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    THE ROYAL TREATMENT

    Houston's newest NYT-bestselling author reveals royal details on her latest book

    Natalie Harms
    Jul 4, 2022 | 10:15 am
    Katharine McGee Houston author Rivals
    Rivals is the latest in Katharine McGee's American Royals series.
    Photo courtesy of Katharine McGee

    Pull out your fascinators and tiaras — here’s your reason to have a royal summer.

    Houston-based author Katharine McGee has published the third book in her series that re-imagines America as a monarchy, and less than a month after the novel hit the bookstores, the series landed on the New York Times bestseller list.

    The American Royal series, published by Random House, follows four young women connected to the royal family — the Washingtons. That’s right. In lieu of pursuing a democracy, the founding fathers in McGee’s fictional America opted for a kingdom. Now, over 200 years later, the country has its first reigning queen — and she’s mixing things up. Think: The Princess Diaries meets Gossip Girl.

    The third in the series, Rivals, was published at the end of May, and McGee is currently working on the fourth and final book. She joined CultureMap for a Q&A about the series, being a writer in Houston, and more.

    The McGee File
    Age: 34
    Family: husband Alex and son William
    Neighborhood: Upper Kirby
    Most recommended Houston restaurant: Nobie’s — “their pies are so good.”
    Favorite authors: Philip Pullman, Evie Dunmore, Philippa Gregory, and Margaret George
    Favorite Houston bookstore: Blue Willow Bookshop

    CultureMap: Where did the idea for American Royals come from?

    Katharine McGee: I have been toying with the idea for American Royals for a very long time. I grew up reading historical fiction and I always dreamed of writing a historical fiction novel of my own — something that was set in a royal court, whether it was at the Tudor court or at Versailles, or with the Romanoffs. Something with backstabbing and political intrigue and drama and forbid love.

    When I was working in book publishing in 2011 in New York, I was an editorial assistant actually working on young adult fiction. I was in New York City the day that prince William and Kate Middleton got married. New York felt that morning, like a city completely on holiday. It was so much fun. The streets were lined with people wearing fascinators, and the wedding was being streamed on the jumbotron in Times Square. The pictures of the royal family were on the cover of every single magazine and newspaper that I passed on newsstands. It was so interesting that we in America were incredibly fascinated by and obsessed with this wedding of Royals who aren't even our own. Which of course led me to the place of, "I wonder what it would be like if we did have a royal family."

    It was a lightning bolt moment realizing that I could fulfill my dream of trying to write a royal court story, but actually do it in a modern day America that had a royal family. The books still have all those ingredients that I love so much — they still have the forbidden love and the young people who are grappling with their fate of being destined to rule a country someday, they just are taking place in an alternate version of contemporary America.

    CM: The latest in the series just came out this summer. What’s exciting about this one?

    KM: The third book, Rivals, is so much fun. I genuinely think this might be the most pure fun book that I've ever written. And I think a lot of that has to do with the fact that by the third book in a series, as the writer, I have more space to really put my characters in unexpected positions and take them places that will pleasantly surprise the readers. The first book in the series is more of an introductory book, really setting up the world and the characters and what the stakes are. And then the second book is very much a building book. And by the third book, I like to think of it as sort of a "let's have fun in the world."

    The book is full of unexpected alliances and relationships that will surprise you. Some old relationships rekindled some entirely new ones, and the world gets bigger, which is a lot of fun.

    CM: What can you tell us about the future of the series?

    KM: I'm currently working on book four, and that is the last American Royals book. I was very lucky. The publisher bought the first two books, and then bought the second two books in another deal. So, I knew going into book three, that there was a fourth book coming. This enabled me to write the incredibly dramatic cliffhanger ending that is tormenting so many readers. I obviously could not have done that if we weren't sure whether there would be fourth.

    The fourth book is in progress, and it will come out next year — I'm not sure exactly when yet. It has been much harder than book three in some ways, because resolutions are always really tricky. And I feel like the series has gone on for long enough that I wanna make sure that I give every character that we've met over the course of the series, their fair amount of screen time and the resolution that they deserve, which means I'm juggling a pretty unwieldy cast by this point.

    CM: You’ve written two YA/New Adult series. What draws you to that genre and to writing a series over a stand alone?

    KM: I honestly think that I think series are just genuinely more fun for me as the writer. I do spend a long time in the lead up to a project, figuring out who the characters are, how they're all interconnected, and how the world makes sense. For both The Thousandth Floor and American Royals, it was a process that took a number of years and several drafts to really hammer out before I even was able to sell a concept. And so it does feel to me, like I put so much upfront work into all building and creating this world. And now I'm just having fun, spinning out additional stories within the world with the same characters and just putting them in new configurations, new, romantic entanglements, and finding new ways to cross their stories and bring them together.

    I've never tried to write a standalone. I think it could happen at some point in the future, but I'm certainly not ruling it out, but it's not where my mind naturally gravitates to.

    Another challenge aside from grappling with book four, is that I also have this looming question on the horizon of what is the next concept or series after American Royals. And so I have been devoting a little time, I would say over the past calendar year to trying to tee that up.

    CM: You’ve lived in a few cities before you moved back to your hometown of Houston. What’s it been like for you being an author based here?

    KM: I have been very pleasantly surprised with the Houston literary scene. Writing is such a solitary job. And I do work almost entirely from my home office — except going to Local Foods and writing on a patio when it's not summertime. I tend to look to my personal life for the company and the socializing that my job doesn't provide. I don't go into an office and don't really have coworkers — my poor friends often hear a lot about the books and weigh in on the characters and know about things as they're happening. And then my husband and my sister also both weigh in.

    I have recently been really enjoying exploring the Houston literary scene because there is so much here, including independent bookstores. The Blue Willow Bookshop is the one that I do all of my events at, although Brazos Bookstore has some incredible events as well. The Barbara Bush literacy foundation puts on some good events, and we get some incredible authors coming through Houston. And then we have some other authors who are based here.

    CM: Do you have any favorite restaurants/coffee shops you like to treat yourself to before, during, or after a day of writing?

    KM: I can't believe I'm saying this — I'm honestly a little embarrassed by it. My guilty pleasure is Berryhill. I mean, their margaritas are good and their fish tacos are I think they're the best fish tacos in Houston. That has become my spot if I had a tough day writing and I haven't cooked dinner, or I need to go vent and relax, my husband and I and maybe my friends who live nearby will go to Berryhill together. There and Local Foods are probably the only two places in Houston where I am known by first name.

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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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