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    The Arthropologist

    I'm your puppet: Houston arts groups pull some strings to create magic andillusion

    Nancy Wozny
    Jul 29, 2011 | 6:00 am
    • Peter Chu of Kidd Pivot in a dress rehearsal of "Dark Matters"
      Photo by Christopher Duggan
    • Father puppet, as played by Chet Farmer, in "Bedtime Stories" by Mike and KellySwitzer, performed as part of the Houston Fringe Festival
      Photo by Kelly Switzer
    • Liam Bonner as the witch and Fiona Murphy as Hansel in the Houston Grand Opera'sproduction of "Hansel and Gretel"
      Photo by Brett Coomer
    • Jane Comfort and Company in a dress rehearsal for "Underground River"
      Photo by Christopher Duggan
    • Joey Fauerso, Still from "Me Time," 2010

    She could tap dance, effortlessly land in a perfect split, then buoyantly spring some seven feet in the air for a little breast stroke, as if made of nothing more than thread. Did I mention her sky-high extensions?

    So, the dancer in question is in fact made of cloth, designed by legendary puppeteer Basil Twist, and deftly manipulated by the astute dancers of Jane Comfort and Company in her Bessie Award-winning piece Underground River, recently performed at Jacob's Pillow Dance Festival. The dance explores the life force of a young girl in a coma. Somehow, this tiny surrogate gives us a glimpse into the unknowable territory of the unconscious. It's eerie and uplifting, qualities not usually found on the same stage. Puppets are like that. They are both of and not of this world, connected to and separate from those who bestow them life.

     

      Somehow, this tiny surrogate gives us a glimpse into the unknowable territory of the unconscious. It's eerie and uplifting, qualities not usually found on the same stage. Puppets are like that. They are both of and not of this world, connected to and separate from those who bestow them life.

      A little closer to home, Paedarchy Puppets and Camella Clements present Fantasies of Stabbing Edison in the Neck: A Nikola Tesla Puppet Show Friday night at 14 Pews. As a Tesla freak myself (he did his alternating current thing right in my hometown of Buffalo), I can imagine these handmade actors are perfectly cast to reveal the dark side of light.

    I've been creeped out by puppets ever since Pinocchio turned into a donkey in Disney's 1940 film. Still, I get excited when a sub-human presence enters the stage. By some strange suspension of disbelief, puppeteers have the power to make their own bodies invisible, directing our attention to what would be a lifeless object without them. It's animation at its deepest level, with various layers of scaffolding visible, depending on the type of puppet.

    Twist, a household name in theater circles, is fluent in many styles of puppetry, much of which has been seen in Houston. Houston Grand Opera's production of Hansel and Gretel  featured the then HGO Studio artist Liam Bonner stuck inside Twist's gigantic machine puppet. When Society for the Performing Arts brought in the Joe Goode Performance Group, a non-human dancer mesmerized us in Wonderboy. The last time Pilobolus popped in for their acro-candy style of dance making, they showed off Twist's finesse with shadows in Darkness and Light, also on the SPA stage. I just recently watched a DVD of Twist's Petrushka, enormously weird and entertaining.

    It's been a summer of puppets for me, first with Underground River, followed by Kidd Pivot in Crystal Pite's Dark Matters, a sinister and captivating investigation into the creation myth. Maybe you caught Joey Fauerso's subversive Me Time at Box 13 ArtSpace, where the artist makes out with a policeman, a firefighter and construction worker puppets. Awkard and hilarious. "The object of my affection is literally an extension and projection of self, reflecting many of the highly narcissistic romantic descriptions of erotic love," writes Fauerso in her artist statement.

    We can't talk about puppets in Houston without mentioning Bobbindoctrin. "I think they're from Eastern Europe," I told Sixto Wagan, leaving DiverseWorks after their production based on Tolstoy's Ivan the Fool several years back. "No they're not," replied Wagan. "I work here; they're from Houston."

    I guess that's how alien puppets feel to me. Bobbindoctrin founder Joel Orr has a show coming up at 14 Pews in November, in addition to his annual festival next spring. 14 Pews' Artistic Director Cressandra Thibodeaux is also making a film about Orr (and others), aptly titled, Puppet Doc.

    Houston has a burst of puppet action coming down the pike. Bobbindoctrin veterans Mike and Kelly Switzer's Bedtime Stories headlines FrenetiCore's Houston Fringe Festival, Aug. 12-14, at Super Happy Fun Land. Mike is a former member of the Puppet Liberation Front and Kelly is an Assistant Professor of drama at University of Houston-Downtown.

    "Bedtime Stories is a written/salvaged/compiled piece. I see the script as a chance to hear some snippets of my favorite conspiracy theory literature spoken through the mouth of a puppet," says Mike. "Kelly has made very traditional looking 'kids show' kind of puppets, so having this weird stuff come out of the father’s mouth adds a kind of poetry to it."

     

     

      "Puppetry forces a little alienation on the audience, analyzing what they are seeing and feeling rather than being swept up in the moment."

      Kelly prefers the separation puppets allow. "I like the fourth wall the puppets create," says Kelly. "Puppetry forces a little alienation on the audience, analyzing what they are seeing and feeling rather than being swept up in the moment."

     BooTown goes to puppet town this fall with a pair of shows. "A Bloody Puppet Show is based on the Sally Jessy Rafael episode with metal band GWAR as the musical guest, only we are definitely deviating from history," says Emily Hynds, BooTown's Artistic Director. "A Sandbox Love Story follows, which is about two kids who like each other but don't know how to express it, playground style. We're talking hair pulling and sand-castle-push-overing."

    Hynds has also enlisted Clements' assistance for both of these projects. "I've helped to conceptualize puppet designs that reflect what the puppets actually need to be able to do," says Clements, whose play, Beast Baby Hospital, was a standout at the most recent Bobbindoctrin Festival.

    Clements has some serious puppet connections. Her husband, Kevin Taylor, has been working with Twist for a decade. The couple met while Taylor was working on HGO's Hansel and Gretel. (Lots of puppet roads lead to Twist, some to marriage.) Both Clements and Taylor have new fall shows in the works.

    I haven't seen the five Tony Award-winning play War Horse at Lincoln Center, but it's on my must-see list. Handspring Puppet artists Adrian Kohler and Basil Jones are the masterminds behind Joey, the War Horse. Kohler gets it right in his Ted Talk, when he says, "Puppets have to try to be alive." No one understood that more than the late Muppet master Jim Henson. Next time I'm in New York a visit to the Museum of Moving Image to see "Jim Henson's Fantastic World" is in order.

    Until then, I'll hole up with The Dark Crystal knowing full well that Houston is one happening puppet place.

     The little humanoid can dance in Jane Comfort's Bessie Award-winning Underground River

     

     

     Crystal Pite of Kidd Pivot takes puppets to new heights of beauty and weirdness in Dark Matters

     

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    news/arts

    Best July Art

    Where to see art in Houston now: 9 fun new exhibits opening in July

    Tarra Gaines
    Jul 9, 2025 | 4:30 pm
    ​Artechouse presents "Blooming Worlds"
    Photo courtesy of Artechouse
    Artechouse presents "Blooming Worlds"

    Art blooms in our world class museums but also on our city streets this July. From exhibitions featuring traditional paintings and sculptures to high tech immersive and interactive shows, we’re weaving art into the best of summertime fun and dreaming up beautiful new artistic creations all over Houston.

    “Town Meeting 1978-2028” at Art League Houston (now through July 20)
    Pioneering Houston-based interdisciplinary artists Nick Vaughan and Jake Margolin continue their decades-long project to create new and sometimes monumental artworks in response to little-known pre-Stonewall queer histories. For this latest exhibition, the duo explore a more recent and influential piece of Houston history, “Town Meeting I,” the pivotal convening of 4,000 LGBTQIA+ Houstonians at the Astro Arena in 1978. For this show at Art League, they’ve used their “wind drawing” technique of stenciling unfixed charcoal powder on paper and blowing it away, leaving a ghost-image. Using archival images of “Town Meeting I” as the bases of their stenciling, the finished “wind drawings” highlight the ephemerality, beauty, and loss of queer histories. In addition to these new works, Vaughan and Margolin hope to inspire, facilitate, and develop programming in 2028 to commemorate the 50th anniversary of “Town Meeting 1.”

    “Fragmentos de un sueño que yo también soñé (Fragments of a Dream I Also Dreamed)" at Art League Houston (now through July 20)
    “Every house is a body, and every individual body is a house full of memories and hopes,” says award-winning Venezuela born, Chicago-based artist, Jeffly Gabriela Molina, of her artistic focus. Molina’s fragmented, layered, and figural compositions explore that idea of home and memories. Delving into memories and stories, these figurative compositions, depicting people and relationships, fluctuate between stories of the present, past, and future. Taken together, the works in “Fragmentos de un sueño” aim to visually capture the feelings of vulnerability, nostalgia, and hope embedded in the experience of many immigrants. Art League notes that Molina’s pieces emphasize optimism over hardship, specifically addressing the longing for a home that no longer exists while striving to create a new one.

    “Every Fiber of Their Bodies” at Art League Houston (now through July 20)
    Working with natural fibers such as linen, paper collage, and hand-spun paper yarn made from calligraphy paper and book pages, textile artist Lin Qiqing weaves stories ofhuman relationships, gender, immigration, and language. As the title hints, the labor-intensive weaving process brings thematic depth to the images of bodies depicted in the pieces. The woven pieces also make connections to the natural world, as when Lin crumples then smooths handmade mulberry paper to resemble human skin, or when she uses handwoven fiber to mimic the body’s movement. Lin process includes research and experimenting with natural materials to explore themes of the internal human struggle for existence and our interactions with the world around us.

    “Annual Juried Exhibition” at Archway Gallery (now through July 31)
    For the 17th year, the artist owned Archway Gallery celebrates Houston artists with its juried exhibition of area artists who are not members of the space. This year’s exhibition is juried by Project Row Houses founder and MacArthur "genius" fellow, Rick Lowe. The acclaimed artist and social activist has selected work from over 35 area artists representing a diversity of medium and styles. Sales from the exhibition will go to Houston’s Brave Little Company, the theater company for Houston’s kids and their gown ups.

    “Foyer Installation: René Magritte” at Menil Collection (now through August 3)
    After a critically acclaimed trip to Australia, some of our favorite Belgian-born Houstonians are back home. Yes, the Magritte paintings have returned to the Menil Collection after taking a star turn in a monumental Magritte retrospective at Sydney’s Art Gallery of New South Wales. Now the Menil is celebrating their return with a special installation in the main building foyer. The Menil Collection owns the largest collection of work by René Magritte outside the artist’s native Belgium, and this display focuses on a core group of paintings from the 1950s and ’60s that truly represent Magritte’s status as a master creator of impossible painted worlds and an icon of the Surrealist movement. The paintings were purchased within a couple years of their making by the museum’s founders, John and Dominique de Menil. They represent and important part of 20th century art history, as the de Menils became Magritte’s biggest champions in the United States, helping to shape the artist’s reception and reputation in the postwar American art world. Stop by to welcome them home and slip into their enigmatic wonder.

    “Blooming Wonders” at Artechouse (now through September)
    The latest immersive exhibition from the Houston venue that brings art, science, and technology home together, Artechouse, lets the flowers blossom. The exhibition contains several dynamic installations, including “Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. Another immersive piece, “Infinite Blooms” takes audiences on a journey through an endless digital forest of cherry blossoms. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” by Interactive Items / Vadim Mirgorodskii invites visitors to sculpt new forms using clay and a little help from an AI program. Note that “Blooming Wonders” runs simultaneously with the rock ‘n’ roll exhibition, “Amplified” with “Wonders” open during the daytime.

    “Weci | Koninut” at Avenida Houston (now through September 1)
    Houston is a place for big dreams, and this wondrous outdoor exhibition near George R. Brown Convention Center gives us the space to do so. Created by First Nations artists Julie-Christina Picher and Dave Jenniss, this interactive installation weaves together visual arts, Indigenous storytelling and sensory technologies in the form of six immense sculptural dreamcatchers. Each of these dreamcatchers are unique and represent one of the six seasons from the Atikamekw culture, an Indigenous people in Canada. Activated by people passing by, the dreamcatchers come to life with lights, sounds, and story, making the whole installation truly interactive. “Weci | Koninut” creators say that they want the installation to offer a total immersion experience for visitors, to create a moment where nature and dreams converge. Each piece offers a place for the public to slow down, sit, reflect, and yes, dream.

    New Murals in the East End and Midtown (ongoing)
    We could spend days viewing all the new murals painted across town, just in the last few years. But in honor of summer outdoor art viewing, we thought we’d spotlight two noteworthy new additions to our city-wide gallery of murals. As part of his major exhibition last spring at the CAMH, Vincent Valdez worked with San Antonio muralist Rubio and local students to create “Memoria, Memory.” Dedicated to his mother Theresa Santana Valdez (1947–2020), the vivid mural on historic Navigation Boulevard features her favorite bird and flower. Over in Midtown, check out “Stellar Illumination,” the latest installation in the city’s Big Walls Big Dreams mural series. Created by Robin Munro, also known as Dread, the seven stories high “Illumination” depicts a celestial scene of an astronaut gazing at Earth from space.

    “The Weight of Place” at Anya Tish Gallery (July 11-August 23)
    This group exhibition will explore themes of memory and the emotional, psychological, and physical landscapes memories can evoke. The will showcase three contemporary Texas-based female artists: Megan Harrison, Marisol Valencia, and Lillian Warren. While these artists work in different mediums–including large-scale paintings, mixed media works, and elegant porcelain sculptures–they are inspired by personal reflection and nature to create artworks that reflect on the ways we hold onto the past through sensory experience.

    “In Residence: 18th Edition” at Houston Center for Contemporary Craft (July 12-June 27, 2026)
    This annual exhibition celebrating the Center’s Artist Residency Program reaches it’s big 18th anniversary. Over the many years, the residency program has supported so many emerging, mid-career, and established artists working in all craft media. The program gives them a space for creative exploration, exchange, and collaboration with other artists, arts professionals, and the public. Now arts and craft lovers will get a chance to see the culmination of that work with this exhibition featuring pieces in fiber, clay, copper, and found objects by 2024-2025 resident artists Prerata Bradley, Stephanie Bursese, Atisha Fordyce, Nela Garzón, Gbenga Komolafe, Gabo Martinez, Preetika Rajgariah, Macon Reed, Jamie Sterling Pitt, Adam Whitney, and Dongyi Wu.

    “My Texas” at Our Texas Cultural Center (July 27-August 22)
    Award winning, Russian-born photographer, Anatoliy Kosterev, chronicles his personal exploration of Texas with photographs he took around the Lone Star State. The photos offer extraordinary views of Texas, from our dynamic cities to dramatic and sometimes lonesome landscapes. Kosterev’s photographic style blends science and technology with an artistic eye. He puts those two perspectives into practice when documenting all facets of life in Texas. Using HDR, drone imaging, macro photography, and traditional camera methods, he captures a diversity of subjects from quiet human moments to vast landscapes to delicate close-ups of insects and flowers.

    \u200bArtechouse presents "Blooming Worlds"
      

    Photo courtesy of Artechouse

    Artechouse presents "Blooming Worlds."

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