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    The Review Is In

    TUTS' How to Succeed in Business Without Really Trying delights as it disturbs

    Tarra Gaines
    Oct 30, 2016 | 11:30 am

    In what is perhaps either the most unfortunate or most brilliant coincidental scheduling in Theatre Under the Stars history, their new production of How to Succeed in Business Without Really Trying will end its two weeks run two days before election day. If comedy is all in the timing, how audiences feel about the societal issues that came boiling to the surface this presidential season might indicate whether we’ll laugh or cry when faced with this Business filled with two-and-a-half hours of corporate backstabbing, institutional sexual harassment and lazy mediocracy reigning supreme.

    With music and lyrics by Frank Loesser and book by Abe Burrows, Jack Weinstock and Willie Gilbert, How to Succeed in Business made its Broadway debut in 1961 and thanks to biting yet hummable songs and some strong comic bits the show has been revived pretty regularly since then. Its last notable Broadway incarnation in 2011 starred Harry Potter himself, Daniel Radcliffe.

    The classic hero’s journey – a humble boy makes good – takes a satirical twisty turn in this show. Armed only with smiling guile and an almost-magical self-help book, lowly J. Pierrepont Finch (Chris Dwan) rises from window washer to CEO of the World Wide Wicket Company. With a boy-next-door face, Dwan plays Finch not so much as corn-fed as high fructose corn syrup-fed, slightly manic in his winning combo of ambition camouflaged in niceness. Carried away by Dwan’s strong voice and the character’s winning ways, we begin to root for Finch as he methodically charms his way up the corporate ladder, grinding the hands of lesser men, along with one woman’s heart, as he climbs over them.

    Finch’s only real obstacle in his race to the top comes from his nemesis and the company president’s nephew, Bud Frump (Joshua Morgan). Finch is no better or nobler than Frump, and neither man seems to do any real work at the company once they leave the mailroom, so the only reason one is the hero and other the villain in this piece might be because Frump is less cunning and, as played by Morgan, much more comically whiny.

    Finch’s love interest, his secretary Rosemary Pilkington (Ashley Blanchet), also becomes his biggest supporter, while an army of female assistants, doing the actual work of the company, help Finch along the way. And it's these scenes with the women in particular when what was probably light satire in the 60s becomes almost so sharp its painful in 2016.

    The only competent professionals we see in the entire World Wide Wicket company are the two middle-aged executive secretaries, Smitty (Ryann Redmond) and Jones (Allyson Kaye Daniel). Both actresses manage to steal quite a few scenes as their characters keep the wheels of the company turning while their many male bosses spend their days jockeying for promotion. Those bosses do take breaks from backstabbing for some recreational sexual-harassment. How to Succeed in Business even gives an entire number, “A Secretary Is Not a Toy,” on the intricate etiquette of groping female subordinates.

    Meanwhile, Blanchet plays Rosemary with a yearning sweetness, even as she knows, and never questions, the score for women in World Wide Wicket land. In her solo “Happy to Keep His Dinner Warm,” Rosemary dreams of the ultimate achievement of any company secretary, life in the suburbs sitting in the kitchen awaiting her boss-turned-husband’s arrival home for an evening of “perfectly understandable neglect.”

    Dan Knechtges who does double duty admirably as director and choreographer manages to keep the scenes that might induce wincing at the women’s status in this world balanced with breaks for high silliness. The early number “Coffee Break” where workers become dancing zombies when the coffee runs out is particularly sly, while “Grand Old Ivy” Finch’s attempt to win over company president Jasper B. Biggley (Stuart Marland) with his rendition of Biggley’s old college fight song is utterly ridiculous and one of the funniest scenes of the show.

    How to Succeed in Business is also just gorgeous to behold. Costume designer Rose Pederson’s executive grey suits contrasted with the secretaries' boldly colored dresses is startling as the whole cast runs and dances around in a giant Piet Mondrain painting of a set created by scenic designers Tom Sturge and David Summer.

    I’m not revealing spoilers to tell that Business ends happily, as a '60s musical comedy, of course it does, but after the laughs and applause die away and we spend even a few minutes thinking of all that Finch has accomplished through no merit of his own and what a horrible person he really is, we might be left more than a bit unsettled as to where his ever soaring ambition might lead him next.

    How to Succeed in Business Without Really Trying runs through November 6 at the Hobby Center.

    Ashely Blanchet as Rosemary Pilkington and Chris Dwan as J Pierrepont Finch.

    How to Succeed in Business Without Really Trying
    Photo by Os Galindo
    Ashely Blanchet as Rosemary Pilkington and Chris Dwan as J Pierrepont Finch.
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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