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    Pandemic drama

    Houston creative sector closes the curtain on 42,600 jobs, says report

    John Egan
    Aug 21, 2020 | 10:15 am
    Houston Ballet principals Connor Walsh as Price Florimund and Yuriko Kajiya as Princess Aurora in Ben Stevenson’s The Sleeping Beauty
    Organizations like the Houston Ballet have been hard hit.
    Photo by Amitava Sarkar, courtesy of Houston Ballet

    Cue the sad violin solo. From April through July, the pandemic hammered Houston’s creative sector to the tune of about $1.6 billion in sales and 42,587 jobs, a new report shows.

    The report, published August 11 by the Brookings Institution think tank, estimated that during the four-month span from April 1 through July 31, Houston racked up a cumulative 32.5 percent loss of jobs and a cumulative 10.6 percent loss in sales connected to the creative sector. The sector includes fine arts, performing arts, music, film, fashion, and design.

    According to the Texas Cultural Trust, 7.6 percent of the Houston area’s workforce was employed in the creative sector in 2017.

    As of August 2, spending on arts, entertainment, and recreation by consumers in the Houston area had fallen by 51.3 percent compared with January 2020, according to the Opportunity Insights Economic Tracker.

    Unfortunately, this financial pain will last much longer than a famously lengthy Wagner opera.

    “It’s not as if there’s a guarantee that when this is all over that we can just press reset and we all come back with the ability to do the work we did before,” James Nelson, executive director of the Houston Ballet, told the Kinder Institute at Houston’s Rice University.

    “What people may not understand, unless they’re closely connected with an arts nonprofit, is that it’s often a very delicate situation even in the best of times. We are not a profit-generating industry,” Nelson added. “To do what we do for our community is always a struggle. The ability to do that relies on a combination of earned revenue and contributed revenue, and that’s very tenuous even at the best of times.”

    Offering some relief is the City of Houston, which approved $2 million in arts grants this week.

    Obviously, Houston isn’t alone among Texas metro areas where the financial situation for the creative sector is tenuous. Here are the estimated cumulative losses for April through July in the state’s three other major metros:

    • Dallas-Fort Worth — 62,485 jobs (31.1 percent decline) and nearly $2.77 billion in sales (9.5 percent decline). According to the Texas Cultural Trust, 8.5 percent of the region’s workforce was employed in the creative sector in 2017.
    • Austin — 28,852 jobs (32.6 percent decline) and $1.26 billion in sales (9.2 percent decline). According to the Texas Cultural Trust, 11.1 percent of the region’s workforce was employed in the creative sector in 2017.
    • San Antonio — 15,639 (32.8 percent decline) and $552 million in sales (11 percent). According to the Texas Cultural Trust, 6 percent of the region’s workforce was employed in the creative sector in 2017.

    Among Texas metro areas, San Antonio experienced the biggest percentage drops in both jobs and sales during the four-month period covered by the report.

    “The creative economy — which is so critical to our overall economy, our society, and our culture — is under grave threat from the COVID-19 crisis,” the report says. “Imagine our cities and communities devoid of arts and culture, with no concerts, no theaters, and no art galleries. For the creative economy to survive and thrive again, a broad-based recovery strategy is needed.”

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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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