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    best september theater

    13 best Houston plays and performances spotlight soaring sensations and delicious drama in September

    Tarra Gaines
    Sep 2, 2022 | 3:45 pm
    Alley Theatre presents Lend Me a Soprano
    The divas have their day in the world premeire, Lend Me a Soprano at the Alley Theatre.
    Photo by Lynn Lane

    The curtain officially rises on 2022-2023 performing arts season this month in Houston, and what a dramatic, comic and musical beginning it will be. With world premieres, soaring classics, timely dramas, and some major theatrical parties, September offers the perfect time to dive back into live, in-person performing arts.

    The Moonlit Princess at Rec Room (now through September 17)
    Though not part of their regular season, Rec Room is hosting this world premiere work conceived and directed by local multidisciplinary artist Afsaneh Aayani.

    Based on the Persian fairytale Mah Pishoon, this family-friendly production with music follows the story of Little Mah as she loses her parents, faces difficulties, all while choosing kindness and in the end finding herself. From magical ghouls to talking frogs, all the elements of fairytale classics will likely delight audiences of all ages.

    Peter Pan from Houston Ballet (September 9-18)
    We have to include this most theatrical of ballets and a dance spin on the classic tale of the boy who refused to grow up from acclaimed choreographer Trey McIntyre who had his own artistic growth spurt in Houston as a former Houston Ballet dancer and choreographic apprentice.

    Look for dance magic on the Wortham stages as the production features flying sequences, swashbuckling sword fights, giant puppets, and costumes inspired by punk fashion.

    Tied from On the Verge Theatre (September 15-October 2)
    The second production from Houston’s newest theater company will be a world premiere from Houston playwright Crystal Rae. Tied tells the spiritual journey of a father of one of the girls who died in the 1963 bombing of the 16th Street Baptist Church in Birmingham.

    On the Verge founders Bruce Lumpkin and Ron Jones plan to stage each show on a different stage or non-traditional location through its first season, with Tied scheduled to presented at Ensemble Theatre.

    Lend Me a Soprano at Alley Theatre (September 16-October 9)
    The first of six world premieres from the Alley this season, Ken Ludwig reworks his contemporary classic comedy Lend Me a Tenor for the 21st century with the divas getting their chance to go to war for the spotlight. Lucille Wiley, Manager of the Cleveland Grand Opera Company, tries to manage the chaos when world-class soprano Elena Firenzi arrives late for her one-night-only starring role in Carmen. Can Wiley’s underdog assistant Jo can save the day?

    Scrambled presented by Mildred’s Umbrella (September 16-18)
    In this one-woman show from Rotem Natchmany, the award-winning Israeli actress/playwright brings audiences along this one woman’s journey to conceive. Natchmany has performed this intimate depiction on international stages and to great acclaim at theater festivals around the world. Describes by critics as “unsettling” poetic and even a “fantasy cabaret,” the production also crowns quickly, so there’s only one weekend to catch it.

    Mapping & Glaciers from Karen Stokes Dance (September 16-25)
    With choreography/film/direction by local choreographer Karen Stokes, the show definitely leaps into our list of theatrical dance this month. Merging film, dance, and music, the production explores human concepts of territory and connection in a world of melting glaciers.

    While questioning the absurdity of human choices, the show also speaks to the resiliency of human nature and creates space for hope, for the possibility of connection and interconnection.

    Trouble in Mind at Main Street Theater (September 17-October 16)
    This partially forgotten, now acclaimed play by the groundbreaking novelist and playwright Alice Childress recently had its Broadway debut, over 65 years after it was originally scheduled to transfer.

    When theater producers in the 1950s asked Childress to tone down Trouble in Mind’s exploration of racism in the theater world, she held her artistic ground. Now MST will be the first Houston company to stage this comedy-drama that theaters across the country are embracing the play for the 21st century.

    Love and Southern D!scomfort at Ensemble Theatre (September 17-October 16)
    Directed by Ensemble artistic director Eileen J. Morris this new musical with soapy delicious drama of estranged family coming home for a matriarch’s funeral in a steamy and sultry town in rural Louisiana. As her heirs reunite and secrets are revealed, the show highlights how love and southern discomfort fuel dissension. Original contemporary music weave a tale of jealousy, joy, pain, and love.

    Ain’t Misbehavin’ from Theatre Under the Stars (September 20-October 2)
    Get ready for some Roaring ’20s as TUTS invites Houstonians to the ultimate Jazz-age party. The Tony-winning best musical from the late ’70s takes audiences back to the Harlem Renaissance and nights sizzling nights at the Cotton Club filled with the music of Fats Waller. Staged like a concert and nightclub experience, this musical is set to become the ultimate September party.

    Miss Maude at A.D. Players (September 21-October 23)
    This next season opener that’s also a world premiere is set to make the jump to Broadway sometime after its Houston run. Based on the real story of photographer and remarkable subject, playwright Martin Casella’s Miss Maude chronicles the relationship between LIFE Magazine photographer, W. Eugene Smith and South Carolina nurse and midwife, Maude Callen.

    Sheldon Epps, who served as TUTS artistic advisor for the 2016-2017 season and now is senior artistic advisor at Ford’s Theatre in Washington D.C, will direct the show.

    Good Vibrations from Houston Ballet (September 22-October 2)
    Peter Pan might have flown off to Neverland, but the Houston Ballet leaps back on the Wortham stage for its second production this month, a mixed-rep performance of three good vibing dances including the world premiere Good Vibrations from award-winning choreographer, Arthur Pita and set to a commissioned score by Christopher Austin, with references to The Beach Boys’ legendary “Good Vibrations.”

    Also on the program is Red Earth from Houston Ballet artistic director Stanton Welch which celebrates Australian artistry, transporting audiences to a world where adversity is expressed through movement. Also back is The Letter V originally created by choreographer superstar Mark Morris on Houston Ballet dancers in 2015, to the music of Joseph Haydn’s Symphony No. 88 in G Major.

    Or/And at Asia Society (September 23-24)
    Not exactly theater, but we’re definitely intrigued by this world premiere chamber operatic poem by Taiwanese-Houstonian composer Shih-Hui Chen about a composer who finds her voice only when she accepts the seeming contradictions of her immigrant identity.

    The chamber opera chronicles the journey struggling to write a piece of music inspired by two events half a world apart — a sacred ceremony of the indigenous Paiwan people of Taiwan and the Women’s March in Houston.

    Happy Days at Catastrophic Theatre (September 23-October 15)
    Catastrophic Theatre and Infernal Bridegroom Productions return to toast 30 years and 139 abstract theater productions. Fittingly, the company kicks off its 30th season with Samuel Beckett’s existential tragicomedy. The show centers on the plight of Winnie, a middle-class, middle-aged woman who is quite literally stuck, buried to her waist in crusted earth.

    Meanwhile, her husband Willie lives in a hole behind her mound, physically, and emotionally out of reach. Even in his company she is hopelessly alone. Winnie, who carries a shopping bag of everyday items and routines, a series of half-remembered stories, songs, and prayers, and confounding optimism, she presses through each day with an impossibly hopeful exclamation: “Oh this will be another happy day!” (Editor’s note: Quite the analogy for marriage, eh?)

    Tamarie Cooper plays Winnie and Jason Nodler directs, both reprising their roles from the Infernal Bridegroom production some 22 years ago.

    The divas have their day in the world premeire, Lend Me a Soprano at the Alley Theatre.

    Alley Theatre presents Lend Me a Soprano
    Photo by Lynn Lane
    The divas have their day in the world premeire, Lend Me a Soprano at the Alley Theatre.
    operadancetheater
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    Best September Art

    12 must-see September art openings at Houston museums and galleries

    Tarra Gaines
    Sep 8, 2026 | 12:45 pm
    Patricia Domínguez, Matrix Vegetal, 2021-22. Video 4K, 21:12 min. Commissioned by Screen City Biennial, with the support of Cecilia Brunson Projects and Galería Patricia Ready.
    Photo courtesy of Moody Center for the Arts
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    The big fall art season arrives this month with mammoth magical creatures, geometric explorations, and extraordinary painted and cinematic landscapes from the heights and depths of the Earth. A “Big Bang” creates anime worlds at the Asia Society, while the Museum of Fine Arts, Houston wears street fashion jewelry, sometimes literally. Then at the end of September, Houston gets ready for an art fair to remember.

    “Radiant Geometries” at Rice Moody Center (now through December 19)
    Art, history, and science intersect and converge in this exhibition of work by contemporary Indigenous and Latin American artists. Working in a diverse set of mediums and media, including paintings, sculptures, textiles, video, and site-specific commissions, these artists draw threads between ancient knowledge and our current understanding of the world. It features renowned national and international artists, including Nanibah Chacon, Melissa Cody, Jordan Ann Craig, Patricia Domínguez, Sara Flores, Natalia Montoya Lecaros, Patrick Martinez, Cisco Merel, Caroline Monnet, and Eamon Ore-Giron, among others.

    “By reconsidering the histories of mathematics, architecture, and science through Indigenous perspectives, the exhibition invites viewers to consider the enduring connections between cosmology, technology, and the living world,” explains Noor Alé, Moody Center associate curator.

    “Going Underground: The Jewels of Bernhard Schobinger” at the Museum of Fine Arts, Houston (now through January 3, 2027)
    Jewelry gets punk in this first U.S. exhibition to examine the career of Swiss avant-garde artist Bernhard Schobinger. “Underground” will showcase 53 pivotal pieces of Schobinger’s experimental jewelry and selected sculptures from 1968 to the present. During that time period, Schobinger redefined ideas of what jewelry can be by using scavenged and alternative materials to reveal their hidden histories. From diving to the bottom of Lake Zürich for fishing lures and wedding rings to picking up metal and asphalt shards on the streets of New York City, Schobinger used material from the world around him to create the most radical of wearable art.

    “His works operate as complex assemblages in which found and precious materials coexist, challenging traditional hierarchies of value and inviting critical reflection on the cultural and physical histories embedded within each object,” explains MFAH curator Cindi Strauss.

    “Fragility" at Menil Drawing Institute (September 10-January 24, 2027)
    The beauty and versatility of paper is the focus of this exhibition featuring an array of artists who found possibility and inspiration from paper’s dynamic nature. The exhibition will highlight work that illustrate paper’s fragility and resilience.

    Look for pieces from mid-20th century artist Lee Krasner, who sometimes destroyed her own drawings on paper to then reconstruct them into abstract collages, and Czech artist Adriena Šimotová, who during the height of Soviet censorship layered tissue paper into sculptures by pressing and smoothing the material against her body. Also on view will be Ann Hamilton’s collaborative piece “poche,”consisting of soft wool stitched between sheets of handmade paper to reflect on the pocket as both storage and protection for the body, and artist Zarina’s compositions created from puncturing paper with needle to represent loss.

    “Lorenzo Pace: Never Forget Life and Art is to Play” at Houston Museum of African American Culture (September 11-December 10)
    This first institutional solo presentation of the multidisciplinary artist, musician, and storyteller will examine Pace’s mixed-media textile work within the broader tradition of Black quilt-making in America. Working with textiles and found materials, Pace extends the language of quilting through cutting, layering, piecing, and assemblage. The title of the exhibition comes from Pace’s creative practice and his role as an artist and musician. Engaging with textiles and found materials, Pace allows objects and fragments to accumulate, shift, and take on new meaning. The exhibition will also showcase quilts made by Pace’s mother, Mary Alice Pace, in order to offer an intergenerational conversation about Black quilt-making, inheritance, and invention.

    “Fantastic Animals from Mexico: Nahuales and Alebrijes” at Discovery Green (September 15-October 11)
    As part of its celebration of Hispanic Heritage Month, Discovery Green welcomes visitors to this monumental installation of eight towering, 20-foot sculptures. Whether a giant coyote, armadillo, catbird, or happy alien, different contemporary Mexican artists created each sculpture that represents powerful animal guardian spirits rooted in Mesoamerican folk literature. The artists drew initial inspiration from the work of Mexico City artist Pedro Linares, who is credited with popularizing the fantastical creatures known as alebrijes. Look for special events and programming in conjunction with the installations this month.

    “Texas Contemporary” at Opera Gallery (September 17-October 8)
    Last spring, the international network of galleries specializing in Modern and Contemporary art, Opera Galley, made a big Texas splash by opening its second U.S space in Houston. Now, perhaps in celebration of putting down Lone Star roots, Opera Galley has organized a new exhibition focused on Texas as one of the most compelling sites of artistic production in the country.

    The show will offer works from eight of the most exciting contemporary artists with Texas connections, including: Rick Lowe, Mark Flood, Preston Douglas Boyer, Bradley Kerl, Virginia L. Montgomery, Lovie Olivia, Eric DePan, and Reynier Leyva Novo. Several of the artists also have significant Houston links. Lowe, of course, is one the founders of and igniting force behind Project Row Houses. Reynier Leyva Novo’s “Dust Paintings” transform collected dust from culturally significant sites, like the Astrodome, into meditations on memory, history, and place.

    “Texas has become one of the most compelling places in the country for artists to develop ambitious, deeply considered practices,” states Kara Przybyl McIver, deputy director of Opera Gallery Houston. “Rather than presenting a singular narrative, this exhibition brings together artists whose work is rooted in place while engaging universal conversations around memory, identity, landscape, architecture, and social change.”

    “Twilight Zone: Hidden Wonders of the Ocean” at Artechouse (September 18 through fall)
    Dive into this latest interactive exhibition at Houston’s home for immersive art. Collaborating with Woods Hole Oceanographic Institution (WHOI), the world’s leading ocean research organization, Artechouse once again blends art, technology, and nature for an exhibition with multiple installations and digital projects, all exploring the Earth’s oceans and especially those hidden “twilight zone” realms, located approximately 650-3300 feet below the ocean’s surface. Though receiving so little sunlight they lie beyond human vision, these zones also teem with life.

    A star(fish) of the exhibition will be a 24 minute filmed descent into these deep water worlds that will be projected within Artechouse's immersive, cinematic space. But also look for interactive installations and exhibits, including “Weird and Wonderful Creatures,” an aquarium-like encounter where guests activate individual twilight zone animals to learn what makes them so remarkable, and “Abundance & Bioluminescence,” where bioluminescent fields of lanternfish drift across the floor and multiply infinitely across the horizon.

    “Yoshitaka Amano: Big Bang” at Asia Society (September 23-February 7, 2027)
    The Asia Society journeys into the art of anime with this survey of art by pioneering animator and painter Yoshitaka Amano. Early in his career, Amano created characters for Speed Racer and later become the principal concept artist for the Final Fantasy video game franchise.

    The exhibition will showcase approximately 40 of Amano’s works in oil paint, ink, and automotive paint, giving insight into his ethereal paintings, illustrations, and character designs. Highlights of “Big Bang” include the over 50 feet long, insomniac fantasy “New York Nights II,” one of Amano's first oil paintings, and the series “Mozart,” works painted onto gold leaf panels that pay homage to the famed composer. The title of the exhibition takes its name from “Big Bang,” a massive painting that emerged from his Final Fantasy XV concept art, a swirling maelstrom of characters, creatures, and worlds.

    “Terry Winters: Vitalized Geometry” at Menil Collection (September 25-April 4, 2027)
    For Houston's second geometry titled exhibition of the month, the Menil Collection will present a show of 44 career-spanning graphic works by Abstract painter, draughtsman, and printmaker Terry Winters. He employs woodcut, silkscreen, lithography, and a variety of other methods to depict and examine mathematical systems and nature’s structures.

    The exhibition is possible because of two important selections of Winters’s work gifted to the Menil. In 2024, photographer Jack Shear and the estate of his late husband, artist Ellsworth Kelly, gifted 51 works by Winters to the museum. Earlier this year, Winters added another gift of seven additional works to the museum, and he has worked closely with curators on this presentation.

    “The artist’s commitment to exploring abstraction and his inventive approach to material makes his work a vital touchstone of contemporary printmaking,” describes Menil curatorial associate, Sophie Asakura.

    "What We Inherit: The Art and Legacy of Big Bend” at Foltz Fine Art (September 26-October 31)
    One of Texas's most majestic landscapes is the focus of this vivid and timely gallery exhibition. Featuring the work of artists inspired by Big Bend, the show also explores human connections with this very special place and what the future may hold for that relationship. “What We Inherit” features paintings, photographs, and works on paper by acclaimed contemporary artists, but the show will also offer a selection of works by earlier artists inspired by Big Bend.

    “Art teaches us to look carefully and to recognize why places matter. Through the work of these artists, we hope visitors will leave with a deeper connection to Big Bend and a renewed sense of responsibility to the places that shape our lives,” explains gallerist Sarah Foltz.

    "Roaming Gnomes" at City Place Houston (September 26-November 8)
    Created by internationally acclaimed, Sydney-based design studio Amigo & Amigo, this large-scale public art installation features eight, giant, illuminated gnomes. Each of these larger-than-life characters has its own name, personality, expressive pose and "fashion-forward attire," according to press materials. Already a hit from stops at the Napa Lighted Art Festival in California and the World of Winter Festival in Grand Rapids, Michigan, attendees experience the characters by walking throughout the area, taking them in from different angles and noticing details the closer they get.

    “At Amigo & Amigo, we love creating artworks that spark imagination and bring people together. Roaming Gnomes transforms everyday spaces into a playful adventure, inviting visitors to roam, explore and uncover delightful surprises along the way,” the art collective said in a statement. “We’re thrilled to see these oversized gnomes find a new home at City Place and become part of the community’s shared experiences.”

    Untitled Art, Houston at George R. Brown Convention Center (October 2-4)
    While this list is focused on September, art lovers should get ready for the return of this fair. After its successful debut in 2025, Untitled expands to include 95 galleries from 20 countries and territories, including 17 Texas exhibitors — with 13 new and returning presenters from Houston, including Moody Gallery, Barbara Davis Gallery, Laura (the gallery), David Shelton Gallery, Mitochondria Gallery, Dimmitt Contemporary Art, Seven Sisters, F Magazine, and the Lima-based Revolver Galería.

    Untitled will also bring back and expand Nest Sector, their subsidized selection of emerging galleries and first-time fair participants. Attendees should also look for 25 solo presentations and 35 two-artist presentations, including a collaborative presentation by Houston Art Car Parade legends Harrod Blank and Cody Ledvina with Nature of Things.

    The fair officially kicks off with a VIP special preview on October 1, followed by another three days of events and programming. VIP ticket holders can expect additional talks and special tours in collaboration with some of the city’s leading art institutions.

    “What makes this fair distinct is that it has been developed in close dialogue with the local arts community from the very beginning,” explains Untitled Art's Houston director Michael Slenske. “As we continue to expand our international reach, we remain committed to creating meaningful opportunities for galleries at every stage while highlighting the energy, diversity, and spirit of discovery that define the city of Houston itself.”

     Patricia Dom\u00ednguez, Matrix Vegetal, 2021-22. Video 4K, 21:12 min. Commissioned by Screen City Biennial, with the support of Cecilia Brunson Projects and Galer\u00eda Patricia Ready.
    Photo courtesy of Moody Center for the Arts

    Moody Center for the Arts presents "Radiant Geometries: Vectors of Knowledge from the Indigenous Americas"

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