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Best-selling Houston author behind Netflix runaway hit talks her newest book set in the Bayou City

Katherine Center The Bodyguard houston author

Katherine Center's ninth book, set in Houston, hits bookstores this week.

If you were one of the millions who binged tons of comforting movies and TV shows amid the peak of the COVID-19 pandemic, you probably stumbled upon the chart-topping romance film, The Lost Husband, that premiered on Netflix in August of 2020. Amidst the familiar Texas landscape featured in the movie, you might not have noticed Katherine Center, author of the book that inspired the movie, buying cheese at a farmer's market.

The film, which stars Leslie Bibb and Josh Duhamel, became one of Netflix’s top 25 movies for the entire year —and Center got to film a cameo scene on set and meet the dreamy cast in person. Keep your eyes peeled for Center and her work again, as her next book adaption, Happiness For Beginners, also directed by Houstonian Vicky Wight, will premiere on Netflix sometime in the near future.

Alongside her Hollywood success, Center’s latest novel — her ninth — hits bookstore shelves this week, and she says it’s a bit different from her previous work. She describes The Bodyguard, which is set in and around Houston, as bright and cheery — and exactly the world she needed to escape into during the pandemic when she wrote it.

She joins CultureMap to share details of her winding road to bestselling author, how she drew inspiration for her latest novel, and details on where Texans can find her out on tour this month.

The Center File
Katherine Center
Age: 50
Family: Husband, teenage kids, dog
Neighborhood: West University
Favorite place to take out-of-towners: Goode Company Taqueria
Writing place: Galveston at her mom’s beach house — “I need total human isolation.”

CultureMap: You’ve been an author for a while now — was this always what you wanted to do?

Katherine Center: I knew that I wanted to be a writer from when I was 12. I got started when I was in sixth grade at St. John's School. I was very miserable and awkward — as many sixth graders are — and I had two best friends who were also miserable and awkward.

That year, I somehow decided to start writing fanfiction about Duran Duran — this was how we coped with middle school. We each individually wrote a separate novel, we cast ourselves as the main characters in our novels, and, after suffering through the school week, we would get together on weekends and have sleepovers, put on our PJs, pile into somebody's bed, and open up our little spiral notebooks to read our novels to each other in installments. I still have mine.

It's horrible. I mean, if there were like a prize for worst novel ever written, I would definitely have that prize. But as bad as it was, that was the moment when I kind of was doomed to want to be a writer because I got to taste that sort of very sweet nectar of that specific magic that fiction has where it can create hope for you when things are feeling very hopeless. And it can convince you of things that you're not sure you believe, and it can teach you wise lessons about yourself and humanity.

I'd grown up reading my whole life. My mom has a master's in library science; my parents are both huge book people, and my uncle actually owned a bookstore in Houston called the Detering Book Gallery when I was growing up. It's kind of a Houston institution actually. So, we’re a bookish family.

CM: What did you have to do to make that dream into a reality?

KC: I’ve had many periods of deep discouragement — but a lot of early career encouragement. I was encouraged at St. John's. I went off to Vassar College, and I won the Vassar College fiction prize — it felt like a big deal.

And then I came home one year after college and went straight to grad school at the University of Houston's creative writing program, which is ranked second in the nation. After I got my master’s, I spent about eight years after that getting rejected and just wildly failing at trying to be a writer. It was really a dark time, and at a certain point, I sort of started thinking I should quit. I routinely would "quit forever" and then like two weeks later I would get another idea for a story and I would just start up again.

Everyone felt really sorry for me — it was like this tragic affliction that I had and could not seem to shut down. I decided I wanted to be a writer when I was 12, and I didn't publish anything until I was 32.

CM: Fast forward 16 years, your ninth book —The Bodyguard — comes out this week. Tell us a bit about this book and what readers can expect.

KC: It is actually a little bit different from my other books. It's brighter and cheerier. And that's partly because it's the book I was writing kind of in the weirdest creepiest parts of the pandemic — back before there were vaccines when we were all just like, "what is happening." I was in my house with my husband, my teenagers, and my dog, all of us feeling very stir crazy and apprehensive about the human race and its future.

I had a book to write, and I just decided that I was going to make my own sunshine with that book. I mean that — it's the book that got me through the pandemic. I would say in general are kind of half tragedy, half comedy — there's always there's always a big romantic comedy element to it, but the other half of the book is generally like the main character having to go through something hard.

My first book that ever hit the New York Times Bestseller List was called How To Walk Away, and it was about a woman who was in a plane crash on the day she got engaged. I always always try to look for that balance between darkness and light.

CM: You had this idea for a happier book following a female bodyguard whose assignment is to protect a dreamy actor originally from Houston. Was there a celebrity who inspired Jack Stapleton?

KC: He's a made-up person, but I'll take anybody — I'll take a Hemsworth or whatever you got.

I had met Josh Duhamel on the set of the movie they made of my book, The Last Husband, and that experience had a real gravitational force for me. It's just not the kind of thing you forget. I have a cameo in the farmer's market scene, and I got to spend a whole day on the set, and Josh was there and he came over and talked to me like a normal human would do. Like, "oh, you wrote the book so nice to meet you. I'm Josh." And I just freaked out when I met him.

He was so handsome and so movie-starish. And he was, like, eight feet tall. I've seen him in so many movies over the years, and I just forgot how to talk. I just went completely silent. All I could do was just stand there and gape at him like a wide mouth bass. I mean, I could not make any words. It was the weirdest thing. Then in the end I just couldn't resist writing about that kind of thing.

CM: So you turned that experience into a scene for The Bodyguard. Speaking of embedding your own experience into the book, why did you decide to set the novel in your hometown of Houston?

KC: Parts of The Bodyguard are like very high fantasy. Obviously the movie star component is a pretty high fantasy. The woman bodyguard — I mean, it's a real job, but it's not the most common job in the world. Those elements are stretching it a little bit. And whenever you're doing that, you want to counter it with as much authenticity as you can.

When I write stories for them to feel utterly three dimensional and real — like they're just really happening around you. And the way to do that is to use every authentic, true detail.

If I were a different writer, the ranch component and the setting might also be high fantasy, but for me it is real. The Stapleton's ranch in the book is my grandparent's ranch on the Brazos River. I grew up there. It's where I spent some of the happiest days of my childhood. I went down there all the time as a kid and had lots of birthday parties down there. It was a great source of comfort for me at a very weird time in human history when I really needed comfort.

Generally, I don't try to set them in Houston, but that's obviously a pretty easy default setting.

CM: You mentioned your cameo in The Lost Husband, which is also set in Texas and directed by Houstonian Vicky Wight. What was it like getting to see your book turned into one of Netflix’s top movies of 2020?

KC: The movie was filmed in Texas, and it was all set to come out in April of 2020 — a theatrical release all around the country. Of course, April of 2020 was right when they shut down all the movie theaters for the pandemic. So that was kind of heartbreaking. There was gonna be a premier, we were gonna go to LA, and it was going to be by far the most glamorous thing that had ever happened to me. And all that just got shut down.

And so I just remember feeling sort of bummed out about it for myself, but also for all the people who had worked so hard on the movie. It did get released, but it was online and it was all very quiet at first. But, I think because of the pandemic, everybody was kind of trapped in their houses, and since it's a very comforting movie, it just kind of became this word-of-mouth thing that people started telling their friends to go watch it.

It wasn't even on Netflix at the start, then they put it on in August of 2020 and when it hit, it just went right up to the top and that was an amazing thing to witness.

CM: Next up, you and Wight are working on bringing your novel, Happiness for Beginners, to Netflix with another star-studded cast. Did the success of the last movie bring this next project about?

KC: I don't know exactly how everything works in the movie business, but for sure, The Lost Husband did really well, and Vicky turned around like a year later and was like, "did you ever wanna work together again?" I was like, "yes, I would." So, instead of making an independent movie and going that route this time, Vicky was able to go to Netflix and be like, "Hey, let's make a movie." And they were like, "yeah, we know you."

Happiness For Beginners, which is a book I wrote in 2015, is already filmed. It stars Ellie Kemper and Luke Grimes from Yellowstone, as well as Nico Santos and Blythe Danner, who I was really excited about because I just love her. She's amazing.

And so I actually got to do a little cameo in that movie as well. I get to be a wedding guest at the wedding of my own main character.

CM: You had another book, What You Wish For, which is set in Galveston, come out in 2020, so unfortunately you didn’t get to go on tour to promote it. Now, you get to hit the road again to promote The Bodyguard. Are you excited about in-person events coming back and where can Texans find you?

KC: This is my first book tour since 2019. I'm kind of a hybrid between an introvert and an extrovert — I'm perfectly happy to stay home in my fuzzy slippers and my robe and just goof around in the house. But I'm also utterly delighted to get to go out and see people talk about books and get hugs — the whole thing. I'm so excited about this book tour — I feel like a dog, like getting ready to go on a walk.

The first week of the book tour is Texas. It's not all the big cities in Texas, but it's a lot of them — two Houston launches and then San Antonio, Austin, Georgetown, Texas, and Fort Worth, which is already sold out. Tuesday, July 19, I’m doing a launch event with Blue Willow Bookshop at the Outreach Center of West Houston, and then the next day — Wednesday, July 20 — I’ll be at Brazos Bookstore. The second week of the tour is all around the country. I have information on my full tour, which includes some virtual appearances, on my website.

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Best October Art

9 must-see October art openings at Houston museums and galleries

The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

“Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

"Singular Visions” at The Silos at Sawyer Yards (now through November 21)
Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

“Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

“A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

“Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

“Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

“Bayou City Art Festival” at Memorial Park (October 9-11)
The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

Affordable Art Fair at George R. Brown Convention Center (October 15-18)
Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

"American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

“More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

$The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d$

The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

affordable art fair bayou city arts festival festivals museums openings visual-art