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    front and center

    Best-selling Houston author behind Netflix runaway hit talks her newest book set in the Bayou City

    Natalie Harms
    Jul 18, 2022 | 3:10 pm
    Katherine Center The Bodyguard houston author
    Katherine Center's ninth book, set in Houston, hits bookstores this week.
    KatherineCenter.com

    If you were one of the millions who binged tons of comforting movies and TV shows amid the peak of the COVID-19 pandemic, you probably stumbled upon the chart-topping romance film, The Lost Husband, that premiered on Netflix in August of 2020. Amidst the familiar Texas landscape featured in the movie, you might not have noticed Katherine Center, author of the book that inspired the movie, buying cheese at a farmer's market.

    The film, which stars Leslie Bibb and Josh Duhamel, became one of Netflix’s top 25 movies for the entire year —and Center got to film a cameo scene on set and meet the dreamy cast in person. Keep your eyes peeled for Center and her work again, as her next book adaption, Happiness For Beginners, also directed by Houstonian Vicky Wight, will premiere on Netflix sometime in the near future.

    Alongside her Hollywood success, Center’s latest novel — her ninth — hits bookstore shelves this week, and she says it’s a bit different from her previous work. She describes The Bodyguard, which is set in and around Houston, as bright and cheery — and exactly the world she needed to escape into during the pandemic when she wrote it.

    She joins CultureMap to share details of her winding road to bestselling author, how she drew inspiration for her latest novel, and details on where Texans can find her out on tour this month.

    The Center File
    Katherine Center
    Age: 50
    Family: Husband, teenage kids, dog
    Neighborhood: West University
    Favorite place to take out-of-towners: Goode Company Taqueria
    Writing place: Galveston at her mom’s beach house — “I need total human isolation.”

    CultureMap: You’ve been an author for a while now — was this always what you wanted to do?

    Katherine Center: I knew that I wanted to be a writer from when I was 12. I got started when I was in sixth grade at St. John's School. I was very miserable and awkward — as many sixth graders are — and I had two best friends who were also miserable and awkward.

    That year, I somehow decided to start writing fanfiction about Duran Duran — this was how we coped with middle school. We each individually wrote a separate novel, we cast ourselves as the main characters in our novels, and, after suffering through the school week, we would get together on weekends and have sleepovers, put on our PJs, pile into somebody's bed, and open up our little spiral notebooks to read our novels to each other in installments. I still have mine.

    It's horrible. I mean, if there were like a prize for worst novel ever written, I would definitely have that prize. But as bad as it was, that was the moment when I kind of was doomed to want to be a writer because I got to taste that sort of very sweet nectar of that specific magic that fiction has where it can create hope for you when things are feeling very hopeless. And it can convince you of things that you're not sure you believe, and it can teach you wise lessons about yourself and humanity.

    I'd grown up reading my whole life. My mom has a master's in library science; my parents are both huge book people, and my uncle actually owned a bookstore in Houston called the Detering Book Gallery when I was growing up. It's kind of a Houston institution actually. So, we’re a bookish family.

    CM: What did you have to do to make that dream into a reality?

    KC: I’ve had many periods of deep discouragement — but a lot of early career encouragement. I was encouraged at St. John's. I went off to Vassar College, and I won the Vassar College fiction prize — it felt like a big deal.

    And then I came home one year after college and went straight to grad school at the University of Houston's creative writing program, which is ranked second in the nation. After I got my master’s, I spent about eight years after that getting rejected and just wildly failing at trying to be a writer. It was really a dark time, and at a certain point, I sort of started thinking I should quit. I routinely would "quit forever" and then like two weeks later I would get another idea for a story and I would just start up again.

    Everyone felt really sorry for me — it was like this tragic affliction that I had and could not seem to shut down. I decided I wanted to be a writer when I was 12, and I didn't publish anything until I was 32.

    CM: Fast forward 16 years, your ninth book —The Bodyguard — comes out this week. Tell us a bit about this book and what readers can expect.

    KC: It is actually a little bit different from my other books. It's brighter and cheerier. And that's partly because it's the book I was writing kind of in the weirdest creepiest parts of the pandemic — back before there were vaccines when we were all just like, "what is happening." I was in my house with my husband, my teenagers, and my dog, all of us feeling very stir crazy and apprehensive about the human race and its future.

    I had a book to write, and I just decided that I was going to make my own sunshine with that book. I mean that — it's the book that got me through the pandemic. I would say in general are kind of half tragedy, half comedy — there's always there's always a big romantic comedy element to it, but the other half of the book is generally like the main character having to go through something hard.

    My first book that ever hit the New York Times Bestseller List was called How To Walk Away, and it was about a woman who was in a plane crash on the day she got engaged. I always always try to look for that balance between darkness and light.

    CM: You had this idea for a happier book following a female bodyguard whose assignment is to protect a dreamy actor originally from Houston. Was there a celebrity who inspired Jack Stapleton?

    KC: He's a made-up person, but I'll take anybody — I'll take a Hemsworth or whatever you got.

    I had met Josh Duhamel on the set of the movie they made of my book, The Last Husband, and that experience had a real gravitational force for me. It's just not the kind of thing you forget. I have a cameo in the farmer's market scene, and I got to spend a whole day on the set, and Josh was there and he came over and talked to me like a normal human would do. Like, "oh, you wrote the book so nice to meet you. I'm Josh." And I just freaked out when I met him.

    He was so handsome and so movie-starish. And he was, like, eight feet tall. I've seen him in so many movies over the years, and I just forgot how to talk. I just went completely silent. All I could do was just stand there and gape at him like a wide mouth bass. I mean, I could not make any words. It was the weirdest thing. Then in the end I just couldn't resist writing about that kind of thing.

    CM: So you turned that experience into a scene for The Bodyguard. Speaking of embedding your own experience into the book, why did you decide to set the novel in your hometown of Houston?

    KC: Parts of The Bodyguard are like very high fantasy. Obviously the movie star component is a pretty high fantasy. The woman bodyguard — I mean, it's a real job, but it's not the most common job in the world. Those elements are stretching it a little bit. And whenever you're doing that, you want to counter it with as much authenticity as you can.

    When I write stories for them to feel utterly three dimensional and real — like they're just really happening around you. And the way to do that is to use every authentic, true detail.

    If I were a different writer, the ranch component and the setting might also be high fantasy, but for me it is real. The Stapleton's ranch in the book is my grandparent's ranch on the Brazos River. I grew up there. It's where I spent some of the happiest days of my childhood. I went down there all the time as a kid and had lots of birthday parties down there. It was a great source of comfort for me at a very weird time in human history when I really needed comfort.

    Generally, I don't try to set them in Houston, but that's obviously a pretty easy default setting.

    CM: You mentioned your cameo in The Lost Husband, which is also set in Texas and directed by Houstonian Vicky Wight. What was it like getting to see your book turned into one of Netflix’s top movies of 2020?

    KC: The movie was filmed in Texas, and it was all set to come out in April of 2020 — a theatrical release all around the country. Of course, April of 2020 was right when they shut down all the movie theaters for the pandemic. So that was kind of heartbreaking. There was gonna be a premier, we were gonna go to LA, and it was going to be by far the most glamorous thing that had ever happened to me. And all that just got shut down.

    And so I just remember feeling sort of bummed out about it for myself, but also for all the people who had worked so hard on the movie. It did get released, but it was online and it was all very quiet at first. But, I think because of the pandemic, everybody was kind of trapped in their houses, and since it's a very comforting movie, it just kind of became this word-of-mouth thing that people started telling their friends to go watch it.

    It wasn't even on Netflix at the start, then they put it on in August of 2020 and when it hit, it just went right up to the top and that was an amazing thing to witness.

    CM: Next up, you and Wight are working on bringing your novel, Happiness for Beginners, to Netflix with another star-studded cast. Did the success of the last movie bring this next project about?

    KC: I don't know exactly how everything works in the movie business, but for sure, The Lost Husband did really well, and Vicky turned around like a year later and was like, "did you ever wanna work together again?" I was like, "yes, I would." So, instead of making an independent movie and going that route this time, Vicky was able to go to Netflix and be like, "Hey, let's make a movie." And they were like, "yeah, we know you."

    Happiness For Beginners, which is a book I wrote in 2015, is already filmed. It stars Ellie Kemper and Luke Grimes from Yellowstone, as well as Nico Santos and Blythe Danner, who I was really excited about because I just love her. She's amazing.

    And so I actually got to do a little cameo in that movie as well. I get to be a wedding guest at the wedding of my own main character.

    CM: You had another book, What You Wish For, which is set in Galveston, come out in 2020, so unfortunately you didn’t get to go on tour to promote it. Now, you get to hit the road again to promote The Bodyguard. Are you excited about in-person events coming back and where can Texans find you?

    KC: This is my first book tour since 2019. I'm kind of a hybrid between an introvert and an extrovert — I'm perfectly happy to stay home in my fuzzy slippers and my robe and just goof around in the house. But I'm also utterly delighted to get to go out and see people talk about books and get hugs — the whole thing. I'm so excited about this book tour — I feel like a dog, like getting ready to go on a walk.

    The first week of the book tour is Texas. It's not all the big cities in Texas, but it's a lot of them — two Houston launches and then San Antonio, Austin, Georgetown, Texas, and Fort Worth, which is already sold out. Tuesday, July 19, I’m doing a launch event with Blue Willow Bookshop at the Outreach Center of West Houston, and then the next day — Wednesday, July 20 — I’ll be at Brazos Bookstore. The second week of the tour is all around the country. I have information on my full tour, which includes some virtual appearances, on my website.

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    Best September Theater

    12 best plays, musicals, and ballets  opening on Houston stages this month

    Tarra Gaines
    Sep 2, 2026 | 10:30 am
    Broadway at the Hobby Center presents The Sound of Music
    Photo by Jeremy Daniel
    Broadway at the Hobby Center presents The Sound of Music

    As this summer’s Odyssey demonstrates, audiences seem ready for new versions of the classics. Houston theater and performing arts companies are giving an ovation to this trend as they begin their daring and dramatic fall seasons. Major award winners, literary masterpieces, and contemporary classics will ignite Houston stages this month from Romeo and Juliet to The Sound of Music to Manon. Houstonians looking for something more recent and edgy will want to see 21st century Pulitzer and Tony winners, plus a cool comedy or two.

    Broadway at the Hobby Center presents The Sound of Music
    Photo by Jeremy Daniel
    Broadway at the Hobby Center presents The Sound of Music

    Collective Rage: A Play in 5 Betties from Mildred’s Umbrella (September 3-19)
    Five women with little in common but their first name, Betty, meet in this contemporary mad comedy from Jen Silverman. And as the Houston theater that focuses on plays about and by women, no company is better to bring the five Betties to life than Mildred’s Umbrella.

    From an affluent New York society woman to a would be actress to the owner of a boxing gym, these five Betties find connection and an outlet for their collective rage by forming a theater collective and staging “Pyramus and Thisbe,” the mini-farce within Shakespeare’s Midsummer Night’s Dream. Yes, this is a play about the making of a play within a play, as Silverman creates comedy by shattering the roles women adhere to.

    Pecos Bill from Houston Ballet (September 11-20)
    Houston Ballet leaps into a new season with three works that illustrate the depth and breadth of the company’s skills. Have some down-home fun with Stanton Welch’s rollicking ballet depicting the adventures of the mythic cowboy, Pecos Bill. The company will also show off its classical expertise with George Balanchine’s elegant and dynamic Symphonie Concertante. For a debut treat, HB will perform celebrated choreographer Lar Lubovitch’s Meadow. While this will be the first time the company dances a Lubovitch piece, HB co-artistic director Julie Kent was in the original cast for its world premiere by the American Ballet.

    Proof from 4th Wall Theatre (September 11-October 3)
    The first of two Tony and Pulitzer double winners on this month's must-see list, Proof was a Broadway hit then film in the early 2000s and since has become a emotional showcase for regional actors around the country. Twenty-five years after its debut, this complex story of family, trust, grief, and genius still resonates. As the play unfolds, the audience meets Catherine, who has given up years of her life to take care of her brilliant mathematician father as he wrestles with mental illness. After his death, Catherine is adrift in the world. Can she find the courage to prove her mental stability to her doubtful sister and her own math genius to one of her father’s former students?

    Cold War Choir Practice at Main Street Theater (September 12-October 11)
    Perhaps this month's most undefinable show, this comedy, with choral music interludes, earned critical acclaim when it debuted off Broadway earlier this year. The play follows the adventures of 10-year-old Meeks, who is not exactly an average girl growing up in the late 80s. Her father is a former Black Panther who now owns a roller rink and her uncle a prominent security advisor in the Reagan administration, with a mysteriously ill, white wife who also might be a cult member.

    With Christmas around the corner, Meeks keeps busy with choir practice and building a bomb shelter in her basement. But with her uncle’s unexpected visit, long-simmering tensions within the family begin to boil and national secrets are in jeopardy, as the world prepares for the disarmament summit between Reagan and Gorbachev.

    The Music Man presented by Theatre Under the Stars (September 15-27)
    Musical lovers just can’t say no to that conman with a heart of gold, Harold Hill, a.k.a the Music Man. Since it first debuted in the 1950s, the feel-good musical seems to get a Broadway revival or tour with regularity. Now, Theatre Under the Stars opens its 2026-27 season by presenting the latest national touring production of the comedy about charming Harold who gets conned himself by small town sincerity and the love of a good librarian. With big dance numbers and songs like "(Ya Got) Trouble,” "Seventy-Six Trombones,” and "Till There Was You,” the show remains one of the great American musicals.

    Amadeus at Rec Room (September 17-October 10)
    After a several months hiatus as it moves from a calendar year season to a fall/spring one, Rec Room is back and celebrating its 10th anniversary with a show that hasn't been performed locally in quite a while. The now classic 20th century play is about the (mostly one-sided) rivalry between composers Antonio Salieri and Wolfgang Amadeus Mozart; it explores themes of creation, jealousy, and the nature of genius.

    As one of Houston’s most intimate spaces, Rec Room has managed to produce epic productions on its small stage thanks to the creative team’s ability to ignite its audiences’ imaginations. Anticipate the same kind of theatrical magic for Amadeus, which the company describes as a “theatrical séance where memory, ritual, and myth converge.”

    Rhinoceros from Catastrophic Theatre (September 18-October 10)
    The blasts from the past continue as Houston’s home for avant garde theater, Catastrophic, revives its hit production of Eugene Ionesco’s epic absurdest play, Rhinoceros. Several of the cast members and creative artists from its last staging in 2017 will return to this story about a small town whose citizens begin to transform one-by-one into destructive rhinoceros until almost no humans are left. Written in the late 1950s, Rhinoceros has some of the markings of a horror film of the time period. Using absurdist imagery, it warns how easily fascism and authoritarianism can rise when people feel the call of the herd. Yet the play still has moments of outrageous dark comedy.

    Purpose at Ensemble Theatre (September 18-October 11)
    The oldest and largest professional African American theatre in the Southwest celebrates its 50th season with one of the most award-winning plays of the last few years. Earning both the Best Play Tony and Pulitzer Prize, Brandon Jacobs-Jenkins’s drama depicts a political prominent family as it gathers together for something of a celebration, homecoming, and bitter going away dinner. The Jasper patriarch was a leader in the Civil Rights movement, but the two adult sons struggle to live up to their father’s legacy, while their mother attempts to keep the family together and family secrets hidden. Meanwhile, an uninvited guest gives the proceedings an outsider's perspective.

    Come From Away at Stages (September 18-October 18)
    The true story of a small town in Newfoundland that rallied together to host thousands of stranded international travelers when planes were grounded world wide on September 11, 2001 made for one of the most poignant and hopeful musicals in decades. It’s been a few years since Come From Away toured nationally, so Houstonians should be looking forward to seeing Stages begin its season with this homegrown production filled with some of the company's best actors.

    While the show has been a hit all over the world that speaks to human connection and kindness even during the greatest of tragedies, it also has some deep Texas roots. Among the many stories the musical sings, one of otheur favorites is the glimpse into the extraordinary life of Texan Beverley Bass, the first female captain at American Airlines.

    Manon from Houston Ballet (September 24-October 4)
    For its second production of the month, Houston Ballet pirouettes from one act dances to Sir Kenneth MacMillan’s lush, romantic tragedy, Manon. With music by French composer Jules Massenethe, the ballet journeys from glamorous parties in Paris to the bayous of Louisiana to recount the doomed love story between the irresistibly beautiful femme fatale, Manon, and impoverished student, Des Grieux.

    Romeo and Juliet at Alley Theatre (September 25-October 11)
    There might not be a dry eye in the Theater District as the Alley also opens its fall season with a romantic tragedy that literally originated the term "star-crossed lovers." The entire Alley resident acting company will take roles in Shakespeare’s wrenching tale of young lovers crushed between their warring families.

    The production also marks the debut of a new initiative between the Alley and the University of Houston that expands the existing MFA in Acting program at the University of Houston by placing third-year acting students in residence at the Alley, working directly with the full-time acting company. For Romeo and Juliet, several of those students will have roles in the ensemble and as understudies.

    The Sound of Music presented by Broadway at the Hobby Center (September 29-October 4)
    Houston's month of classics ends with arguably the most beloved musical of all time, Richard Rodgers and Oscar Hammerstein’s The Sound of Music. This new touring production that celebrates the musical’s 65th anniversary features new direction from three-time Tony Award winner Jack O’Brien (Hairspray).

    Devout Music fans shouldn’t worry, because, while a new generation of actors take on the roles of Maria, Captain von Trapp, and that gaggle of singing von Trapp kids, the story of love, family, and bravery in the face of evil remains the same. Prepare to hum along (quietly) to classics such as “Climb Every Mountain,” “Do-Re-Mi,” “Sixteen Going on Seventeen” and, of course, “The Sound of Music.”

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