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    Celebrating in Yves Klein blue

    Menil Collection 25th anniversary raises $3 million from illustrious,international art world crowd

    Shelby Hodge
    Dec 2, 2012 | 2:55 pm
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Eric Hester
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain
    • Photo by © Gary Fountain

    Art world cognoscenti jetted in from five continents as old guard stalwarts bowed in in their typical understated style and fresh faces in the social scene drove up in their Maseratis and Bentleys — each arriving at the Menil Collection in his own manner Friday night but each with the shared mission of celebrating the museum's 25th anniversary.

    Both the glitteratti and the silk-stocking crowd delved deep into their pockets for the gala (only the third in the museum's history), resulting in unexpected proceeds of close to $3 million, twice the hoped-for goal. Even before bidding on the 31 stellar art works offered in the silent auction, museum coffers had swelled by $2.2 million.

    The decidedly glamorous crowd included Allison Sarofim, her beau, Stuart Parr, and her table of gents from New York.

    More than 700 strong, the black-tie crowd initiated the evening in the Renzo Piano-designed museum for cocktails and tours of the various exhibitions featuring works by Renee Magritte, Jasper Johns, Robert Rauschenberg and Yves Klein, whose blue series inspired the gala theme. In the grand foyer where Klein's works were hung, gala chairs — Franci Crane, Sara Dodd-Spickelmier, Isabel Lummis, Susan de Menil and Karen Pinson — welcomed the international coterie.

    German art dealer and DIA Art Foundation co-founder Heiner Friedrich (ex-husband of Philippa de Menil), table designer/interior designer Liana Yaroslavsky of Paris, Vogue international editor at large Hamish Bowles, event planner extraordinaire Ben Bourgeois of Los Angeles and Architectural Digest contributor Carlos Mota were among them. In from New York were honorary chairs Almine and Bernard Ruiz-Picasso, grandson of Pablo Picasso.

    Act two of the evening took place in a massive rectangular tent, complete with hardwood floors, gauzy draping, ample air-conditioning and shades of blue lighting. The serene, minimalist decor was a collaborative effort between the Menil's exhibition designer Brooke Stroud and event designer Rebekah Johnson. While the subtle blue lighting was a nod to Klein's oeuvre, the rotating light-filled boxes overhead served as a visual flourish echoing Robert Matta's cube esthetic.

    The evening was blessedly short on program with video screens at each end of the tent telling the museum story in streaming photos and film. Museum director Josef Helfenstein and Louisa Sarofim, who has served as museum chair since the death of museum founder Dominique de Menil in 1998, provided the only commentary.

    By night's end, the diverse crowd had become one as they juked and jived in unison to the rocking sounds of Party on the Moon.

    The decidedly glamorous crowd included Allison Sarofim, her beau Stuart Parr and her table of gents from New York, Janet and Paul Hobby, Marcy Taub Wessell and Tom Wessell, Lynn Wyatt, Elise and Russell Joseph, Francoise and Edward Djerejian, Janie C. Lee and David Warren, Eliza and Stewart Stedman, Ann and Peter Brown, Becca Cason Thrash, John Thrash, Nancy Allen and Menil biographer William Middleton.

    By night's end, the diverse crowd had become one as they juked and jived in unison to the rocking sounds of Party on the Moon. On the dance floor, we spotted a rollicking Mel Chin, Phoebe and Bobby Tudor, Susie and Sanford Criner, Bill Stern, Winell and Doug Heron, Melanie Gray and Mark Wawro, Kathryn Mosbacher, Heidi and David Gerger, Carbina and Steven Owsley and Betty and Stephen Newton.

    unspecified
    news/arts

    And the Winner Is

    Houston's Alley Theatre only Texas winner of prestigious new play award

    Lindsey Wilson
    Dec 5, 2025 | 11:31 am
    Audience at Alley Theatre
    Photo courtesy of Alley Theatre
    Bring a friend to the theater for free.

    The Tony Award-winning Alley Theatre has once again earned national recognition, becoming the only Texas theater selected for a 2025 Edgerton Foundation New Play Award, a prestigious honor known for helping launch some of the most influential plays and musicals of the past two decades.

    The award will support the Alley’s May 2026 world premiere of Dear Alien by Liz Duffy Adams, giving the production additional rehearsal time that has proven essential for shaping new work.

    The Edgerton Awards have a powerful legacy behind them. Past recipients include phenomenon-level titles such as Hamilton, Dear Evan Hansen, The Prom, Next to Normal, and Vanya and Sonia and Masha and Spike — shows that went on to win Tony Awards, earn Pulitzer Prizes, and define contemporary American theater.

    “I’m so grateful to the Edgerton Foundation for their support of Liz Duffy Adams’ play Dear Alien," says Alley artistic director Rob Melrose in a release. "Getting an additional week of rehearsal on a new play makes a tremendous difference. In Dear Alien, the titular role (played by resident acting company member Dylan Godwin) is onstage the entire show, and it is going to be quite a challenge. Supporting new plays is incredibly important for the health of the American theater. Four years ago, Alley Theatre premiered Liz’s play Born with Teeth, and it is currently having a run on the West End after gracing the stages of major theaters in the U.S. such as the Guthrie, Asolo Rep, and Oregon Shakespeare Festival."

    Alley Theatre has a significant history with developing new work. In 1996, the Alley won the Regional Theatre Tony Award after debuting the world premiere of the musical Jekyll & Hyde, which went on to tour 40 cities and play for two years on Broadway (it lives on thanks to a DVD and VHS recording starring David Hasselhoff in the title roles).

    In 1998, the Alley staged the American premiere of a rediscovered Tennessee Williams play, Not About Nightingales, which later enjoyed a successful Broadway run.

    The Edgerton Foundation New Plays Program, directed by Brad and Louise Edgerton, was piloted in 2006 with Center Theatre Group in Los Angeles by offering two musicals in development an extended rehearsal period for the entire creative team, including the playwrights. The Edgertons launched the program nationally in 2007 and have supported 569 plays to date at over 50 different theaters across the country. Over the last 19 years, the Edgerton Foundation has awarded $19,670,534 to 569 productions.

    Among the 2025 winners are pop-country star Jennifer Nettles' new musical Giulia: The Poison Queen of Palermo at Perelman Performing Arts Center in New York City; Claudia Shear's The Recipe, about the early life of Julia Child, at La Jolla Playhouse in California; and prolific playwright David Lindsay-Abaire's latest title, The Balusters, at Manhattan Theatre Club. See the complete list here.

    awardsalley theatredear alienliz duffy adamsedgerton foundationedgerton foundation new play awardtheater
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