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    Sports Drama

    The Bum Phillips opera is taking shape: Yes, this crazy concept needs to happen

    Joel Luks
    Jul 10, 2013 | 4:35 pm

    Hut, hut, hike?

     

    Try singing that. Now try singing that without sounding like Mary Poppins. Add some vibrato, a dramatic stare, maybe point at someone as if your life depended on it.

     

    The spirit of such a convention during a game of football — the vernacular locution that quarterbacks huff prior to a snap — could next year find itself on the operatic stage, figuratively speaking, as a 1970s Houston football icon is set to be the subject of a contemporary opera.

     

    Extreme drama is what the life of former Houston Oilers coach Oail Andrew "Bum" Phillips has in common with opera, a genre that's notorious for heightening the emotional thrust and the inner turmoil experienced by the characters. Yes, in opera, death can take forever, an instant can be extended to minutes (even hours) and simple decisions are dragged on for what seems like days.

     

    Sports and opera may not seem like they play for the same team, but considering the passion, emotion, blood, guts and glory in each, the similarities could usher both vocations from the sidelines into a satisfying experiment that blends music lovers and football fiends together.

     

    The marriage isn't anything new. Houston Grand Opera challenged composer Jack Perla to pen Courtside, a story that begins on the basketball court and nods to the life of Yao Ming — without explicitly connecting the dots.

     
     

      The impresario describes Bum Phillips, the opera, as a journey to "overcome strife through resilience and faith" within the framework of a football game.

     

     

    At the helm of this new musical commission is New York-based author and Cypress Creek High School graduate Luke Leonard, whose days playing high school football and reading Phillips' autobiography, Bum Phillips: Cowboy, Coach, Christian, mused the unlikely pairing. Last year, Leonard was successful in raising funds to task a duo of native Texans — playwright Kirk Lynn and composer Peter Stopschinski — for the text and musical score. Through a second crowdsourced campaign that ends on July 21, Leonard hopes to raise a portion of the cash needed to mount the world premiere at the Ellen Stewart Theater in New York City in March 2014.

     

    The impresario describes Bum Phillips, the opera, as a journey to "overcome strife through resilience and faith" set within the framework of a football game. Themes trek outside of the field to explore American family values, religion and purpose alongside the charismatic protagonist's work transforming a failed home team into a city-wide point of pride that marshaled the so called "Luv Ya Blue" movement. The golden era saw players like Billy "White Shoes" Johnson, Elvin Bethea and Earl Campbell — whose 199-yard, four-touchdown game to beat the Miami Dolphins on Monday Night Football is the stuff sports legends are made of — redefine what it meant to be a Houston sports fan.

     

    Houston Texans coach Gary Kubiak thinks the opera is a good idea. Of course, Texans defensive coordinator Wade Phillips — Bum's son — is on board. Bum himself, who at the age of 89 is happily retired in a horse ranch Goliad, Texas, approves of the venture, but admits he isn't the singing type.

     

    Leonard has a myriad of accolades attached to his name. The University of Texas at Austin alum's directing work in The Difficulty of Crossing a Field, a contemporary opera by Pulitzer Prize-winning composer David Lang and award winning playwright Mac Wellman, was named one of the "Top Ten Theatrical Wonders of 2010" by the Austin Chronicle.

     

    Surely Leonard has the background to pull this off well. But the risk of themed operas that reach beyond what's deemed traditional content is that they are often short lived. Like some sports giants — here today, forgotten tomorrow.

     

    Then again, Bum Phillips is not one who's easily forgotten. He's arguably an even larger Houston legend today. He's still talking football on local radio shows. Bum's one for the history books —his chewing tobacco, cowboy hat and cowboy boots included.

     

    As such, isn't it a slap in the face that Bum Phillips would not be premiered in Houston?

     

    Bummer. But maybe they can change that. This opera is too intriguing not to see.

    Bum Phillips' cowboy hat and boots became iconic symbols for the Houston Oilers head coach.

    Bums Phillips with coat and hat
      
    Bum Phillips Charities
    Bum Phillips' cowboy hat and boots became iconic symbols for the Houston Oilers head coach.
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    Best July Art

    Where to see art in Houston now: 9 fun new exhibits opening in July

    Tarra Gaines
    Jul 9, 2025 | 4:30 pm
    ​Artechouse presents "Blooming Worlds"
    Photo courtesy of Artechouse
    Artechouse presents "Blooming Worlds"

    Art blooms in our world class museums but also on our city streets this July. From exhibitions featuring traditional paintings and sculptures to high tech immersive and interactive shows, we’re weaving art into the best of summertime fun and dreaming up beautiful new artistic creations all over Houston.

    “Town Meeting 1978-2028” at Art League Houston (now through July 20)
    Pioneering Houston-based interdisciplinary artists Nick Vaughan and Jake Margolin continue their decades-long project to create new and sometimes monumental artworks in response to little-known pre-Stonewall queer histories. For this latest exhibition, the duo explore a more recent and influential piece of Houston history, “Town Meeting I,” the pivotal convening of 4,000 LGBTQIA+ Houstonians at the Astro Arena in 1978. For this show at Art League, they’ve used their “wind drawing” technique of stenciling unfixed charcoal powder on paper and blowing it away, leaving a ghost-image. Using archival images of “Town Meeting I” as the bases of their stenciling, the finished “wind drawings” highlight the ephemerality, beauty, and loss of queer histories. In addition to these new works, Vaughan and Margolin hope to inspire, facilitate, and develop programming in 2028 to commemorate the 50th anniversary of “Town Meeting 1.”

    “Fragmentos de un sueño que yo también soñé (Fragments of a Dream I Also Dreamed)" at Art League Houston (now through July 20)
    “Every house is a body, and every individual body is a house full of memories and hopes,” says award-winning Venezuela born, Chicago-based artist, Jeffly Gabriela Molina, of her artistic focus. Molina’s fragmented, layered, and figural compositions explore that idea of home and memories. Delving into memories and stories, these figurative compositions, depicting people and relationships, fluctuate between stories of the present, past, and future. Taken together, the works in “Fragmentos de un sueño” aim to visually capture the feelings of vulnerability, nostalgia, and hope embedded in the experience of many immigrants. Art League notes that Molina’s pieces emphasize optimism over hardship, specifically addressing the longing for a home that no longer exists while striving to create a new one.

    “Every Fiber of Their Bodies” at Art League Houston (now through July 20)
    Working with natural fibers such as linen, paper collage, and hand-spun paper yarn made from calligraphy paper and book pages, textile artist Lin Qiqing weaves stories ofhuman relationships, gender, immigration, and language. As the title hints, the labor-intensive weaving process brings thematic depth to the images of bodies depicted in the pieces. The woven pieces also make connections to the natural world, as when Lin crumples then smooths handmade mulberry paper to resemble human skin, or when she uses handwoven fiber to mimic the body’s movement. Lin process includes research and experimenting with natural materials to explore themes of the internal human struggle for existence and our interactions with the world around us.

    “Annual Juried Exhibition” at Archway Gallery (now through July 31)
    For the 17th year, the artist owned Archway Gallery celebrates Houston artists with its juried exhibition of area artists who are not members of the space. This year’s exhibition is juried by Project Row Houses founder and MacArthur "genius" fellow, Rick Lowe. The acclaimed artist and social activist has selected work from over 35 area artists representing a diversity of medium and styles. Sales from the exhibition will go to Houston’s Brave Little Company, the theater company for Houston’s kids and their gown ups.

    “Foyer Installation: René Magritte” at Menil Collection (now through August 3)
    After a critically acclaimed trip to Australia, some of our favorite Belgian-born Houstonians are back home. Yes, the Magritte paintings have returned to the Menil Collection after taking a star turn in a monumental Magritte retrospective at Sydney’s Art Gallery of New South Wales. Now the Menil is celebrating their return with a special installation in the main building foyer. The Menil Collection owns the largest collection of work by René Magritte outside the artist’s native Belgium, and this display focuses on a core group of paintings from the 1950s and ’60s that truly represent Magritte’s status as a master creator of impossible painted worlds and an icon of the Surrealist movement. The paintings were purchased within a couple years of their making by the museum’s founders, John and Dominique de Menil. They represent and important part of 20th century art history, as the de Menils became Magritte’s biggest champions in the United States, helping to shape the artist’s reception and reputation in the postwar American art world. Stop by to welcome them home and slip into their enigmatic wonder.

    “Blooming Wonders” at Artechouse (now through September)
    The latest immersive exhibition from the Houston venue that brings art, science, and technology home together, Artechouse, lets the flowers blossom. The exhibition contains several dynamic installations, including “Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. Another immersive piece, “Infinite Blooms” takes audiences on a journey through an endless digital forest of cherry blossoms. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” by Interactive Items / Vadim Mirgorodskii invites visitors to sculpt new forms using clay and a little help from an AI program. Note that “Blooming Wonders” runs simultaneously with the rock ‘n’ roll exhibition, “Amplified” with “Wonders” open during the daytime.

    “Weci | Koninut” at Avenida Houston (now through September 1)
    Houston is a place for big dreams, and this wondrous outdoor exhibition near George R. Brown Convention Center gives us the space to do so. Created by First Nations artists Julie-Christina Picher and Dave Jenniss, this interactive installation weaves together visual arts, Indigenous storytelling and sensory technologies in the form of six immense sculptural dreamcatchers. Each of these dreamcatchers are unique and represent one of the six seasons from the Atikamekw culture, an Indigenous people in Canada. Activated by people passing by, the dreamcatchers come to life with lights, sounds, and story, making the whole installation truly interactive. “Weci | Koninut” creators say that they want the installation to offer a total immersion experience for visitors, to create a moment where nature and dreams converge. Each piece offers a place for the public to slow down, sit, reflect, and yes, dream.

    New Murals in the East End and Midtown (ongoing)
    We could spend days viewing all the new murals painted across town, just in the last few years. But in honor of summer outdoor art viewing, we thought we’d spotlight two noteworthy new additions to our city-wide gallery of murals. As part of his major exhibition last spring at the CAMH, Vincent Valdez worked with San Antonio muralist Rubio and local students to create “Memoria, Memory.” Dedicated to his mother Theresa Santana Valdez (1947–2020), the vivid mural on historic Navigation Boulevard features her favorite bird and flower. Over in Midtown, check out “Stellar Illumination,” the latest installation in the city’s Big Walls Big Dreams mural series. Created by Robin Munro, also known as Dread, the seven stories high “Illumination” depicts a celestial scene of an astronaut gazing at Earth from space.

    “The Weight of Place” at Anya Tish Gallery (July 11-August 23)
    This group exhibition will explore themes of memory and the emotional, psychological, and physical landscapes memories can evoke. The will showcase three contemporary Texas-based female artists: Megan Harrison, Marisol Valencia, and Lillian Warren. While these artists work in different mediums–including large-scale paintings, mixed media works, and elegant porcelain sculptures–they are inspired by personal reflection and nature to create artworks that reflect on the ways we hold onto the past through sensory experience.

    “In Residence: 18th Edition” at Houston Center for Contemporary Craft (July 12-June 27, 2026)
    This annual exhibition celebrating the Center’s Artist Residency Program reaches it’s big 18th anniversary. Over the many years, the residency program has supported so many emerging, mid-career, and established artists working in all craft media. The program gives them a space for creative exploration, exchange, and collaboration with other artists, arts professionals, and the public. Now arts and craft lovers will get a chance to see the culmination of that work with this exhibition featuring pieces in fiber, clay, copper, and found objects by 2024-2025 resident artists Prerata Bradley, Stephanie Bursese, Atisha Fordyce, Nela Garzón, Gbenga Komolafe, Gabo Martinez, Preetika Rajgariah, Macon Reed, Jamie Sterling Pitt, Adam Whitney, and Dongyi Wu.

    “My Texas” at Our Texas Cultural Center (July 27-August 22)
    Award winning, Russian-born photographer, Anatoliy Kosterev, chronicles his personal exploration of Texas with photographs he took around the Lone Star State. The photos offer extraordinary views of Texas, from our dynamic cities to dramatic and sometimes lonesome landscapes. Kosterev’s photographic style blends science and technology with an artistic eye. He puts those two perspectives into practice when documenting all facets of life in Texas. Using HDR, drone imaging, macro photography, and traditional camera methods, he captures a diversity of subjects from quiet human moments to vast landscapes to delicate close-ups of insects and flowers.

    \u200bArtechouse presents "Blooming Worlds"
      

    Photo courtesy of Artechouse

    Artechouse presents "Blooming Worlds."

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