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    best september art

    10 vivid and eye-catching September art events no Houstonian should miss

    Tarra Gaines
    Sep 9, 2022 | 11:26 am
    "Urban Impressions: Experiencing the Global Contemporary Metropolis" opening reception
    The Moody Art Center celebrates the art of cities with the exhbition "Urban Impressions: Experiencing the Global Contemporary Metropolis."
    Photo courtesy of the artist and Bruce Silverstein Gallery, New York.

    September brings a festival of art — a Fotofest that is — as the biannual celebration of the art of photography spreads across the city. Even galleries and museums not specifically a part of Fotofest have their art eye on photography.

    Beyond all the photo festivities, the month brings in a change of color as fall shows open across the city.

    “Urban Impressions: Experiencing the Global Contemporary Metropolis” at Moody Center for the Arts (September 16-December 17)
    Celebrate Houston as an international art city and city life across the world as its own kind of art form in this radical, sprawling new exhibition. Look for international and national artists such Rana Begum, Kahlil Irving, Julie Mehretu, Sohei Nishino, Emeka Ogboh, Robin Rhode, Seher Shah, Liu Wei, and Michael Wolf, as well as Houston-based artists, such as Charis Ammon, Tiffany Chung, Mary Flanagan, and Rick Lowe.

    This exhibition ponders the shape and future of cities and the lives they shelter. The works on view take into consideration not only visual components but also sensory perceptions and collective memories of urban life that impact our minds and bodies and structure our lives in unexpected ways.

    “Bitter Waters Sweet” at Art League Houston (September 16-December 3)
    This exhibition of new work by Fort Worth artist and 2022 Texas Artist of the Year. Letitia Huckaby, explores the legacy of Africatown, the historic community near Mobile, Alabama, founded by a group of West African people who were trafficked to the U.S. as slaves shortly before Emancipation, and long after the Atlantic slave trade was banned.

    Huckaby’s photographs, printed on cotton fabric, bring together the legacy of Africatown, its founders, and their descendants, with the history of the ship Clotilda and its persistent physical proximity to the community. Through her imagery and materials, her work ties the past to the present as she examines history and its contemporary connection to the black experience.

    “Drawn to Communities” at Art League Houston (September 16-December 3)
    Art League turns the lens on the photography of Houston Earlie Hudnall, Jr. in this show focusing on his images of daily life in Houston’s Third, Fourth, and Fifth Wards. Art League notes that his images of families and daily life in some of the city’s most neglected neighborhoods remain as a record of these historic communities that persevere with strength, love, and dignity.

    “I chose the camera as a tool to document different aspects of life: who we are, what we do, how we live, what our communities look like,” states Hudnall of his work.

    “Lo que me queda de tu amor (What’s Left of Your Love for Me)” at Lawndale (September 17-December 10)
    Curated by Francis Almendárez and Mary Montenegro and featuring work by 18 artists who use archives and traditions as part of their creative practice. Through movement, text, sound, performance and improvisation, these artists conjure intergenerational and cultural histories.

    In doing so, these images reflect how their respective cultures and histories have been maintained and their communities have thrived, despite the odds against them. Collectively, these works question the accessibility of archives, since those who have historically shared them are rarely from the communities that produced them.

    “Love is a House that Even Death Can’t Knock Down” at Lawndale (September 17-December 10)
    This photo-based group show featuring the works of mk, Irene Antonia Diane Reece, and Jamie Robertson, also focuses on archives, especially in the celebrates the sacredness of Black family life.

    Working with their own family photographic chronicles, the artists address themes of life, death, and memory in relation to a Southern Black experience. The Gulf Coast landscape connects the creative practices of these three families and, while each uses photographic imagery, the exhibition is a multi-sensory experience including smell, sound, and installation elements.

    “Sites of Memory” from DiverseWorks at MATCH (September 23-November 5)
    San Antonio-based artist Jenelle Esparza and Houston-based artist Verónica Gaona, come together, for this exhibition, to explore the impermanent nature of land and its residual energy through the use of objects, land-based materials, and living and historical research.

    The exhibition explores the relationship between the body, history, and land and builds on conversations between Esparza and Gaona as they work to further explore the impacts of migration, familial legacy, transnationality, migratory labor, and ideas related to rest.

    “Monira Al Qadiri: Refined Vision” at Blaffer Art Museum (September 23-January 8)
    In this first U.S. museum solo exhibition for the Senegal born, Berlin-based, Kuwaiti visual artist, Al Qadiri examines petroleum-centric cultures, or “petro-cultures,” where life and society are informed by the practices and discourses involving the consumption of, and subsequent dependence on, oil and gas.

    With artwork that span video, glass, kinetic sculpture, and interactive installations, the exhibition ranges from surreal to melancholic, reflecting the intense and often astonishing scenes that make up the artist’s real (and imagined) memories of her formative years in the Middle East. Yet, some of the art was also originally inspired by parallels of wealth and infrastructure between the Texas Gulf Coast and the Persian Gulf region.

    “Troy Montes Michie: Rock of Eye” at Contemporary Arts Museum Houston (September 23-January 29)
    To tailor a garment by “rock of eye” is to rely on the drape in the fitting process—that is, to rely on experience over mathematical measurement, notes the CAMH when describing this first museum solo exhibition for the acclaimed Texas artist.

    Subverting dominant narratives by placing past and present in confrontation, Montes Michie brings together collages, drawings, sculptures, and installations that draw the contours of body and place. The art is heavily informed by his experience growing up in El Paso.

    The exhibition combines Montes Michie’s previous collages and assemblages that center magazine images of the Black male body with sculptural works that trace the social history of the zoot suit, a garment at the center of the 1943 attacks primarily on Mexican American, African American, and Filipino American youth in Los Angeles known as the Zoot Suit Riots.

    “African Cosmologies: Redux” part of Fotofest Biennial 2022 at galleries throughout the city (September 24-November 6)
    Curated by Mark Sealy, the director of London-based photographic art institution Autograph ABP, “African Cosmologies” might be the most expansive exhibition of the year, as it encompasses four distinct shows at Spring Street Studios, The Alta Arts, Houston Museum of African American Culture, and the Menil Collection.

    All together the exhibition examines the complex relationships between contemporary life in Africa, the African diaspora, and global histories of colonialism, photography, and rights and representation. The exhibition considers the history of photography as one closely tied to a colonial project and Western image production, highlighting artists who confront and challenge this shortsighted, albeit canonized lineage.

    “If I Had a Hammer” at Silver Street Studios and Winter Street Studios (September 24-November 6)
    One of the major Fotofest Biennial 2022 exhibitions, “Hammer” considers the ways artists utilize images to unpack the ideological underpinnings that inspire collective cultural movements around the globe.

    The 23 artists exhibiting in this expansive show propose alternative techniques of seeing and engaging with the world, working with both conventional and new media to shed light on the systems that encourage social theories and political imaginaries to become dogma at the click of a shutter or tap of a button.

    The Moody Art Center celebrates the art of cities with the exhbition "Urban Impressions: Experiencing the Global Contemporary Metropolis."

    "Urban Impressions: Experiencing the Global Contemporary Metropolis" opening reception
    Photo courtesy of the artist and Bruce Silverstein Gallery, New York.
    The Moody Art Center celebrates the art of cities with the exhbition "Urban Impressions: Experiencing the Global Contemporary Metropolis."
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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