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    Uncover the mystery of Sherlock Holmes at thrilling new Houston exhibit and stage show

    Tarra Gaines
    Jul 2, 2018 | 1:12 pm

    Who is Sherlock Holmes? Such is the question posed this summer by Jeffrey Hatcher’s play Holmes and Watson, the final production of the Alley Theatre’s 17-18 season, but it’s also the mystery unraveled within the International Exhibition of Sherlock Holmes at the Houston Museum of Natural Science.

    Fans have been obsessed with the enigmatic detective since Sir Arthur Conan Doyle first set him deerstalking into the world’s collective imagination 130 years ago. In film and television, he and his many contemporary incarnations are more popular than ever. So perhaps it’s no surprise that Houston is getting a cool summer of Sherlock.

    But who is Sherlock Holmes and why do we in Houston continue to love him so? This was the mystery I set out to solve with a day devoted to murder, mayhem, and the master detective, ever ready to put the world to right.

    The game's afoot
    First up, I headed over the Museum District to discover the very dramatic HMNS exhibition unexpectedly had something of an immersive theater feel. Before entering I received a casebook I would need to use along my journey into the dark underbelly of Victorian crime fiction.

    This HMNS exhibition contains manuscripts and artifacts of Doyle’s era which delve into the history of Holmes and give insights into Doyle’s influences, including the writings of Edgar Allen Poe and Doyle’s his real life medical training and studies under Dr. Joseph Bell. The majority of the galleries are organized around a new Holmes mystery, written by noted Doyle biographer Daniel Stashower. The guiding narrative invites visitors to help Holmes solve this latest diabolical case.

    At times working my way through the exhibition did feel as if I had entered into a role playing theatrical piece. The casebook and displays invited me to attempt some observational exercises, documenting all I saw, solve puzzles and work through a series of problems and experiments. The layout of the galleries gives the impression that Holmes himself was always just a few steps in front of me, in the next room.

    One of the most fun parts of the experience was watching kids, ages 5 to 65, diligently and sometimes gleefully filling out their casebooks and working through the steps to solve the mystery. Along the way, the exhibition rather sneakily teaches some Victorian history and forensic science all in the guise of putting us through an audition to become Baker Street Irregulars.

    For fans of the latest onscreen versions of the detective, the exhibition presents several displays of props and costumes from the three most popular current incarnations of the mythology: Guy Ritchie’s steampunk Holmes films starring Robert Downey Jr., the BBC Benedict Cumberbatch Sherlock and CBS’s Elementary.

    Murder at the theater
    Once I felt my observation skills finely honed, I headed over to the Alley to see if I could out deduce Hatcher’s Sherlock, only to find that in the play, it is the good doctor who must play detective.

    Holmes and Watson, directed by Mark Shanahan, begins three years after the notorious Reichenbach Falls case, when Holmes and his archenemy Moriarty fell to their deaths. Or did they?

    Dr. Watson (Jeremy Webb) is invited to a mysterious island asylum by a seemingly concerned, but perplexed Dr. Evans (Bruce Warren). Three inmates (Jay Sullivan, Dan Domingues, and Chris Hutchison) housed there all claim to be Sherlock Holmes. They all have a different story to tell about what happened that fateful night on the Falls and very different motives for telling their tales to Holmes’s best friend, confidant, and biographer. In turn, Watson must discover who is the real Sherlock Holmes, as danger lurks in every night shadow.

    Of course, one of the allures of a good mystery, especially a Holmes play, is seeing if we can keep up with the game and figure out who done it, or in this case who is who, before a Sherlock or Watson explains it all.

    In only 90 minutes, Hatcher, director Shanahan, and the cast create enough quick plot turns that audiences members might find themselves dizzy at the final reveals. Near the end, I did want to give my (imaginary) Baker Street Irregular badge a congratulatory polish because I did spot a few, though not all, of those plot twists leading up to the finale.

    Whether I half-solved the case thanks to the training the International Exhibition of Sherlock Holmes gave me earlier in the day, or it was the years of watching and reading so many versions of the great detective that made me a successful plot sleuth, who, but Holmes, can know.

    Holmes and Watson runs at the Alley Theatre through July 22. The HMNS presents the ticketed International Exhibition of Sherlock Holmes through September 30.

    Who is the real Holmes? Chris Hutchison, Dan Domingues, Jay Sullivan, and Elizabeth Bunch in the Alley Theatre’s production of Holmes and Watson.

    Alley Theatre: Holmes and Watson
      
    Photo by Christopher Diaz
    Who is the real Holmes? Chris Hutchison, Dan Domingues, Jay Sullivan, and Elizabeth Bunch in the Alley Theatre’s production of Holmes and Watson.
    museumstheater
    news/arts

    a very fine house

    Pioneering Houston Latino folkart gallery will close next year

    Tarra Gaines
    Jun 5, 2025 | 9:30 am
    ​Macario and Chrissie Ramirez.
    Photo by Agapito Sanchez
    Macario and Chrissie Ramirez.

    It’s the end of a cultural era as Chrissie Ramirez, owner of the Heights gallery and cultural space Casa Ramirez Folkart Gallery, announced that after 40 years she will close the 3,000-plus-square-foot space on W. 19th St. at the end of the current lease period in March 2026.

    \u200bMacario and Chrissie Ramirez.
      

    Photo by Agapito Sanchez

    Macario and Chrissie Ramirez.

    Filled with traditional art, especially paintings and sculptures, the space also showcased textiles, home accessories, religious objects, clothing, literature, and antiques. But it was the husband-and-wife owners, Macario and Chrissie Ramirez, who turned this Casa into a real home for the local Latino community, as well as a cultural landmark in Houston’s art landscape. Macario Ramirez founded Casa Ramirez in 1985 to honor his father, a folk artist and part-time jeweler who had his own business in San Antonio selling Mexican crafts. Over 40 years, Macario and Chrissie's longtime support for Latino artists along with the gallery's culturally rich programming and educational outreach helped to popularize Mexican and Latin American folk art and traditions.

    Chrissie Ramirez continued her husband’s mission after his death in 2020, keeping the gallery and his life’s work going. After five years running the business, she wants to travel and lead a less scheduled live. Houstonians won’t have to say goodbye just yet, as Ramirez says they will stay stay open and continue their annual holiday celebrations and programming.

    “Casa Ramirez will continue to operate as a retail establishment and offer the colorful mix of folk art, crafts, work by local artists and focus on the vibrant culture and traditions of Mexico, Latin American and the Southwest that we are so well known for and held in our hearts for so long,” Ramirez said in a statement.

    Throughout her remarks, Ramirez recalled her husband’s pioneering cultural and civil rights work in the community and his continuing legacy in Houston.

    Prominent Texas author, analyst, radio host, and Nuestra Palabra founder Tony Diaz spoke about the cultural reach Case Ramirez had over the years. Diaz especially credits Macario Ramirez and the gallery for helping to make Dia de los Muertos such an important Texas holiday and for helping to spread understanding of its celebrations in the U.S.

    “Today Day of the Dead is socially acceptable —it’s a movie by Disney. That was not always the case,” Diaz said. “There was a moment in our history when people would see the sugar skulls that are now beloved and they would think that it had something to do with ‘other things.’ You could come to Casa Ramirez, and the street would be full with our gente who knew that it was something beautiful to preserve. And before the rest of the nation caught on, Casa Ramirez was the home for that dear celebration of ours. ”

    Though she might be retiring, Ramirez says she will keep the name Casa Ramirez for future projects and activities in other locations. She also plans to continue her cultural work, with a focus on organizing “the collection of writings, documents, and artifacts” that are part of the Casa Ramirez and her family’s history with a goal to “archive them for their educational and historical value.”

    Ramirez emphasized that Casa Ramirez will remain open until March. She will spend this time “clearing, closing, and cleaning out” the gallery, but has plans for holiday and closeout sales before shuttering the space for good. It will still host traditional annual gatherings and programs for the rest of the year, including Hispanic Heritage Month in September, the Day of the Death holiday celebrations in October/November, and Christmas and New Years programming with special guests and music events in the works. Thankfully, that means Houstonians still have plenty of time to visit and share their own memories of this extraordinary Casa.

    casa ramirez folkart galleryclosingsthe-heightsvisual-art
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