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    Houston Wonderland

    Down the rabbit hole: Evelyn’s Park goes mad for Lewis Carroll’s Alice in Wonderland

    Marcy de Luna
    Marcy de Luna
    Jul 27, 2015 | 6:51 pm

    Evelyn’s Park has gone mad for Lewis Carroll’s Alice in Wonderland.

    The 5-acre green space, former home of the historic Teas Nursery, is on its delightful way down the rabbit hole with the addition of larger-than-life sculpture Move One Place On, a tribute to the Mad Hatter's Tea Party.

    The interactive piece is comprised of a 10-foot picnic table where visitors will be able to sit with 8-foot bronze characters including Alice, the March Hare, Cheshire Cat, Dormouse and Mad Hatter.

    The creative undertaking is in the hands of local artist Bridgett Mongeon, known for mixing traditional sculpting with digital technology such as 3D printing.

    “The sculpture will seat six-to-eight additional guests allowing families to bring a picnic and join the tea party,” Mongeon said in a statement.

    Move One Place On will be on permanent display at the park, ensuring it will always be tea time.

    Nearby the table, a second sculpture will feature a bronze storybook atop a faux stump.

    Making the project all the more magical, the announcement coincides with Lewis Carroll’s Alice in Wonderland's 150th Anniversary this month.

    Named for a line in Alice in Wonderland in which Mad Hatter instructs tea party guests, Move One Place On will be on permanent display at the park, ensuring it will always be tea time.

    The whimsical table, commissioned by The Jerry and Maury Rubenstein Foundation as a gift to Evelyn’s Park Conservancy (a nonprofit public-private partnership dedicated to the stewardship and improvement of Evelyn’s Park) is expected to be completed in late 2016. In honor of the sesquicentennial, Mongeon will incorporate a treasure hunt of sorts. Be ready to get lost in wonderland while searching for 150 different hidden elements, from a small Humpty Dumpty to the White Queen tucked into the bronze legs of the table and benches.

    Until then, we’ll all go a little mad with anticipation.

    Local artist Bridgett Mongeon will hide 150 different elements in the scene, including a small Humpty Dumpty.

    Houston, Evelyn's Park Move One Place On sculpture, July 2015, Humpty
    Photo by Bridgette Mongeon
    Local artist Bridgett Mongeon will hide 150 different elements in the scene, including a small Humpty Dumpty.
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    Remembering the Flood

    Texan wins Pulitzer Prize for heartbreaking story of Guadalupe flood

    Brianna Caleri
    May 5, 2026 | 2:00 pm
    Guadalupe River July 4 flood
    Photo by Brandon Bell/Getty Images
    Aaron Parsley has won a Pulitzer Prize for "Where the River Took Us," published days after the flood.

    Many Houstonians know someone who was impacted by the July 4, 2025 flood that killed more than 100 people. But one story cut through the chaos with an emotionally raw, first-person view of what actually happened. Texas Monthly senior editor Aaron Parsley published his survival story in "Where the River Took Us." On Monday, May 4, he has won the Pulitzer Prize for feature writing.

    The prestigious journalism award has 23 winners each spring. For features, the judges chiefly consider "quality of writing, originality and concision."

    "Where the River Took Us," brought readers moment-by-moment from Parsley's family house on the Guadalupe River, to family members including Parsley rushing down the river itself, to reunification for most of the family and grief for his 20-month-old nephew, Clay, who drowned.

    Parlsey renders each scene with arresting detail, recalling dialog and individual pieces of refuse raging past in the water: branches, furniture, a car with headlights still on. Adding to the immersion were photographs by Jordan Vonderhaar and Parsley's family. Published just days after the flood, the account was one of the first deep looks at what happened for readers who had only seen general news coverage and disorganized posts on social media.

    “In a matter of hours, Aaron uncovered the singular experiences of family members wrenched from one another and thrown into a raging flood," said Texas Monthly editor in chief Ross McCammon in a story announcing the Pulitzer award. "He then braided those stories together to convey what a tragedy of this sort actually feels like. This is a deeply reported story of horror, courage, and love, and it is one of the finest magazine stories ever written.”

    “I am grateful to my family for trusting me and to everyone at Texas Monthly for offering their support, talent, and meticulous care during the process of writing, reporting, and all that goes into putting this story into the world,” said Parsley. “It means everything to me, and I’m deeply proud to be a part of the Texas Monthly team.”

    journalismfloodsnatural disaster
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