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    10 festive holiday plays in Houston this season, showcasing Scrooge, dorks, and vampires

    Tarra Gaines
    Nov 7, 2019 | 9:30 am

    Retail has nothing on the Houston theater community, as we’ve just entered November and already our favorite companies are decking their stage halls with Santa, Scrooge, family holiday reunions, and fairy tales with a Texas twist. But even those saying "Bah Humbug!" to this holiday lineup can find some thought and heart-provoking contemporary works, including the Tony darling Dear Evan Hansen.

    So check out the best of Houston theater in November and maybe take some garlic instead of holly with you — as you watch out for vampires (read on for that).

    Miracle on 34th Street: A Live Musical Radio Play at Stages Theatre (November 6-December 16)
    In this remix of the classic holiday story of a Macy’s Santa — who just might be the real thing warming the most cynical New Yorkers hearts — stage actors play old time radio actors bringing the show to life, live on-air. While a stage musical pretending to be a radio show depicting a post-war Christmas film classic might get a bit confusing, this Miracle could become one of the more charming holiday theatrical highlights of the season.

    The Children at Rec Room (November 9-December 7)
    In one of those plays where it's best to not know too much about the plot before seeing, a retired married couple who receives an unexpected guest seems to signal a domestic drama — but then becomes so much more. Three consistently great Houston actors (John Felch, Susan Koozin, and Sally Burtenshaw) take on this award-winning work by playwright Lucy Kirkwood, which wrestles with psychology, mortality, and what older and younger generations owe to each other and the world.

    Dear Evan Hansen presented by Broadway at the Hobby Center (November 12-24)
    While still burning up Broadway, this very contemporary story of a high school Evan and his series of bad decisions dances (awkwardly in Evan’s case) into Texas this month with Houston as its first stop. The Tony-winning musical poses timeless questions about love, connection, and acceptance, but tackles them in a social media age.

    Pulsate: A Vampire Musical at Prohibition Theatre (November 13-21)
    If Christmas cheer comes too early for you this year, at least one stage will continue to celebrate the spirit of Halloween this month with this world premiere musical from Houston-based playwright Faith Fossett. Billed as an electronic pop musical about vampires, witches, werewolves, and humans, the show will have an immersive staging at Prohibition Theatre with some of the action — including aerial wizardry, vampiric fighting and dancing — happening amid the audience.

    More Than Christmas at Ensemble Theatre (November 14-December 29)
    This world premiere musical from local playwright Celeste Bedford Walker might give audiences a familiar warm feeling, as the fictional Mercy family reunites for the holidays. For a Christmas family reunion “where there’s more than merriment behind each smile, and presents aren’t the only things that get unwrapped,” we’re guessing music, comedy, and familial mercy will be found under the tree.

    A Christmas Carol at The Alley Theatre (November 15-December 29)
    Though he’s still helming this Houston theatric tradition as director, this year James Black hands over the humbug mantle to long-time fellow company member David Rainey to play Scrooge. Expect friendly and frightening specters, time traveling ghosts, cute kids, a bizarre Ebenezer, Mrs. Dilber, Marley, and half the Houston theater community to play a carol-rousing role in this production.

    Panto Hansel & Gretel at Stages Theatre (November 20-December 15)
    For 10 years, Stages has made a world premiere British-styled panto with a Texas twist a holiday tradition. This time a trip into the woods gets both a Houston and meta-theatrical spin as would-be stage star parents lose their social media-obsessed kids in the forest. Stages panto character favorite Buttons has only two hours with one intermission to save the day, likely using his super hero powers of wild musical numbers. Audiences can expect to contribute to the mayhem with lots of cheers, boos, and character-saving shouts of “look behind you!”

    Baby Screams Miracle from Catastrophic Theatre at the MATCH (November 22-December 15)
    As November leads into December, if you’re still looking for theater with not a jiggle, elf, or flying caribou in sight, Catastrophic Theatre has a present for you. A family weathers quite the physical, emotional, and metaphoric storm that keeps coming back to haunt them. Look for themes of faith, family, and resilience, but likely without any heartwarming holiday goose giving.

    The Wickhams: Christmas at Pemberley at Main Street Theater (November 23-December 22)
    The hit sequel to Pride and Prejudice, Christmas at Pemberley, written by contemporary playwrights Lauren Gunderson and Margot Melcon, gave Bennet middle sister, Mary, time to shine. Now, this sequel to the sequel takes the comedy downstairs on the same Christmas to see how the Darcy servants handle the crisis when the conniving Wickham shows up to see his estranged wife, Lydia. Expect ensuing comic chaos likely seasoned with Christmas renewal and romance.

    Fully Committed at The Alley (November 26-December 29)
    In probably the most unconventional of the holiday shows (while still technically keeping its Christmas status), this one-person comedy depicts the haggard life of Sam, a part-time actor and full-time reservations manager at one of New York’s trendiest restaurants. The Alley’s Dylan Godwin plays Sam as well 39 other characters, including his tormenting bosses and equally aggressive customers desperate to get a coveted table during the holidays.

    The Tony-winning Dear Evan Hansen arrives at the Hobby Center November 12.

    Stephen Christopher Anthony and the North American Company of Dear Evan Hansen
    Photo by Matthew Murphy
    The Tony-winning Dear Evan Hansen arrives at the Hobby Center November 12.
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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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