The show must go on

Houston's Theatre Under the Stars postpones entire 2020-2021 season

Come from Away TUTS Theatre Under the Stars tour

The show will go on with Come from Away.

Photo by Matthew Murphy

This week should've been the season opener for Theatre Under the Stars' 2020-2021 season, raising the curtain with a hotly anticipated new production of 1776, in its pre-Broadway run. When the COVID-19 pandemic hit, TUTS pushed that show — and the rest of its season — back to January 2021.

But on September 9, the theater company postponed the season one more time. It'll be May 2021 before Houstonians see a TUTS show.

In what the organization has dubbed its "Homecoming Season," TUTS opens with the much-loved Come From Away, a musical that examines the lives of airline passengers stranded in Newfoundland, Canada in the wake of 9/11. It will run May 18 - 30, 2021.

“The good news is that Come From Away runs during its original dates,” Hillary Hart, TUTS' executive director, tells CultureMap. “With [that show] and 1776, those are tours, and of course we are reliant on the commercial touring Broadway circuit. Those shows want to create a touring schedule through multiple cities. And Come From Away is far enough out on the event horizon that we feel confident saying it will happen.”

The rest of the reasons stacks up like this:
Rock of Ages runs August 10-20, 2021

1776 (now coming direct from Broadway) will run September 28-October 10, 2021

Sister Act runs November 2-14, 2021

Disney’s The Little Mermaid runs December 7-24, 2021

South Pacific runs February 8-20, 2022

“The safety of our audiences, artists, staff and volunteers is our number one priority,” said Dan Knechtges, TUTS artistic director, in a press release announcing the move. “While we’re disappointed to once again delay our season launch, we’re excited that we can retain all six musicals for the Homecoming Season. We want to deliver our supportive subscribers the shows they have been anticipating.”

Providing that six-show season, even though it now might span two fiscal years for TUTS, was paramount in all the schedule juggling. But being able to offer them in a setting where actors, directors, designers and audience members are safe has been the north star guiding TUTS as it made these decisions.

“We [balanced] the needs of inside and outside our organization,” says Hart. “And this is our best solution and best effort of good faith to deliver on the season we promised. It's just on a slightly different timeline.”

Like many other theater companies in the Bayou City, TUTS has had to constantly reevaluate its schedule throughout the COVID-19 pandemic. Back in April, it scrapped a live production of its annual salute to the best in high school musical theater, the beloved Tommy Tune Awards, moving the show online. (More than $44,000 in scholarships was awarded during the event). And the organization has kept abreast of best practices and Covid-19 infection rates as it determined what was best for its artists and audience.

To be sure, it's been a challenging season. In the press release TUTS sent announcing the date changes for the new season, it noted that, to date, TUTS has incurred close to $6 million in revenue loss due to the cancellation of performances and major fundraising events. It's anticipated the group will lose another $11 million over the next 12 months. That's unprecedented, and its' led to layoffs of 10 percent of its staff, as well as significant programmatic cuts, salary reductions and reduced benefits for all employees.

But if theater makers have a mantra, it's that the "show must go on," and TUTS has worked diligently to provide art for the city it's called home for 52 years. That's meant that much of TUTS' programming has shifted to the virtual space, like its summer classes and other offerings through the Humphreys School of Musical Theatre. But it's also mean the launch of original programming. This week, TUTS begins a podcast and webcast series that's part of its Spotlight initiative.

"We'll do podcasts related to musicals inside the canon," Hart explains. "We'll explore general arcs of story lines, why certain shows created the way there were. We'll go all the way to music theory and how shows are developed. One of our webcasts will be with Dan and other leaders of arts groups about the impact COVID is having on the arts. These are opportunities to have an online experience with real time with some of our industry's notable people, from artists you'll see on stage, to the set and costume designers. It's our effort to continue to connect our community through meaningful engagement with artists and experts in the field."

And while audiences are taking in that virtual content, Hart and the rest of the team at TUTS are working toward the day everyone can gather back in the Hobby Center for the Performing Arts and take in a show, together.

"It's going to be amazing!" Hart says of that day. "No one is looking forward to coming back more than we are. We are a community service organization, and there is nothing like the community feeling than being in the audience with a thousand strangers and experiencing a moment together. And we'll get there. It's going to be some time yet, but we will."

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Houston museum devotes 2027 exhibit to Black magazine photographers

Color photo by LaMonte McLemore of a Black woman in a bright coral suit set against dark brown wood and a black iron fence

image courtesy Govinda Gallery. © LaMonte McLemore Archive

LaMonte McLemore's Fashion Model inkjet print is included in the MFAH's Bold and Brilliant: The Rise of Black American Magazines, 1930 - 1970 exhibit.

Printed magazines may not hold a place of prominence in today’s online world, but these periodicals were the lifeblood for news for more than a century. Life, Look and Colliers were household names that featured the work of Ernest Hemingway, Martha Gellhorn, and Ray Bradbury (among others).

In the Black community, Ebony, Essence, and Jet, employed writers such as Langston Hughes and Maya Angelou. And one of their defining features was photography.

Now, the Museum of Fine Arts, Houston is celebrating the photojournalism and artistry of the Black photographers who traveled the world to capture images for these publications – and many others. Bold and Brilliant: The Rise of Black American Magazines, 1930 - 1970 is the first dedicated to the photographers who worked for the more than 300 general-interest magazines that were published across the country for the Black community, spanning the eras of the Great Migration, Civil Rights activism, and the Black Is Beautiful movement.

On view from February 28 to May 31, 2027, Bold and Brilliant will present more than 100 images by 50 photographers, shown alongside the vintage spreads in which they originally appeared. Because nearly all of these images were produced for publication in magazines — the primary way readers of this era encountered photography — most of these photographs are being displayed for the first time in the exhibition.

It will be organized by editorial section, with themes such as fashion and beauty, food and home, entertaining, sports, music, nightclubs, professions, education, and activities, mirroring how viewers and readers would’ve encountered them on the printed page. The result is an exhibit that explores the broad and dynamic Black cultural life in the mid-century.

“This groundbreaking exhibition builds on archival recovery efforts to locate the work of hundreds of photographers, most of them overlooked until now,” said Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH. “The scholarship behind Bold and Brilliant demonstrates how visual culture reflects but also influences identity, self-representation and community allegiances — something that is at the heart of magazines and museums alike.”

Among those included in the exhibit are Nat Brown, a largely self-taught photographer who shot for Ebony, Hue, and Jet, ; Stephen Deutsch, a Hungarian immigrant to the United States who took photos for Duke, Ebony, and Tan Confessions; and Gordon Parks, a photographer for Circuit’s Smart Woman, Ebony, Essence, Jet, and Newspic who said he “chose my camera as a weapon against all the things I dislike about America — poverty, racism, discrimination,” and who was also a prominent writer and director.

Accompanying the exhibit is a fully illustrated catalogue that includes biographies of the featured photographers and essays by the exhibit’s co-curators, Lisa Volpe, curator of photography at the MFAH; Anjuli Lebowitz, the Judy Glickman Lauder Curator of Photography at the Portland Museum of Art; and Brian Piper, Freeman Family Curator of Photographs, Prints, and Drawings at the New Orleans Museum of Art. Exhibitgoers and readers will also find essays on jazz by Jason Moran, writings about beauty by Tina Beyoncé Knowles, Doug Glanville’s observations on sports, and more.

The museum has partnered with the University of Houston to produce and host an archival database of the newly rediscovered publications. When complete, it’s anticipated to include more than 2,500 entries.

More information, including tickets, is available on the MFAH website.

$Color photo by \u200bLaMonte McLemore of a Black woman in a bright coral suit set against dark brown wood and a black iron fence$

LaMonte McLemore's Fashion Model inkjet print is included in the MFAH's Bold and Brilliant: The Rise of Black American Magazines, 1930 - 1970 exhibit.

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