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    History comes alive

    A three-month party: Parades, performances & pop-up art celebrate Houston's East End

    Joel Luks
    Sep 2, 2014 | 4:07 pm

    With a whack of a champagne bottle that burst into a billow of confetti, Mayor Annise Parker christened a large float-cum-art sculpture by Sharon Engelstein as a gesture that launched a three-month-long series of events that celebrates, as Parker describes it, the Ellis Island of the Greater Houston Area.

    Transported + Renewed, led by Houston Arts Alliance's Folklife and Traditional Arts department, in collaboration with some 40 artists, arts organizations and city partners, brings into focus the importance of Houston's East End as an area that both tells the history of the Bayou City and predicts its future.

    The initiative, funded in part thanks to a grant from the National Endowment for the Arts that supports creative place-making, includes performances, pop up art installations, parades, concerts and community events that reintroduce Houstonians to this re-energized sector.

    "There's more history in the East End than the city of Houston itself."

    "One hundred years ago Houston was a pretty happening place," Parker says. "We are celebrating the centennial of Hermann Park and the centennial of the Ship Channel and the Port of Houston — Houston was just taking off. A lot of that activity was happening in the East End."

    Parker says that Transported + Renewed is a perfect title for that conversation as it dubs Houston as a city of neighborhoods with distinct personalities and different voices, as a city with history that's also relatively new.

    "There's more history in the East End than the city of Houston itself," Parker adds. "Today we celebrate the East End because it's a place of vibrancy, where artists and arts organization are taking off, where restaurants and new homes are filling in that already vibrant community fabric. As new cultural communities continue to take hold and make the East End theirs, that future is going to change."

    To qualify for NEA's Our Town grant, the mayor had to select only one project to submit to the funding institution. Houston Arts Alliance's Transported + Renewed, which allows city officials to focus on what the East End was 100 years ago, what it is today and what it could be 100 years from now, is one of 59 projects and one of two that received funding at the highest level available nationally.

    "Transported + Renewed celebrates our city's affinity, if not obsession, with movement, transformation and reinvention, just as METRO prepares to open the new East End light rail and the Houston Ship Channel celebrates its centennial year," Jonathon Glus, Houston Arts Alliance president and CEO, says. "The project infuses a culturally rich neighborhood with new ways to experience itself, celebrates its important legacy and launches our next century of restless reinvention."

    Having fun

    "The project infuses a culturally rich neighborhood with new ways to experience itself, celebrates its important legacy and launches our next century of restless reinvention."

    Transported + Renewed is broken down into triads, Houston Arts Alliance Folklife and Traditional Arts director Pat Jasper explains. These incudes a Latino Music Series, three parades and three site-specific activations at the Buffalo Buffalo Silos.

    "Working in a community means being in a community," Jasper says.

    The Latino Music Series begins on Sunday at Tony Marron Park with Panamanian musician Osvaldo Ayala (which links this venture with the Panama Canal's centennial), and continues on Oct. 25 with David Lee Garza and the Tejano band Los Musicales and on Nov. 9 with Mexican accordionist and Grammy nominee Celso Piña and his group.

    Three parades include Afloat on Sept. 13, a water procession with the help of Buffalo Bayou Partnership that features dragon boats, kayaks and other vessels, starting at Allen's Landing. On Oct. 25, Afoot is a marching band spectacle, co-presented by the University of Houston Cynthia Woods Mitchell Center for the Arts, choreographed by Allison Orr and Dance Houston. Around on Nov. 15 is an expanded art car parade that welcomes anything on wheels.

    Buffalo Bayou Partnership's gravel silos will host art installations, multimedia installations and performances by Pablo Gimenez-Zapiola, Carlos Pozo, FrenetiCore Dance, Cirque la Vie, Allison Hunter and Danza Azteca Taxcayolotl.

    In addition, the East End Ramble on Sept. 27 offers an opportunity for bicyclists to experience the various temporary art projects, including East End Bicycle Opera by Nameless Sound and Kaffe Matthews. The first Buffalo Bayou Shrimp Festival on Oct. 4 will feature a working shrimp boat that will be transformed into a floating sculpture.

    "This is really going to be about having fun."

    Sharon Engelstein's Whatever Floats, an inflatable cartoon-inspired tug boat, was commissioned to capture the sense of adventure and wit with which the Houston Arts Alliance approached the entire project. The piece will appear in different areas of the East End as the festival progresses.

    "This is really going to be about having fun — how can you look at that and not smile?" Parker says while pointing to the whimsical float by Engelstein.

    "As the sculpture moves around the East End, I want everyone to take a picture with it in its new location."

    ___

    Houston Arts Alliance's Transported + Renewed is held through Nov. 30. A complete schedule of activities can be found online.

    Mayor Annise Parker with visual artist Sharon Engelstein and Council Member Robert Gallegos at the launch event for Transported + Renewed.

    Transported + Renewed Launch with Mayor Annise Parker September 2014
    Photo by Joel Luks
    Mayor Annise Parker with visual artist Sharon Engelstein and Council Member Robert Gallegos at the launch event for Transported + Renewed.
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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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