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    Be An Arts Ambassador

    The ultimate guide to Theater District Open House: Free fest packed with shows,deals & fun

    Joel Luks
    Aug 23, 2012 | 12:02 pm
    • The Capital One Bank Theater District Open House, set for noon to 4 p.m. Sunday,is your opportunity to amuse-bouche what's aesthetically delicious during the2012-13 arts calendar.
      Photo by Fayza A. Elmostehi
    • The free event hosts many performances, backstage tours and meet-and-greets withartists. Crafty activities suitable for children and the young at heart includea costume trunk and a musical instrument petting zoo.A cast member from STOMP, presented by Society for the Performing Arts, willoffer interactive performances.
      Photo by Oleg Micheyev
    • Houston Symphony's big musical splash at 4 p.m. crowns Theater District OpenHouse.

    If drama is what you enjoy, there has been plenty of that this year on and off the stage for art companies that call downtown Houston home. Amid leadership shifts, promoted stars and sadly some departures, if anything is true about the arts scene, it's that nothing stays the same.

    Thankfully so. There's nothing more jejune and insipid that doing the same ole thing, year after year after year.

    As one of a few cities in the United States that maintains professional troupes in all four performing arts genres — that would be the Houston Symphony, Houston Grand Opera, Alley Theatre and Houston Ballet — and a myriad of other large to midsize groups — that would be Da Camera of Houston, Gexa Energy Broadway at the Hobby Center, Society for the Performing Arts and Theatre Under The Stars — there are plenty of, shall we say, spectacles to whet the artsy appetites of creative savants and occasional theater goers.

    More than just a fun afternoon on the town, there are special deals up for grabs.

    Moreover, there's Uniquely Houston, which partners with smaller nonprofits — including (big breath here) Ambassadors International Folkloric Ballet, Apollo Chamber Players, Ars Lyrica, Arts in Motion, Colombian Folkloric Ballet, Dominic Walsh Dance Theater, Gente de Teatro, Houston Ebony Opera Guild, Houston Pride Band, Houston Symphonic Band, Karen Stokes Dance, Music Doing Good, Musiqa, Opera Vista, Samskriti Society for Indian Performing Arts and Virtuosi of Houston — to serve up a slice of what's colorful locally.

    The city may have a reputation for its mammoth medical center, oil-loving spirit and, more recently, Bachelorette villain Kalon McMahon, but the Theater District is something Bayou City denizens can claim as being a point of pride.

    Are you fully cognizant of what happens and will happen inside downtown theaters this season?

    The challenge, if you choose to accept it, is to become an arts ambassador in one day — and here's how to do so.

    The Capital One Bank Theater District Open House, set for noon to 4 p.m. Sunday, is your opportunity to amuse-bouche what's aesthetically delicious during the 2012-13 arts calendar, which runs from late August to May-ish. The free event features many performances, backstage tours and meet-and-greets with artists. Crafty activities suitable for children and the young at heart include a costume trunk and a musical instrument petting zoo.

    Also, you and your fam can strike a pose at a photo booth sponsored by CultureMap and Cadillac at Wortham Theater Center to get a keepsake of your day.

    More than just a fun afternoon on the town, there are special deals up for grabs.

    Gexa Energy Broadway at The Hobby Center is offering free Les Mis T-shirts for the first 50 Broadway addicts that purchase tickets. An Alley Theatre eight-play package is available in-person for $325; individual tickets for select performances will be discounted to $21.

    The Houston Symphony is offering a six-concert pack for the price of three — and free parking. You can save 50 percent at Society for the Performing Arts, $60 off TUTS subscriptions, 10 percent off the Da Camera of Houston series and Houston Grand Opera select subscriptions, 10 percent off any Uniquely Houston event, and 50 percent off Houston Ballet's Madame Butterfly show in September.

    The day is jammed-packed with shows. How do you best take it all in? Here's CultureMap's suggested route:

    • Da Camera Chamber Music at 12:15 p.m. at Wortham. You'll hear the intimate side of classical music at its best.
    • Stay for Houston Ballet II's 1 p.m. performance at Wortham. The emerging company of the ballet will flaunt a pas de deux and excerpts from works by artistic director Stanton Welch.
    • Galivant to Jones Hall for an interactive performance at 2 p.m. by a cast member from STOMP, presented by Society for the Performing Arts.
    • Hop to Hobby Center for Ars Lyrica at 3:15 p.m. It's early music like you've never heard before.
    • Then, you have a choice between a Gexa Energy Broadway Musical Revue performed by the Music Box Theater (3:40 p.m. at Hobby) or returning to Jones Hall for Houston Symphony's big musical splash, a concert that crowns Theater District Open House.

    Or design your own schedule here.

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    doubling down

    Shepherd School builds on 50 years with a 2026-27 season of discovery

    Joel Luks
    Jun 10, 2026 | 11:00 am
    Rice University Shepherd School of Music
    Photo by Michael Stravato
    The Shepherd School's 2026-27 season includes six world premieres.

    The next generation of classical music doesn’t wait in the wings at Rice University’s Shepherd School of Music.

    It walks onto the stage, often with a world premiere in hand, and slaps listeners with music so energetically performed that they might need a glass of wine or a Xanax to come down from the thrill.

    Fresh off its milestone 50th anniversary, the Shepherd School’s 2026–27 season doubles down on discovery. The lineup includes six world premieres, the Texas premiere of Matthew Aucoin and Sarah Ruhl’s opera Eurydice, celebrated guest artists, and a steady reminder that Houston audiences can hear rising talent before the rest of the world catches on.

    For students, Shepherd continues to function as a foundation where rigorous conservatory training meets the resources of a major research university. For audiences, it’s an invitation to witness artists in the midst of becoming, tackling ambitious repertoire in halls whose acoustics reward every nuance.

    The orchestral season, led primarily by Distinguished Resident Director of Orchestras Miguel Harth-Bedoya, embraces both pillars of the canon and brand-new voices. Opening night sets the tone with Ravel’s Alborada del gracioso, Richard Strauss’ Death and Transfiguration, the world premiere of Jake Berran’s Probabolophony, winner of the 2026 Cooper Prize, and Hindemith’s Symphonic Metamorphosis.

    The season also launches what is planned as a multi-year exploration of Gustav Mahler with Symphony No. 1, “Titan,” while spotlighting Shepherd faculty members as soloists, including pianist Jon Kimura Parker and oboist Erin Hannigan. Along the way come additional premieres by alumni composers, concerto appearances from competition winners, and opportunities for conducting students to take the podium.

    Shepherd will present a fully staged production of Richard Strauss’ Ariadne auf Naxos before mounting the Texas premiere — and first university performance — of Eurydice, with composer Aucoin visiting campus to work directly with students and audiences.

    Guest artists add another layer, from Aleko Endowed Artist Julia Bullock collaborating with Shepherd opera students to alumna Kate Soper returning with the acclaimed Wet Ink Ensemble. Chamber concerts, faculty recitals, festivals, and family programming round out a calendar of more than 400 events, many offered for free or at low cost.

    The season also includes the Adventurous Electric Guitar Festival at Wortham Theatre, where concerts, workshops, and presentations explore contemporary electric guitar and electroacoustic performance in collaboration with Rice Electroacoustic Music Labs (REMLABS).

    Notably, the school will also inaugurate its undergraduate orchestral conducting degree, the only program of its kind in the nation.

    This author recently caught Miguel Harth-Bedoya deep in score study before a concert, next to his visiting family, meticulously parsing Ravel’s Alborada del gracioso.

    It was a fitting snapshot of the institution itself: Craftsmanship behind moments that can feel effortless once the lights dim and the music begins. That dedication has defined Shepherd for more than 50 years, and the 2026–27 season suggests the next movement is well underway.

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