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    welcome back, wortham

    Houston's Wortham Center triumphantly reopens after devastating Harvey damage

    Tarra Gaines
    Sep 26, 2018 | 9:05 am

    It took a year to heal and restore, but the Wortham Center has now opened its doors once more to artists and audiences, welcoming Houston back to its performing arts home.

    When 270 million gallons of water from Hurricane Harvey flooded the underground garages and tunnel connected to the Wortham and then pushed its way into the building — rising 12 feet in the basement — that might have been the end to one of the city’s most iconic performing arts venue, but Houstonians pull together and rebuild.

    The mammoth undertaking to restore and return the space to its former glory, while taking measures for flood mitigation in the future, cost an estimate $100 million. Pumping out all the water and preserving the integrity of building was only the first step in those initial recovery months in 2017.

    With one-third of 60 air-handling units damaged, and extensive destruction to much of the basement levels mechanical equipment, electrical and plumbing systems, the replacement and reconstruction took time.

    Now, with the majority of the repairs complete — including the rebuilding of the Brown Theater stage — the Wortham will once again become a beacon for the performing arts in Houston.

    But before audiences pour into the theaters, Houston First Corporation, which manages and operates the Wortham Center, recently threw a homecoming reception of appreciation in the Cullen Theater to congratulate the many people responsible for the Wortham’s reemergence as a vital part of the Theater District and downtown.

    Attended by Mayor Sylvester Turner and Congresswoman Sheila Jackson Lee, city officials and representatives of many of the major performing arts organizations that call the Wortham home, the event gave those most familiar with the inner workings of the venue a chance to celebrate.

    “Not getting back for this season, simply was not an option,” says Mayor Turner. “We knew we would be back and be ready for this season because that’s just who we are. We believe in one another.”

    Mayor Turner’s remarks made clear that the Wortham Center’s restoration can represent the city’s perseverance and resilience.

    “What happens on this stage is just a small piece of what takes place within the 640 square miles of the city of Houston,” Turner says. “Everyday the show goes on. People perform and everyday some child in our city sees us all do our best. The art that exists in our city is a reflection of who we are.”

    As an illustration the Wortham’s impact on so many Houstonian’s lives and how many people it takes ensure the show goes on, Brenda Bazan, Houston First, president and CEO called upon the stage representatives of the many people who call the space home, the dancers, singers, ushers, box office staff, administrators, caterers, maintenance crews, costume and set designers. Together they’ll ensure the performing arts will once again flourish within the Wortham.

    As the stage lights go up this week, they’ll first illuminate one of the world’s greatest opera singers, Plácido Domingo, for a special concert with Houston Grand Opera on September 26, but that’s just the beginning of all triumphant returns to the Cullen and Brown stages from HGO, Society for the Performing Arts, Mercury, DaCamera, and of course the Houston Ballet bringing the beloved Nutcracker back to its snow-dusted home in November.

    “Through these performances,” says Turner, “it infuses hope, aspiration, and inspiration into the people of the city of Houston.”

    The restored Brown Theater.

    Restored Brown Theater
    Houston First Courtesy Photo
    The restored Brown Theater.
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    And the Winner Is

    Houston's Alley Theatre only Texas winner of prestigious new play award

    Lindsey Wilson
    Dec 5, 2025 | 11:31 am
    Audience at Alley Theatre
    Photo courtesy of Alley Theatre
    Bring a friend to the theater for free.

    The Tony Award-winning Alley Theatre has once again earned national recognition, becoming the only Texas theater selected for a 2025 Edgerton Foundation New Play Award, a prestigious honor known for helping launch some of the most influential plays and musicals of the past two decades.

    The award will support the Alley’s May 2026 world premiere of Dear Alien by Liz Duffy Adams, giving the production additional rehearsal time that has proven essential for shaping new work.

    The Edgerton Awards have a powerful legacy behind them. Past recipients include phenomenon-level titles such as Hamilton, Dear Evan Hansen, The Prom, Next to Normal, and Vanya and Sonia and Masha and Spike — shows that went on to win Tony Awards, earn Pulitzer Prizes, and define contemporary American theater.

    “I’m so grateful to the Edgerton Foundation for their support of Liz Duffy Adams’ play Dear Alien," says Alley artistic director Rob Melrose in a release. "Getting an additional week of rehearsal on a new play makes a tremendous difference. In Dear Alien, the titular role (played by resident acting company member Dylan Godwin) is onstage the entire show, and it is going to be quite a challenge. Supporting new plays is incredibly important for the health of the American theater. Four years ago, Alley Theatre premiered Liz’s play Born with Teeth, and it is currently having a run on the West End after gracing the stages of major theaters in the U.S. such as the Guthrie, Asolo Rep, and Oregon Shakespeare Festival."

    Alley Theatre has a significant history with developing new work. In 1996, the Alley won the Regional Theatre Tony Award after debuting the world premiere of the musical Jekyll & Hyde, which went on to tour 40 cities and play for two years on Broadway (it lives on thanks to a DVD and VHS recording starring David Hasselhoff in the title roles).

    In 1998, the Alley staged the American premiere of a rediscovered Tennessee Williams play, Not About Nightingales, which later enjoyed a successful Broadway run.

    The Edgerton Foundation New Plays Program, directed by Brad and Louise Edgerton, was piloted in 2006 with Center Theatre Group in Los Angeles by offering two musicals in development an extended rehearsal period for the entire creative team, including the playwrights. The Edgertons launched the program nationally in 2007 and have supported 569 plays to date at over 50 different theaters across the country. Over the last 19 years, the Edgerton Foundation has awarded $19,670,534 to 569 productions.

    Among the 2025 winners are pop-country star Jennifer Nettles' new musical Giulia: The Poison Queen of Palermo at Perelman Performing Arts Center in New York City; Claudia Shear's The Recipe, about the early life of Julia Child, at La Jolla Playhouse in California; and prolific playwright David Lindsay-Abaire's latest title, The Balusters, at Manhattan Theatre Club. See the complete list here.

    awardsalley theatredear alienliz duffy adamsedgerton foundationedgerton foundation new play awardtheater
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