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    See Alan Live

    The Traitors star Alan Cumming talks up Houston debut of his one-man show

    Holly Beretto
    Feb 27, 2024 | 1:30 pm

    Multi-hyphenate Alan Cumming is heading to Houston as part of a three-city, four-show Texas Tour. Alan Cumming is Not Acting His Age opens at the Hobby Center for the Performing Arts March 6 and 7, before moving on to Dallas on March 8 and San Antonio on March 9. It's a whirlwind, but he doesn't seem phased by it.

    "I always have fun with Texas audiences. I've never played Houston, but I've filmed in Austin and done concerts in Dallas and San Antonio," he tells CultureMap. "One of the things I love doing with shows like this is going into the cities and meeting people."

    The one-man show, told in stories and song, covers sex, death, and bacchanalia, with a set list as eclectic as one might expect from an actor who's played (among many others and in no particular order) a Bond villain in Goldeneye, hosts the reality show The Traitors on Peacock, won a Tony Award for his portrayal of the emcee in the 1998 revival of Cabaret, and penned a host of novels and memoirs. Audiences can expect songs from Cabaret authors Kander and Ebb blended with contemporary favorites and even a self-penned paean against plastic surgery.

    "It's a real old-fashioned cabaret," he says.

    Cumming began thinking about aging while appearing in the play Daddy in New York in 2019. The then-54-year-old found himself trying to look older for the part. He also appeared naked on stage, and noticed how people reacted to a man in his 50s on stage in the buff. The juxtapositions of those feelings got his mind working. Alan Cumming is Not Acting His Age is the result, and it made its first appearance at Australia's Adelaide Cabaret Festival in 2021. It would go on to the Edinburgh International Festival a few months later, and then to cities around the world.

    "That's the nice thing about doing a tour like this that's broken up," he says. "You go away, you come back. You can step back and look at it. I've changed the songs around, and really finessed it."

    Cumming, who is bisexual, is an outspoken advocate for LGBTQ rights, the arts, and a host of other causes. Known for his candor, wit, and ceaseless curiosity, he routinely turns his observations inward on himself. He hopes the show will resonate with audiences.

    "It's very personal. I feel it's the best connection I can get with an audience," he says about being open and vulnerable in telling this story on stage. "Aging is something we're all doing. I think it's fascinating. This is about how we go about that and how we let certain quarters dictate how to live our lives."

    It is also, he feels, a rallying cry about the inevitability of aging, and how we can face it.

    Alan Cumming

    Photo by Francis Hills

    Alan Cumming comes to Houston in March.

    "The message of this show is about remaining curious and open to life and experiencing life as you get older," he says.

    Alan Cumming is Not Acting His Age is at the Hobby Center for the Performing Arts March 6 and 7. For more information and tickets, visit thehobbycenter.org.

    alan cumminginterviewperforming artscelebrities
    news/arts

    Remembering the Flood

    Texan wins Pulitzer Prize for heartbreaking story of Guadalupe flood

    Brianna Caleri
    May 5, 2026 | 2:00 pm
    Guadalupe River July 4 flood
    Photo by Brandon Bell/Getty Images
    Aaron Parsley has won a Pulitzer Prize for "Where the River Took Us," published days after the flood.

    Many Houstonians know someone who was impacted by the July 4, 2025 flood that killed more than 100 people. But one story cut through the chaos with an emotionally raw, first-person view of what actually happened. Texas Monthly senior editor Aaron Parsley published his survival story in "Where the River Took Us." On Monday, May 4, he has won the Pulitzer Prize for feature writing.

    The prestigious journalism award has 23 winners each spring. For features, the judges chiefly consider "quality of writing, originality and concision."

    "Where the River Took Us," brought readers moment-by-moment from Parsley's family house on the Guadalupe River, to family members including Parsley rushing down the river itself, to reunification for most of the family and grief for his 20-month-old nephew, Clay, who drowned.

    Parlsey renders each scene with arresting detail, recalling dialog and individual pieces of refuse raging past in the water: branches, furniture, a car with headlights still on. Adding to the immersion were photographs by Jordan Vonderhaar and Parsley's family. Published just days after the flood, the account was one of the first deep looks at what happened for readers who had only seen general news coverage and disorganized posts on social media.

    “In a matter of hours, Aaron uncovered the singular experiences of family members wrenched from one another and thrown into a raging flood," said Texas Monthly editor in chief Ross McCammon in a story announcing the Pulitzer award. "He then braided those stories together to convey what a tragedy of this sort actually feels like. This is a deeply reported story of horror, courage, and love, and it is one of the finest magazine stories ever written.”

    “I am grateful to my family for trusting me and to everyone at Texas Monthly for offering their support, talent, and meticulous care during the process of writing, reporting, and all that goes into putting this story into the world,” said Parsley. “It means everything to me, and I’m deeply proud to be a part of the Texas Monthly team.”

    journalismfloodsnatural disaster
    news/arts
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