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    MFAH goes big

    Museum of Fine Arts, Houston announces opening date of game-changing world-class facility

    Steven Devadanam
    Nov 7, 2019 | 2:00 pm
    Nancy Rich Kinder Building Museum of Fine Arts Houston 2019
    An aerial view of the Nancy and Rich Kinder Building for modern and contemporary art, opening fall 2020.
    Photo courtesy of Steven Holl Architects

    Further cementing Houston’s status as a world-class arts hub, the Museum of Fine Arts, Houston announced plans for a new building that will cap what’s considered the largest cultural project in North America.

    The new Nancy and Rich Kinder Building, which will open in fall 2020, will mark the completion of the museum’s multi-year expansion and redevelopment of the Susan and Fayez S. Sarofim Campus. The Kinder Building is specially dedicated to showcase installations from the important and rapidly growing MFAH collection of 20th-and 21st-century art, according to the museum.

    The new Sarofim Campus boasts some 650,000 square feet of new construction. Inaugurated in 2012 with the selection of Steven Holl Architects and undertaken through a $450 million capital and endowment campaign, the project will unify the campus by creating 14 walkable acres. It has already added a public plaza and two buildings to the MFAH: a new home for the Glassell School of Art, also designed by Steven Holl Architects; and the Sarah Campbell Blaffer Foundation Center for Conservation, designed by Lake|Flato Architects.

    Stunning design
    The Kinder Building is meant to “stand in complementary contrast to these existing structures and to create a dialogue with Isamu Noguchi’s 1986 Cullen Sculpture Garden, which Holl’s gallery building fronts on one side,” according to a press release.

    The trapezoidal concrete building is clad in vertical glass tubes that will emit a soft glow at night, through composed patterns of illumination across its facades. Five rectangular courtyard pools are inset along the perimeter, reinforcing the building’s openness to its surroundings.

    More space means more art: With more than 100,000 square feet of space, or 56 percent, dedicated to the presentation of works of art, the Kinder Building increases overall MFAH exhibition space by nearly 75 percent. Additional features of the building include a 215-seat theater for film screenings and a restaurant and café on the ground level.

    World-class art
    A series of seven major site-specific commissioned artworks will be inaugurated with the Kinder Building, serving as portals that connect this new structure with the other components of the campus. Commissioned artists are El Anatsui, Byung Hoon Choi, Carlos Cruz-Diez, Olafur Eliasson, Trenton Doyle Hancock, Cristina Iglesias, and Ai Weiwei.

    The master plan also adds public plazas and gardens to the campus. Green spaces by Deborah Nevins & Associates, in collaboration with Mario Benito, and upgraded sidewalks, street lighting, and wayfinding are creating an urban oasis in the increasingly dense Museum District and contributing to Houston’s evolution as a more walkable city.

    And for those concerned about the parking in the Museum District: The campus project has moved new parking belowground, adding some 400 spaces.

    The Kinder Building is the final component of the plan as the third gallery building on the Sarofim Campus, joining the museum’s original Caroline Wiess Law Building (designed in the 1920s by William Ward Watkin, with later extensions by Ludwig Mies van der Rohe) and the Audrey Jones Beck Building (designed by Rafael Moneo and opened in 2000).

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    news/arts

    Mags Move In

    Shuttered Houston magazine stand finds new home at Austin coffee shop

    Brianna Caleri
    Jan 19, 2026 | 4:00 pm
    Tomo Mags bus outside of brick-and-mortar Austin store
    Photo courtesy of the Downtown Austin Alliance
    Tomo Mags is driving into a new era.

    Austin's roaming newsstand Tomo Mags — which sells books out of a signature blue bus — is moving up in the world. Its new brick-and-mortar bookstore and partner coffee shop, Cielito Lindo, are celebrating their grand opening Thursday, January 22, at 411 Brazos Street, #101. A ribbon-cutting ceremony from 10-11 am with the Downtown Austin Alliance and the Austin Chamber of Commerce will mark the occasion.

    Tomo Mags started in 2015 in Houston, on a decommissioned school bus. Founder Vico Puentes hit the ground running — or driving — visiting shopping centers, galleries, universities, cafés, and more. It toted artsy independent magazines about fashion, photography, design, erotica, and even some comparatively normie selections like The Economist and New York Magazine.

    The journey so far has included an earlier stationary space that later closed (and another one that reopened), a pause for several years, and a "bittersweet" move to Austin in 2025.

    Tomo Mags Austin interior The collection has a lot more room to expand in this new space.Photo courtesy of the Downtown Austin Alliance

    The new shop offers more of the same: a wide selection of magazines and art books alongside studio tools like pens and notebooks, merch, and fashionable accessories. It's been in a soft-opening phase since mid-December. Cielito Lindo, which opened in a coffee pot-shaped trailer in Manor in spring 2025, also kicked off its soft opening in the space a few days. Both the Tomo bus and Cielito's trailer will continue operating.

    Even though both businesses are relatively new to Austin, Puentes has deep personal connections with the city.

    “Before opening TOMO mags, I worked in downtown Austin for the last six years, and I’ve seen such an incredible evolution in what it feels like for the people who work and live here, as well as the visitors passing through,” said Puentes in a press release.

    Tomo Mags Austin interior Cafe tables are great for flipping through new finds with Cielito Lindo's signature horchata latte.Photo courtesy of the Downtown Austin Alliance

    Driving around town to make sales may sound like a fast-paced existence, but Puentes hopes visitors to Tomo can slow down when they visit, enjoying the physical experience and maybe even creating a personal art archive over time. Part of that includes getting to know the artists filling the shelves.

    "With TOMO mags, our goal is to create a place people can come back to regularly to slow down, find inspiration, and leave with something special, or a gift that actually feels thoughtful," he said. "We’re already meeting people from all over the world, and we’re proud to host them and share recommendations that help them experience Austin beyond just downtown, while also spotlighting the creative community and local businesses that make this city so special.”

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