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    MFAH goes big

    Museum of Fine Arts, Houston announces opening date of game-changing world-class facility

    Steven Devadanam
    Nov 7, 2019 | 2:00 pm
    Nancy Rich Kinder Building Museum of Fine Arts Houston 2019
    An aerial view of the Nancy and Rich Kinder Building for modern and contemporary art, opening fall 2020.
    Photo courtesy of Steven Holl Architects

    Further cementing Houston’s status as a world-class arts hub, the Museum of Fine Arts, Houston announced plans for a new building that will cap what’s considered the largest cultural project in North America.

    The new Nancy and Rich Kinder Building, which will open in fall 2020, will mark the completion of the museum’s multi-year expansion and redevelopment of the Susan and Fayez S. Sarofim Campus. The Kinder Building is specially dedicated to showcase installations from the important and rapidly growing MFAH collection of 20th-and 21st-century art, according to the museum.

    The new Sarofim Campus boasts some 650,000 square feet of new construction. Inaugurated in 2012 with the selection of Steven Holl Architects and undertaken through a $450 million capital and endowment campaign, the project will unify the campus by creating 14 walkable acres. It has already added a public plaza and two buildings to the MFAH: a new home for the Glassell School of Art, also designed by Steven Holl Architects; and the Sarah Campbell Blaffer Foundation Center for Conservation, designed by Lake|Flato Architects.

    Stunning design
    The Kinder Building is meant to “stand in complementary contrast to these existing structures and to create a dialogue with Isamu Noguchi’s 1986 Cullen Sculpture Garden, which Holl’s gallery building fronts on one side,” according to a press release.

    The trapezoidal concrete building is clad in vertical glass tubes that will emit a soft glow at night, through composed patterns of illumination across its facades. Five rectangular courtyard pools are inset along the perimeter, reinforcing the building’s openness to its surroundings.

    More space means more art: With more than 100,000 square feet of space, or 56 percent, dedicated to the presentation of works of art, the Kinder Building increases overall MFAH exhibition space by nearly 75 percent. Additional features of the building include a 215-seat theater for film screenings and a restaurant and café on the ground level.

    World-class art
    A series of seven major site-specific commissioned artworks will be inaugurated with the Kinder Building, serving as portals that connect this new structure with the other components of the campus. Commissioned artists are El Anatsui, Byung Hoon Choi, Carlos Cruz-Diez, Olafur Eliasson, Trenton Doyle Hancock, Cristina Iglesias, and Ai Weiwei.

    The master plan also adds public plazas and gardens to the campus. Green spaces by Deborah Nevins & Associates, in collaboration with Mario Benito, and upgraded sidewalks, street lighting, and wayfinding are creating an urban oasis in the increasingly dense Museum District and contributing to Houston’s evolution as a more walkable city.

    And for those concerned about the parking in the Museum District: The campus project has moved new parking belowground, adding some 400 spaces.

    The Kinder Building is the final component of the plan as the third gallery building on the Sarofim Campus, joining the museum’s original Caroline Wiess Law Building (designed in the 1920s by William Ward Watkin, with later extensions by Ludwig Mies van der Rohe) and the Audrey Jones Beck Building (designed by Rafael Moneo and opened in 2000).

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    welcome to houston

    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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