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    Don't Miss List

    Fall arts faves include collaborative ventures, distinctive operas & a touch ofscandal

    Theodore Bale
    Aug 21, 2011 | 7:37 pm
    • I wouldn’t think of missing is "The Tiger Lillies" at the Wortham on Nov. 4,presented by the Society for the Performing Arts and DiverseWorks Art Space.
      Photo by Regis Hertrich
    • It’s with great anticipation that I imagine what "Splitting Night," an entireevening of collaborative pieces by NobleMotion Dance and Choate, will offer onAug. 26 through Sept. 3 at Barnevelder Movement/Arts Complex.
    • A production I am particularly eager to see is the Houston Grand Opera'sproduction of Jürgen Flimm and Robert Israel’s version of Ludwig van Beethoven’s"Fidelio," which runs Oct. 28 through November at the Brown Theater in theWortham.
      Photo by Ken Howard/Metropolitan Opera

    Editors Note: We've asked Houston arts leaders and CultureMap contributors to pick the jewels from Houston's upcoming arts season — the events that they don't plan to miss. Here's what's on contributor Theodore Bale's don't miss list:

    This autumn I’m looking forward to collaborations. In the upcoming season in Houston, presenters are getting together with other presenters to bring some of the finest work to our city. Choreographers are working with lighting designers and visual artists. Directors and conductors are collaborating with composers, taking on work from the classical period as well as a contemporary “classic.”

    I’m thrilled that Contemporary Arts Museum Houston and DiverseWorks ArtSpace are joining forces for their first co-production, which premieres Sept. 15-17 at DiverseWorks. This seems to me a match made in heaven.

    Thanks to the two adventurous organization’s efforts, New York choreographer/writer Jack Ferver is working with New York visual artist Marc Swanson (whose work is currently on display upstairs and downstairs at CAMH) on Two Alike, described as “a meditative and visceral performance tracking the journey from rural upbringings to a furious adulthood in an urban landscape.” My intuition tells me that I’m going to relate easily to that theme, and a friend on Facebook who knows Ferver well says “he is never afraid to be outrageous,” so I am even more intrigued.

    Powder Your Face will be the second opera this year that references a blow job. Not that there’s anything wrong with that, as Jerry Seinfeld would say, and this isn’t to diminish the musical seriousness of the work.

    You might recognize Ferver from film and television. He appeared in several episodes of Strangers With Candy (alongside one of my greatest heroes, Amy Sedaris) and had roles in the movies Mean People Suck and Outside Providence. Ferver also plays himself in the video documentary A Movie Star Needs a Movie, described at IMDB as “An experimental dance performance which allows you to watch the audience watching.”

    All you have to say is “experimental” and I’m interested, and I just can’t wait to see what Ferver does inside Swanson’s set design, which promises to be unusual.

    Last year around this time, I considered NobleMotion Dance’s powerful KinkyKool Fan Blowing Hard as the most significant work to emerge from the local dance community. Certain dances are like brilliant ruptures, and this one was without doubt the biggest of 2010. It’s the kind of piece that smacks you in the face, and you like it.

    I was also completely taken with the company’s elegant Photo Box D, based on a light installation and set of cues by the talented Jeremy Choate. So it’s with great anticipation that I imagine what Splitting Night, an entire evening of collaborative pieces by NobleMotion Dance and Choate, will offer on Aug. 26 through Sept. 3 at Barnevelder Movement/Arts Complex. Choreographers Andy Noble and Dionne Sparkman Noble don’t seem to look at Choate as someone who simply lights their movement, they see him as an equal, and I find that refreshing. The company’s press release invites viewers to “enter a world where light and dance bend reality.”

    I know it will be sophisticated, dangerous, and dreamy, in the manner the company has already demonstrated in its first year in Houston.

    The biggest opera news for me this autumn is Opera Vista’s November production at Zilkha Hall of Powder Her Face, a sort-of chamber opera from 1995 by young British composer Thomas Adés. The glamorous Cassandra Aaron Black will sing the lead role of the “Dirty” Duchess Margaret of Argyll, who apparently scandalized Britain in 1963 during divorce proceedings.

    It’s an adult work, to say the least. In fact, it will be the second opera this year that references a blow job (Chairman Mao got a smoothie in the third act of Nixon in China at the Met in February; you gotta love that Peter Sellars). Not that there’s anything wrong with that, as Jerry Seinfeld would say, and this isn’t to diminish the musical seriousness of the work.

    Conductor and OV artistic director and founder Viswa Subbaraman says it’s the most difficult opera his company has attempted, and that’s saying a lot. He describes the score as “somewhere in between atonality and Paris subway tango.” If you want to study up before the show, you can catch Olga Zhuravel in the lead role on YouTube, my latest obsession. And I’m sure that Opera Vista is going to do something very intriguing as regards the staging.

    I’ll be watching and writing about the entire Houston Grand Opera season, of course, but the production I am particularly eager to see is Jürgen Flimm and Robert Israel’s version of Ludwig van Beethoven’s Fidelio, which runs Oct. 28 through Nov. 13 at the Brown Theater in the Wortham. With Karita Mattila as Leonore and Simon O’Neill as Florestan, this promises to be a thrilling evening.

    “The symphonic brilliance of the orchestral score is matched by heroic vocal writing in this story of a wife’s selfless and courageous love,” say HGO’s website. Alright, I won’t disagree with that, but I like the late composer Morton Feldman’s remark about Ludwig even more. “In Beethoven,” he remarked, “you have the whole of the Napoleonic ideal.”

    Feldman understood that Beethoven reflected the entire mood of his age, and sometimes I want to revel in that mood. Flimm and Israel have re-contextualized the “triumph over evil” theme within the context of a contemporary police state. The production comes to Houston from The Metropolitan Opera.

    I wouldn’t think of missing The Tiger Lillies at the Wortham on Nov. 4, presented by Society for the Performing Arts and DiverseWorks Art Space. I first heard this peculiar ensemble of musicians at a dance performance in Montréal by Holy Body Tattoo, and I never forget their unique sound, which I would describe as post-vaudeville, neo-carnival.

    Thankfully SPA and DW are bringing the group on its “The Gutter and Stars” tour, which features new and classic songs from this talented troupe. It’s an evening you’ll never forget.

    When I’m not watching opera and dance or listening to music, I’ll retreat to the solemn splendor of The Menil Collection for Seeing Stars: Visionary Drawings from the Collection, which opens on Sept. 23. The show includes, among other, some of the strange and wonderful work of “outsider” artist Henry Darger.

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    series/state-of-the-arts-2011

    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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