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    3, the magic number

    Beloved Houston theater company stages 3 ultimate holiday shows

    Tarra Gaines
    Dec 7, 2018 | 11:45 am

    If any theater in Houston represents the spirit of the holidays in all its complicated glory this year, it would have to be Stages Repertory Theatre. The company known for its seasons balancing edgy dramas with crowd-pleasing comedies and musicals produces three holiday shows this December even though right now it only possesses two theater spaces.

    What began as a challenge from artistic director Kenn McLaughlin to present a holiday show for every kind of Stages audience has become a month-long dress rehearsal for the company’s $30 million future in 2020 when they open their new three-theater campus, The Gordy.

    CultureMap recently talked with McLaughlin about what it takes to mount three shows at the same time, while getting a tour of the Gordy in mid-construction. He says producing three plays was something of a happy holiday happenstance, at first.

    Three, a magic number
    Eleven years ago, Stages imported the UK tradition of holiday Panto, a comic, retelling of classic fairy and folktales with plenty of jokes for both kids and adults. After that inaugural year offering the well-known Panto Cinderella, Stages began commissioning Texas and Houston-centric Pantos as world premieres. So the 2018 original Panto Star Force had been in the works for a year.

    For Stages’ second theater, McLaughlin had chosen the humbly titled, The Ultimate Christmas Show (abridged), a farcical romp that delivers good-natured satire on pretty much every kind of holiday show ever staged.

    But then came notice of the availability of the Off-Broadway hit Who’s Holiday. This adults only, parody sequel of the Grinch Who Stole Christmas, featuring an adult, hard-drinking and living Cindy Lou Who, ran into a bit of real life legal trouble with the Seuss estate, but won its day in court.

    With an embarrassment of holiday show riches, McLaughlin decided Stages couldn’t choose just two and that they would produce all three.

    “I like to continue to remind people that Christmas isn’t the same for everybody and the holidays are not just Christmas.” explains McLaughlin on this very eclectic lineup. Ultimate Christmas allows them to represent a lot of different ways to celebrate the holidays, and Who’s Holiday! became “an alternative to the alternative.”

    Fun for the holidays
    “Who’s and Ultimate do kind of fit together in a really strange way. Who’s being the much more modern, progressive push against certain traditions. But in the end of the day, they both are about our longing to be together. The holiday season can amplify that longing. For some people that’s not a great thing and for some people that’s a wonderful thing.”

    According to McLaughlin, another commonality both plays possess is a message of hope, but when I remind the director of Panto Star Force the subtitle of the movie the show is very loosely parodying, McLaughlin gives a kind of touché laugh.

    “It is about hope, in all plays something good comes out in the end.”

    And optimism was certainly an attitude Stages possessed as they worked stage Ultimate Christmas and Who’s Holiday! in repertory style in their Arena Theater, sometimes alternating evenings, sometimes running both with only 90 minutes in-between performances, all the while using that mysterious theatrical Force to keep the Panto space rebellion fighting on in the Yeager Theater.

    “Once we were in, then it occurred to us it will also be a great muscle builder for what it would be like to run three shows at the same time,” McLaughlin explains on what he hopes will be the new normal once the Gordy opens.

    Staging a new home
    Doing their million-dollar bit to keep Houston recycling, the warehouse building at the heart of the new Gordy campus at 800 Rosine St. used to belong to the Museum of Fine Arts which used it for art storage and conservation. Calling the building a “gem,” McLaughlin says Stages is committed to keeping as much of the structure intact as possible. The smallest, flexible and most aptly name, Warehouse Stage will be housed in the remodeled warehouse, but they are also constructing two new attached theater spaces, a 253-seat thrust stage and 227-seat arena stage from the foundation up.

    “It’s a very raw look,” he says of the main Gordy space. “But then you walk in the theaters, you get this ‘Wow.’ The focus, the energy, the money went into those theaters.”

    McLaughlin is still working on the the 2019-2020 season, which will see about a third of the productions in the old building before they open up the Gordy to Houston audiences in January 2020. The tentative plan is to open all three stages together with a production in each.

    One company having three theater spaces is rare for regional theaters, but Stages is taking it a step further with the idea to set an audience-favorite like Always...Patsy Cline, Shear Madness, or Great American Trailer Park Musical in the warehouse stage and run it for many months. The other two theaters would hold their regular season mix of provocative and popular offerings.

    “There’s going to be crazy-edgy things in there and crazy-populous things in there, because that’s my taste and that’s what audiences have responded to. We’re not reaching for the moon here. We have a model that’s really successful. We want to do everything we can to maintain the things people love about us,” he says, promising to keep that eclectic programming and the intimacy of performances, a reason that even the largest of the new theaters will hold less than 300 seats.

    Above all, McLaughlin hopes The Gordy will hold that the spirit of theater, which is a spirit of community, he’s seeing in the lobby during the three holiday shows.

    “You’ve got kids experiencing theater for the first time with all this exuberance and joy. You’ve have people who have a zany sense humor towards the holidays seeing Ultimate Christmas, and then you’re going to have this other layer with Who’s Holiday! which has this outrageous, camp quality to it. That’s a community to me, getting this incredibly diverse group of people in one place exciting about going to see theater.”

    ---

    Visit Stages Repertory Theatre for ticket and showtime information on all three shows.

    Madi Grossman and Company in Stages Repertory Theatre’s production of Panto Star Force.

    Stages Panto Star Force
    Photo by Os Galindo
    Madi Grossman and Company in Stages Repertory Theatre’s production of Panto Star Force.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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