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    Chime at Main Street Square

    Pop-up sculpture lets you compose a special tune to share with downtown Houston

    Tarra Gaines
    Dec 5, 2016 | 11:12 am

    Ready to make beautiful music together, Houston? Then, let’s meet at Main Street Square to play a tune on the art, as the new pop up interactive sculptural installation Chime lets us all become musicians and compose our own special melody to share with all of downtown.

    Just recently popping up amid the Main Street Square Art Blocks, Chime looks a bit like someone built a cute wooden shack in front of the former Sakowitz department store building along the METRORail line between Lamar and Dallas Streets. That someone is Civic Harmony, a design team comprised of artist Dan Gottwald and urban designer Scott Watkins. Gottwald was in Houston for the Chime unveiling and talked about all the music we’ll be making this holiday season as Houstonians discover another reason to explore the streets of downtown.

    As a sound artist, with degrees in sculpture and electronic music Gottwald’s objective is “to provide sculptural music” to cities and communities.

    “I don’t like barriers of virtuosity or perfection or practice even,” he explained. “To release something like this into the world that you don’t need any specific musical training to make a really nice piece of music is kind of my goal. What I’ve done with Civic Harmony is to expand on that.”

    Chime began as an experimental art piece created for the Market Steet Prototyping Festival in San Francisco, but has evolved since then so that the Houston Chime is the largest version yet. Gottwald’s initially had an idea of a big wall of “things you could hit, a big percussion instrument” but he was “really, really hesitant to leave hammers out for everybody or moving parts exposed to the general public.” Thinking outside the box for a time, he came up with a giant box-like solution.

    “It just kind of dawned on me we could put everything on the inside of whatever it was we were doing and use a pendulum,” Gottwald described.

    Two sides of Chime consist of vertical panels, a bit like the peddles of a piano, but they’re meant to be gently pushed with hands. Within the giant wooden instrument, the panels cause the pendulums to swing and hit the interior chimes. Just by giving the panel a slight shove a passerby becomes a musician, but don’t be surprised if your solo soon becomes a duet.

    “You set the whole thing into motion,” said Gottwald, but also noted that both sides work “in conjunction with the other side. You push over here and it starts moving everything over there, in a one-to-one relationship. The size of this thing prevents you from seeing what’s going on on the other side and whether anybody is over there. You can generate some pretty surprising interactions.”

    When I asked Gottwald if there was one instrument Chime reminds him of or that inspired him, he explained that some people think of a piano when they play it, others a glockenspiel, but for him it most resembles simple wind chimes, with humans as “the the wind that enacts the motion of everything.”

    Chime will remain in Main Street Square until the first week of January, but we won’t necessarily hear the fading of its notes anytime soon. The Downtown District acquired this Chime version, and they plan to bring it back out to the streets of downtown on special and perhaps even everyday occasions. It takes a bit of dismantling and carting, but Chime is definitely transportable.

    “We were looking for some more pop up installations to complement the four, year-long [Art Block] installations that we had in Main Street Square, and Chime had been on our radar for almost a year,” explained Angie Bertinot Houston Downtown Management District director of marketing & communications. “I love the idea of moving it around downtown,” she said and hinted that while nothing is definite, the Super Bowl might be another great time for visitors and local residents alike to discover an artful Houston and chime right in their own creative musical compositions.

    Creating music amid the bustle of downtown Houston.

    Chime Art Blocks-playing Chime
    Photo by Joel Luks
    Creating music amid the bustle of downtown Houston.
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    Thanks, Tommy

    Houston-born Broadway legend  donates 50,000 item personal collection to UH

    Holly Beretto
    Jan 9, 2026 | 1:45 pm
    Tommy Tune headshot
    Courtesy of University of Houston
    Tommy Tune has received 10 Tony Awards.

    Broadway legend Tommy Tune and his sister Gracey have made a major gift to the University of Houston, ensuring that the star's larger-than-life legacy will be available for scholars and students for generations to come. The Tony Award-winning actor, choreographer, and director has given a collection of costumes, scripts, design sketches, choreography notes, photos and personal letters to the university.

    More than 50,000 items in all, the collection captures the creative spirit of Broadway in the 1960s, ’70s and ’80s and provides a window into how iconic productions were conceived, staged, and experienced. Tune, a native Houstonian who earned his master's degree in directing from UH in 1964, has been one of Broadway's luminaries for decades, helming the original production of The Best Little Whorehouse in Texas, Nine, and more. He is the first person to win Tony Awards in four different categories, and the only person in Tony Awards history to win the same categories in consecutive years, taking home best choreography and best directing in 1990 and 1991. He is also the recipient of a Lifetime Achievement Tony Award.

    He starred opposite Barbra Streisand in the 1969 film Hello, Dolly!

    “The University of Houston felt like the natural home for it because it’s where my story truly began,” Tune said. “This collection represents my life in musical theater, and I want it to inspire the next generation of artists in the city that first inspired me.”

    The collection is housed in the UH Archives in the MD Anderson Library. Tune's sister Gracey noted that her brother's extraordinary career is part of theater history.

    “You don’t win nine Tony Awards in so many facets of the craft — and a 10th for Lifetime Achievement — without shaping the era itself,” she said. “This collection covers every corner of his Broadway life, and many of his creations still live on stages around the world.”

    The gift means that current and future generations of students and researchers will have access to remarkable items and letters.

    “This collection is a significant contribution to the study of theater history, particularly musical theater,” said University of Houston Archivist Mary Manning. “It will be invaluable to students, performers, filmmakers and researchers who want to explore Tune’s creative process, reconstruct productions or gain cultural context for the works he directed and performed in.”

    Tune's connections to Houston run deep. TUTS' annual Tommy Tune Awards are named for the star, and recognize excellence in high school musical theater.

    Tune expressed gratitude for the university and acknowledged that donating these pieces of his life and work represent a full-circle moment.

    “The University of Houston has an energy and creative spirit that matches everything this collection represents,” Tune said. “If my life’s journey can help even one young artist see a bigger future for themselves, it will be the perfect encore.”

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