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    Sports Drama

    The Bum Phillips opera is taking shape: Yes, this crazy concept needs to happen

    Joel Luks
    Jul 10, 2013 | 4:35 pm

    Hut, hut, hike?

    Try singing that. Now try singing that without sounding like Mary Poppins. Add some vibrato, a dramatic stare, maybe point at someone as if your life depended on it.

    The spirit of such a convention during a game of football — the vernacular locution that quarterbacks huff prior to a snap — could next year find itself on the operatic stage, figuratively speaking, as a 1970s Houston football icon is set to be the subject of a contemporary opera.

    Extreme drama is what the life of former Houston Oilers coach Oail Andrew "Bum" Phillips has in common with opera, a genre that's notorious for heightening the emotional thrust and the inner turmoil experienced by the characters. Yes, in opera, death can take forever, an instant can be extended to minutes (even hours) and simple decisions are dragged on for what seems like days.

    Sports and opera may not seem like they play for the same team, but considering the passion, emotion, blood, guts and glory in each, the similarities could usher both vocations from the sidelines into a satisfying experiment that blends music lovers and football fiends together.

    The marriage isn't anything new. Houston Grand Opera challenged composer Jack Perla to pen Courtside, a story that begins on the basketball court and nods to the life of Yao Ming — without explicitly connecting the dots.

    The impresario describes Bum Phillips, the opera, as a journey to "overcome strife through resilience and faith" within the framework of a football game.

    At the helm of this new musical commission is New York-based author and Cypress Creek High School graduate Luke Leonard, whose days playing high school football and reading Phillips' autobiography, Bum Phillips: Cowboy, Coach, Christian, mused the unlikely pairing. Last year, Leonard was successful in raising funds to task a duo of native Texans — playwright Kirk Lynn and composer Peter Stopschinski — for the text and musical score. Through a second crowdsourced campaign that ends on July 21, Leonard hopes to raise a portion of the cash needed to mount the world premiere at the Ellen Stewart Theater in New York City in March 2014.

    The impresario describes Bum Phillips, the opera, as a journey to "overcome strife through resilience and faith" set within the framework of a football game. Themes trek outside of the field to explore American family values, religion and purpose alongside the charismatic protagonist's work transforming a failed home team into a city-wide point of pride that marshaled the so called "Luv Ya Blue" movement. The golden era saw players like Billy "White Shoes" Johnson, Elvin Bethea and Earl Campbell — whose 199-yard, four-touchdown game to beat the Miami Dolphins on Monday Night Football is the stuff sports legends are made of — redefine what it meant to be a Houston sports fan.

    Houston Texans coach Gary Kubiak thinks the opera is a good idea. Of course, Texans defensive coordinator Wade Phillips — Bum's son — is on board. Bum himself, who at the age of 89 is happily retired in a horse ranch Goliad, Texas, approves of the venture, but admits he isn't the singing type.

    Leonard has a myriad of accolades attached to his name. The University of Texas at Austin alum's directing work in The Difficulty of Crossing a Field, a contemporary opera by Pulitzer Prize-winning composer David Lang and award winning playwright Mac Wellman, was named one of the "Top Ten Theatrical Wonders of 2010" by the Austin Chronicle.

    Surely Leonard has the background to pull this off well. But the risk of themed operas that reach beyond what's deemed traditional content is that they are often short lived. Like some sports giants — here today, forgotten tomorrow.

    Then again, Bum Phillips is not one who's easily forgotten. He's arguably an even larger Houston legend today. He's still talking football on local radio shows. Bum's one for the history books —his chewing tobacco, cowboy hat and cowboy boots included.

    As such, isn't it a slap in the face that Bum Phillips would not be premiered in Houston?

    Bummer. But maybe they can change that. This opera is too intriguing not to see.

    Bum Phillips' cowboy hat and boots became iconic symbols for the Houston Oilers head coach.

    Bums Phillips with coat and hat
    Bum Phillips Charities
    Bum Phillips' cowboy hat and boots became iconic symbols for the Houston Oilers head coach.
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    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

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