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    best september theater

    13 best Houston plays and performances spotlight soaring sensations and delicious drama in September

    Tarra Gaines
    Sep 2, 2022 | 3:45 pm
    Alley Theatre presents Lend Me a Soprano
    The divas have their day in the world premeire, Lend Me a Soprano at the Alley Theatre.
    Photo by Lynn Lane

    The curtain officially rises on 2022-2023 performing arts season this month in Houston, and what a dramatic, comic and musical beginning it will be. With world premieres, soaring classics, timely dramas, and some major theatrical parties, September offers the perfect time to dive back into live, in-person performing arts.

    The Moonlit Princess at Rec Room (now through September 17)
    Though not part of their regular season, Rec Room is hosting this world premiere work conceived and directed by local multidisciplinary artist Afsaneh Aayani.

    Based on the Persian fairytale Mah Pishoon, this family-friendly production with music follows the story of Little Mah as she loses her parents, faces difficulties, all while choosing kindness and in the end finding herself. From magical ghouls to talking frogs, all the elements of fairytale classics will likely delight audiences of all ages.

    Peter Pan from Houston Ballet (September 9-18)
    We have to include this most theatrical of ballets and a dance spin on the classic tale of the boy who refused to grow up from acclaimed choreographer Trey McIntyre who had his own artistic growth spurt in Houston as a former Houston Ballet dancer and choreographic apprentice.

    Look for dance magic on the Wortham stages as the production features flying sequences, swashbuckling sword fights, giant puppets, and costumes inspired by punk fashion.

    Tied from On the Verge Theatre (September 15-October 2)
    The second production from Houston’s newest theater company will be a world premiere from Houston playwright Crystal Rae. Tied tells the spiritual journey of a father of one of the girls who died in the 1963 bombing of the 16th Street Baptist Church in Birmingham.

    On the Verge founders Bruce Lumpkin and Ron Jones plan to stage each show on a different stage or non-traditional location through its first season, with Tied scheduled to presented at Ensemble Theatre.

    Lend Me a Soprano at Alley Theatre (September 16-October 9)
    The first of six world premieres from the Alley this season, Ken Ludwig reworks his contemporary classic comedy Lend Me a Tenor for the 21st century with the divas getting their chance to go to war for the spotlight. Lucille Wiley, Manager of the Cleveland Grand Opera Company, tries to manage the chaos when world-class soprano Elena Firenzi arrives late for her one-night-only starring role in Carmen. Can Wiley’s underdog assistant Jo can save the day?

    Scrambled presented by Mildred’s Umbrella (September 16-18)
    In this one-woman show from Rotem Natchmany, the award-winning Israeli actress/playwright brings audiences along this one woman’s journey to conceive. Natchmany has performed this intimate depiction on international stages and to great acclaim at theater festivals around the world. Describes by critics as “unsettling” poetic and even a “fantasy cabaret,” the production also crowns quickly, so there’s only one weekend to catch it.

    Mapping & Glaciers from Karen Stokes Dance (September 16-25)
    With choreography/film/direction by local choreographer Karen Stokes, the show definitely leaps into our list of theatrical dance this month. Merging film, dance, and music, the production explores human concepts of territory and connection in a world of melting glaciers.

    While questioning the absurdity of human choices, the show also speaks to the resiliency of human nature and creates space for hope, for the possibility of connection and interconnection.

    Trouble in Mind at Main Street Theater (September 17-October 16)
    This partially forgotten, now acclaimed play by the groundbreaking novelist and playwright Alice Childress recently had its Broadway debut, over 65 years after it was originally scheduled to transfer.

    When theater producers in the 1950s asked Childress to tone down Trouble in Mind’s exploration of racism in the theater world, she held her artistic ground. Now MST will be the first Houston company to stage this comedy-drama that theaters across the country are embracing the play for the 21st century.

    Love and Southern D!scomfort at Ensemble Theatre (September 17-October 16)
    Directed by Ensemble artistic director Eileen J. Morris this new musical with soapy delicious drama of estranged family coming home for a matriarch’s funeral in a steamy and sultry town in rural Louisiana. As her heirs reunite and secrets are revealed, the show highlights how love and southern discomfort fuel dissension. Original contemporary music weave a tale of jealousy, joy, pain, and love.

    Ain’t Misbehavin’ from Theatre Under the Stars (September 20-October 2)
    Get ready for some Roaring ’20s as TUTS invites Houstonians to the ultimate Jazz-age party. The Tony-winning best musical from the late ’70s takes audiences back to the Harlem Renaissance and nights sizzling nights at the Cotton Club filled with the music of Fats Waller. Staged like a concert and nightclub experience, this musical is set to become the ultimate September party.

    Miss Maude at A.D. Players (September 21-October 23)
    This next season opener that’s also a world premiere is set to make the jump to Broadway sometime after its Houston run. Based on the real story of photographer and remarkable subject, playwright Martin Casella’s Miss Maude chronicles the relationship between LIFE Magazine photographer, W. Eugene Smith and South Carolina nurse and midwife, Maude Callen.

    Sheldon Epps, who served as TUTS artistic advisor for the 2016-2017 season and now is senior artistic advisor at Ford’s Theatre in Washington D.C, will direct the show.

    Good Vibrations from Houston Ballet (September 22-October 2)
    Peter Pan might have flown off to Neverland, but the Houston Ballet leaps back on the Wortham stage for its second production this month, a mixed-rep performance of three good vibing dances including the world premiere Good Vibrations from award-winning choreographer, Arthur Pita and set to a commissioned score by Christopher Austin, with references to The Beach Boys’ legendary “Good Vibrations.”

    Also on the program is Red Earth from Houston Ballet artistic director Stanton Welch which celebrates Australian artistry, transporting audiences to a world where adversity is expressed through movement. Also back is The Letter V originally created by choreographer superstar Mark Morris on Houston Ballet dancers in 2015, to the music of Joseph Haydn’s Symphony No. 88 in G Major.

    Or/And at Asia Society (September 23-24)
    Not exactly theater, but we’re definitely intrigued by this world premiere chamber operatic poem by Taiwanese-Houstonian composer Shih-Hui Chen about a composer who finds her voice only when she accepts the seeming contradictions of her immigrant identity.

    The chamber opera chronicles the journey struggling to write a piece of music inspired by two events half a world apart — a sacred ceremony of the indigenous Paiwan people of Taiwan and the Women’s March in Houston.

    Happy Days at Catastrophic Theatre (September 23-October 15)
    Catastrophic Theatre and Infernal Bridegroom Productions return to toast 30 years and 139 abstract theater productions. Fittingly, the company kicks off its 30th season with Samuel Beckett’s existential tragicomedy. The show centers on the plight of Winnie, a middle-class, middle-aged woman who is quite literally stuck, buried to her waist in crusted earth.

    Meanwhile, her husband Willie lives in a hole behind her mound, physically, and emotionally out of reach. Even in his company she is hopelessly alone. Winnie, who carries a shopping bag of everyday items and routines, a series of half-remembered stories, songs, and prayers, and confounding optimism, she presses through each day with an impossibly hopeful exclamation: “Oh this will be another happy day!” (Editor’s note: Quite the analogy for marriage, eh?)

    Tamarie Cooper plays Winnie and Jason Nodler directs, both reprising their roles from the Infernal Bridegroom production some 22 years ago.

    The divas have their day in the world premeire, Lend Me a Soprano at the Alley Theatre.

    Alley Theatre presents Lend Me a Soprano
    Photo by Lynn Lane
    The divas have their day in the world premeire, Lend Me a Soprano at the Alley Theatre.
    operadancetheater
    news/arts

    Best November Theater

    9 best plays, musicals, and ballets opening on Houston stages this month

    Tarra Gaines
    Nov 3, 2026 | 1:00 pm
    Beetlejuice
    Photo by Matthew Murphy
    Broadway at the Hobby Center presents Beetlejuice.

    Annual traditions and happy returns are the themes of November theater, as companies unleash a flurry of holiday shows. Along with Houston's yearly favorites, several theaters are bringing back comic and musical blasts from the past. From Victorian England to Motown to a Dublin pub or a tinseled Florida trailer park, audiences have their pick of places for staged merriment.

    For those who aren't ready to embrace the holiday spirit, Broadway at the Hobby Center keeps the ghostly celebrations going before transporting theater-goers to sizzling Havana.

    Beetlejuice presented by Broadway at the Hobby Center (November 3-8)
    The spirit of spooky season still haunts the Hobby Center as the ghost-with-the-most, Beetlejuice, manifests on stage to party with the living. The show was such a delight and surprise hit when it played a few years ago that Broadway at Hobby had to bring it back just in time for those long dark fall nights.

    Based on the beloved '80s film, book writers Scott Brown and Anthony King and composer Eddie Perfect added extra emotional heart, along with cutting comedy, to the original story and music. The show explores grief, death, and family all while releasing a comedy chaos ghost on the stage. Do note that Broadway at Hobby is rating Beetlejuice as recommended for 13-plus, as it “contains strong language, mature subject matter, and a lot of the crazy, inappropriate stuff you would expect from a deranged demon.”

    A Motown Christmas at Ensemble Theatre (November 13-December 20)
    Celebrate Motown in midtown, as Ensemble brings back this hit holiday revue from a few years ago. The show makes for a perfect blend of traditional Christmas carols paired with the soulful sounds for audiences, as it featured songs from Motown greats such as Marvin Gaye, Stevie Wonder, The Supremes, and The Jackson 5. This soulful play promises to bring back good memories and deliver a delightful Christmas treat for the entire family.

    A Christmas Carol at Alley Theatre (November 15-December 27)
    In 2022, the Alley world premiered this charming production of the classic Carol adapted by artistic director Rob Melrose, and it’s already a Houston holiday theater tradition. Melrose went back to the original Charles Dickens novella for inspiration, making a Carol with a strong, emotionally core.

    This performance will also be something of an acting anniversary celebration for resident company member David Rainey, who tackles the role of Ebenezer Scrooge for his 10th year. Rainey is backed by the rest of the resident acting company and Alley regulars playing all the time-traveling ghosts and human characters. The Alley creative team and designers weave their own holiday magic to create a music-filled Victorian wonderland with floating houses, intricate and sometimes spooky costumes, beautiful puppetry, and wondrous stage illusions.

    Buena Vista Social Club presented by Broadway at the Hobby Center (November 17-22)
    For a break from the holiday shows, consider this big touring hit that recently won a massive five Tony Awards during its Broadway run in 2025, including Best Choreography for friend of the Houston Ballet, Justin Peck. Putting a story to the Grammy winning iconic album of the same name, the show transports audiences into the heart of Cuba, beyond the glitz of the Tropicana. Here they’ll discover a place where blazing trumpets and sizzling guitars set the dance floor on fire. Inspired by true events, one woman discovers the music that will change her life forever. A world-class band joins a sensational cast of musicians, actors, and dancers from across the globe for this Buena Vista experience.

    Are the Bennet Girls Ok? at 4th Wall Theatre (November 20-December 19)
    Whether told traditionally or depicted in contemporarily written sequels, Jane Austen’s stories and characters have become a staple on Houston stages over the last decade, and those characters seem to be particularly welcomed during the holidays. 4th Wall is one of those theaters that has charmed audiences with Austen in the past, having produced several wild and moving adaptations of both Pride and Prejudice and Sense and Sensibility.

    Now, just in time for the holidays, the company will time travel back to early 19th century England to examine the Bennet sisters from a slightly different point of view, with a focus on Mrs. Bennet, the worrying mother of five girls and no male heirs. The play had a recent Off-Broadway debut from the acclaimed Bedlam theater company, and the prestigious Public Theatre in New York will bring it back to the stage early next year, but this Houston production will make a Prideful bow first.

    The Great American Trailer Park Christmas Musical at Stages (November 20-December 27)
    The original Great American Trailer Park Musical and its comic tales from North Florida’s finest mobile homes communities, Armadillo Acres, was such a hit for Stages and regional theaters across the U.S. over the years that Stages collaborated with Trail Park’s creators Devid Nehls and Betsy Kelsoon to debut this holiday sequel to the world in 2013. That Stages company even made the original cast album for the show. With so many Houston roots, it’s about time the good Armadillo citizens pay us a visit once more. And girl, are they bringing the drama to the holiday celebrations, as a freak bout of amnesia strikes the trailer park Scrooge. Look for just as much cat-fighting, sunbathing, and chair-throwing as the original, as well as as a show full of original country rock holiday tunes like “12 Days of Amnesia” and “Christmas Leather Love.”

    An Irish Carol at Main Street Theater (November 21-December 20)
    For those who can’t get enough Christmas Caroling, Main Street brings the Houston premiere of this contemporary Irish twist on the Dickens tale by Matthew J. Keenan. In this homage to the classic Christmas Carol, Scrooge becomes David, a curmudgeon Dublin pub owner, who keeps his establishment open on Christmas Eve to squeeze the last pound out of the holidays. But a group of oddball regulars come round to lift a pint and try to cheer David out of his miserly rut.

    Don’t look for any ghosts, but voices from the past and present might lead David to a brighter future. Pull up a barstool and settle into the Emerald Isle vibes, as a great cast of Houston actors brings this Irish story to life with Classical Theatre Company’s founder John Johnson directing.

    The Best Christmas Pageant Ever at A.D. Players (November 25-December 23)
    The title says it all with this heartwarming holiday comedy about a children’s nativity play that goes wrong. The play introduces us to a small community and its particularly herd of unruly – with occasional bouts of light larceny – children from the wrong side of the tracks, literally named the Herdman kids. Thinking they’ll get free snacks, the siblings volunteer for parts in the church Christmas pageant and proceed to throw the entire rehearsal into disarray. Along the way, the Herdmans ask some pointed questions of the meaning of the whole Christmas story, causing the adults to think beyond the same old explanations and find deeper understanding of community, giving, and faith.

    The Nutcracker Ballet from Houston Ballet (November 27-December 28)
    One of Houston’s most beloved traditions returns, as the Houston Ballet invites audiences to a very magical night at the bustling Stahlbaum Christmas Eve house party. An adventurous girl will receive a rather mysterious food preparation gift in Houston Ballet co-artistic director Stanton Welch’s sugarplum dreamy Nutcracker Ballet.

    The full HB company of dancers will perform during the production’s run, joined by hundreds of young dancers — students from Houston Ballet Academy as well as locals from the annual open audition. Dancing to the beloved Tchaikovsky score, all our favorites — the Nutcracker Prince, Sugarplum Fairy, Rat King, and the international ambassadors — will take a turn at the magical winter court. In Welch’s imagining, Clara becomes the hero of this enchanting story where the all the animals dance as well as the weather, in the form of the loveliest snowflakes in HB company. With hundreds of characters, a 39-foot Christmas tree, a two-story Georgian mansion set, and 75 pounds of falling snow, this Houston-born production is renowned as one of the grandest versions of The Nutcracker ever staged.

    Beetlejuice

    Photo by Matthew Murphy

    Broadway at the Hobby Center presents Beetlejuice.

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