixed rep program that holds something for all dance tastes. The performance includes Stanton Welch’s rollicking ballet version of cowboy folklore, Pecos Bill’s adventures. Performances also feature George Balanchine’s elegant and dynamic Symphonie Concertante, and an HB debut, Meadow, a work by celebrated choreographer Lar Lubovitch.

    For the first full story ballet of the fall (September 24), HB brings the opulence of Sir Kenneth MacMillan’s now classic and tragic Mamon, the doomed love story between an irresistibly beautiful femme fatale and impoverished student. Of course, in November, it wouldn’t be the holidays without Stanton Welch’s version of The Nutcracker Ballet that brings the story’s focus back to the adventurous Clara.

    4th Wall Theatre opens with Proof (September 11)
    The first of several Pulitzer Prize-winning plays produced this season comes from this intimate stage. Playwright David Auburn’s Proof is the story of the daughter of a genius mathematician who might have inherited both his aptitude for math and his mental instability. The play travels back and forth through the present and past to study the formulas of family, loss, and love

    Over the years, 4th Wall has produced several wild and moving adaptations of Jane Austen novels. This year, it will present Are the Bennet Girls Ok? This new version of the Pride and Prejudice story, that had a recent Off-Broadway debut to much critical praise, tells the Bennet girls’ marriage quests from their mother’s point of view.

    Main Street Theater opens with Cold War Choir Practice (September 12)
    Also earning lots of recent off-Broadway buzz, this genre-defying comedy with music is one of the most intriguing picks for the fall. In Reagan’s America, a young girl is embroiled in intrigue when her estranged uncle, a prominent Black conservative, brings his mysteriously ill, white wife home for the holidays and forces long-simmering tensions within the family to boil.

    From Victorian England to a fast food joint, theaters across the world and certainly in Houston have put Dickens’s Christmas Carol into a multitude of settings. For the holidays, MST invites Houstonians to a Dublin pub for An Irish Carol, where rich owner David has lost touch with his own humanity in the interest of self-protection and material success. Now on Christmas Eve, a voice from the past will ask David to look at his relationships in the past, present, and possible future to perhaps change his life for the better.

    Theatre Under the Stars opens presenting The Music Man (September 15)
    TUTS changes its usual mix of more self-produced shows than touring shows, leaning in on presenting this season. The season begins with this classic musical comedy about a charming con man who gets conned himself by small town sincerity and love.

    The touring hits continue in October with Mrs. Doubtfire, the musical based on the Robin Williams comedy about a divorced man who disguises himself as a British nanny to take care of his kids. Then for the holidays, TUTS brings back its own leviathan-sized production of Disney’s The Little Mermaid for under the sea family fun with a cast filled with Houston singing sensations, including students from the TUTS schools.

    Rec Room opens with Amadeus (September 17)
    The east-ish downtown theater company decided to take some time off after last year's productions of Angels in American to switch from a calendar year season to the traditional fall/spring season that most Houston companies use. Now they’re back and celebrating their 10 year anniversary with plays Houstonians haven’t seen in quite a while, or ever, on a local professional stage. The season begins with the now classic 20th century play about the (mostly one-sided) rivalry between composers Antonio Salieri and Wolfgang Amadeus Mozart, and its exploration of jealousy and the nature of genius.

    For the ultimate holiday show counter programming, Rec Room will produce a new adaptation of Nobel Prize-winning Italian playwright Dario Fo’s The Accidental Death of an Anarchist. It’s Christmas time at the police station, as Rec Room reimagines Fo’s groundbreaking political farce of the 1970s as a contemporary American satire infused with detective noir, Cold War paranoia, and sharp absurdity.

    Ensemble Theatre opens with Purpose (September 18)
    Ensemble celebrates its 50th season with this recent Best Play Tony and Pulitzer Prize winner by Brandon Jacobs-Jenkins about a prominent and political Black family, the Jenkins. While the patriarch was a leader in the Civil Rights movement, the adult sons are having trouble living up to their father’s legacy. Generational aspirations come to a comic clash for one particularly awkward but purposeful family dinner.

    For the holidays, the company brings back an audience favorite, the joyful and soulful A Motown Christmas, which melds Motown hits and choreography with traditional holiday classics.

    Stages opens with Come From Away (September 19)
    Based on the true story, this poignant and hopeful musical tells the story of a small town in Newfoundland that rallied together to host thousands of stranded international travelers after planes were grounded September 11, 2001. It’s been a few years since Come From Away toured nationally, so Houstonians are definitely looking forward to seeing Stages begin its season with an intimate and homegrown production.

    In October, Stages jumps from a musical with a large cast of characters to The Roommate, the Jen Silverman comedy about two 50-something women with very different personalities and life experiences who begin living together. For the holidays, it brings back another audience favorite with all the music, fun, and wild plots found in The Great American Trailer Park Christmas Musical.

    Alley Theatre opens fall with Romeo and Juliet (September 25)
    While technically the thrilling Girl on the Train began its 26-27 season, the Alley heats up the fall with the play that originated the term star-crossed lovers and is arguably the greatest romantic tragedy in literature. The entire resident acting company will take the stage in Shakespeare’s wrenching tale of young lovers crushed between their warring families.

    In October, the Alley leaps from a classic of world literature to a world premiere satire with Uhuru. This play explores very contemporary themes of access and identity as it follows a group of climbers up Mount Kilimanjaro. Uhuru was developed as part of the Alley All New play reading season. For the holidays, look for both Alley artistic director, Rob Melrose’s, lovely adaptation of A Christmas Carol as well as its very contemporary Texas version of The Night Shift Before Christmas.

    Broadway at the Hobby Center opens with The Sound of Music (September 29)
    Musical lovers might want to see if the Hobby Center will rent a room this fall, because the TUTS and Broadway combined schedules will fill Sarofim Hall with the sound of music almost every week, including the actual Sound of Music. One of the most beloved musicals of all time, Richard Rodgers and Oscar Hammerstein’s story of the von Trapp family and the woman who brought music into their lives tours the country again with new direction from three-time Tony Award winner Jack O’Brien (Hairspray).

    Then, just in time for spooky season, the ghost-est with the mostest, the irrepressible Beetlejuice, returns to haunt Houston after being a surprising comic hit a few seasons ago. Then, the Tony Award-winning Buena Vista Social Club arrives. Depicting the backstage story of the Grammy-winning album of the same name, the show transports audiences into the heart of Cuba, beyond the glitz of the Tropicana into the soul of the music.

    Houston Grand Opera opens with Susannah (October 23)
    Continuing its centenary celebration for the great American composer Carlisle Floyd, HGO opens its season with this tragic beauty of an opera inspired by Floyd’s childhood as a minister’s son. With a score infused with revival hymns and Appalachian folksong, the opera depicts life in a small Tennessee town and the gossip, judgement, and hypocrisy that leads to the ruin of one innocent woman.

    HGO elevates spooky season with upGounod’s masterpiece Faust in late October. This production from acclaimed Scottish director David McVicar reimagines Faust as a tormented composer in Belle Époque Paris, before making a deal with the devil for youth and earthly pleasures.

    Other fall debuts

    While it might only be producing one show this fall, Houstonians still have these plays from some of the city's mid-sized and smaller companies on their must-see lists. In early September, Mildred’s Umbrella gets mad with Jen Silverman’s Collective Rage: A Play in 5 Betties, a sharp comedy with its synopsis in the title as it depicts the lives of five very different women all named Betty. The recently announced Catastrophic Theatre season scheduled the majority of its shows in 2027, but in September the company will revive Eugene Ionesco’s epic absurdest play, Rhinoceros, about a small town whose citizens begin to transform into a herd of giant horned mammals.

    In mid-October, Dirt Dogs presents one of those great dinner parties from hell plays with Donald Margulies’ Pulitzer Prize-winning Dinner with Friends about one couple’s divorce that leads their best friends to question their own marriages. Also in October, Classical Theatre opens its season with one of George Bernard Shaw’s wittiest works from his “Plays Pleasant” collection, Arms and the Man, about a young woman who has romanticized war until she decides to shelter a war-weary enemy soldier.

    Theatre Under the Stars presents The Music Man
    Photo courtesy of Theatre Under the Stars

    Theatre Under the Stars presents The Music Man

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