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    Photos Of A Legacy

    Photos of a Legacy: Amazing exhibit of master works salutes curator's life in photography

    Tarra Gaines
    Jun 28, 2015 | 12:30 pm

    If Houston seemed just a little bit more photogenic than usual last week, that might be because by mayoral proclamation June 23 was officially declared Anne Wilkes Tucker Day throughout the city.

    In 1976, Tucker was initially hired to establish the department of photography. Now after 39 years at the Museum of Fine Arts, she is set to retire at the end of the month. But the MFAH, collectors, donors, artists and Anne fans didn’t intend to let her go without marking her legacy by partying down.

    But the MFAH, collectors, donors, artists and Anne fans didn’t intend to let her go without marking her legacy by partying down.

    Yet it’s Houston art lovers who are the ones receiving the best presents in honor of Tucker’s life in photography: the new exhibition In Appreciation: Gifts in Honor of Anne Wilkes Tucker, the coming Anne Wilkes Tucker Photography Study Center, with funds provided by Stanford and Joan Alexander, and the Anne Wilkes Tucker Young Photographers Endowment.

    Tucker has been a vital force in building the MFAH photography department practically from scratch, turning the 141 images photographs owned by the museum when she began her tenure into world class and renowned collection of 30,000 works. With the opening of the In Appreciation exhibition her friends, family, admirers and photo-philes all came together to celebrate her accomplishments.

    “Anne was global before it was fashionable, universal before anyone wrote about it,” MFAH director Gary Tinterow of Tucker said in announcing the new center. “Anne is a truly great individual, an institution, and most proper institutions require a physical structure, a monument.”

    More than 300 guests paid tribute to Tucker and view the new exhibit, which displays selections from the more than 150 works given to the museum in her honor. Among the highlights are a large print of Richard Avedon’s Dovima with Elephants (1955); Nan Goldin’s multimedia Ballad of Sexual Dependency; a unique Man Ray photomontage from around 1926 and a photograph by the medium’s inventor William Henry Fox Talbot from October 1840, which is the earliest firmly dated photograph in the MFAH collection.

    During a cocktail reception in Cullinan Hall, where images from Tucker’s tenure were projected onto the walls and guests nibbled on light bites from City Kitchen, Malcolm Daniel, Tucker’s successor, announced the creation of the young photographers endowment in her honor which will be used for the purchase of works by photographers under 40 who are not yet represented in the museum’s collection.

    Daniel promised the endowment would help the museum continue in the “spirit of what Anne has done.”

    When Tucker took the podium, she did not dwell on her own accomplishments— the over 40 exhibitions she has organized or co-organized, including the recent War/Photography: Images of Armed Conflict and Its Aftermath— but instead spent many minutes thanking the artists and colleagues she worked with for those 39 years.

    She also told of some of the “extraordinary experiences” she’s had along the way, like the time in 1985 when her hotel room was bugged when she traveled to communist Czechoslovakia or an exhibition or the curious incident of the late catalog printing caused by an escaped circus elephant storming into the printing bindery.

    “On June 30, the hardest thing I will do is turn in my badge,” she concluded. “For 39 years I’ve had the run of this facility, every corner of it at all the hours of day and night. There have been times when I’ve been here 24, 36 hours straight. Now I’m giving up the key to my second home. I’m ready but it will be hard.”

    The Tucker badge may be retired but the exhibition runs to Oct. 11, while her influence will likely linger for another 39 years and beyond.

    Among those on hand to salute Tucker were Joan and Stanford Alexander, Michael Zilkha, Phoebe and Bobby Tudor, Julie Alexander, Leslie and Brad Bucher, Mariquita Masterson, Hiram Butler, Jereann Chaney, Clare Glassell, Kathy and Marty Goossen, William J. Hill, Jim Malone, Nancy and John Parsley, Sara Morgan, Jeanie Kilroy Wilson and Wallace S. Wilson.

    Richard Avedon, Dovima with Elephants, Evening Dress by Dior, Cirque d’Hiver, Paris, August 1955, gelatin silver print, Museum of Fine Arts, Houston.

    Richard Avedon, Dovima with Elephants
    MFAH courtesy photo
    Richard Avedon, Dovima with Elephants, Evening Dress by Dior, Cirque d’Hiver, Paris, August 1955, gelatin silver print, Museum of Fine Arts, Houston.
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    best july art

    MFAH celebrates America 250 and 7 more must-see art openings for July

    Tarra Gaines
    Jul 7, 2026 | 2:00 pm
    ​Orkhan Mammadov’s “Visions” at Art Club
    Photo courtesy of Art Club
    Orkhan Mammadov’s “Visions” at Art Club

    The middle of summer is traditionally a time for Houston art galleries, museums, and institutions to take a bit of a breather, allowing art lovers a chance to catch up with spring exhibitions in cool art spaces. But this July keeps the art openings coming as the month brings several celebratory shows and intriguing exhibitions of local artists. Let’s enjoy a sizzling summer of art as the MFAH honors our nation’s big 250; Art Club unveils a new lineup of exhibits; and Avenida Houston expands our art horizons.

    Art Club’s New Season at POST (ongoing)
    When Art Club, the immersive space and DJ venue opened over a year ago, it promised Houston art lovers and club goers this techno art museum would continue to change and evolve over time with new artists and large-scale installations. Now with 12 fresh, radical, and cutting edge, gallery-sized works for the summer, it has certainly delivered on that promise. Created by individual artists, collectives, and international design studios, the new exhibits send visitors into kinetic light space and beguiling soundscapes. Many of the installations merge ancient cultures and practices with some of the most high tech art mediums, taking visitors into a different strange, alien world with each gallery, but ones that always echo with human connection.

    One highlight of the new season is Lina Dib’s “Here and Now,” where beautiful yet eerie flower descend from a darkened sky, blooming to a soundscape of migratory bird sounds made by human immigrants to Houston. Art Club’s mirrored "infinity room" gets a new resident in Orkhan Mammadov’s “Visions,” which merges a thousand years of art history with machine learning.

    Light artist Sasha Kojjio processes large bodies of text through sorting and generating algorithms, spinning the results into light until meaning dissolves and only movement remains. For Sphere³ II, international design studio Radugadesign, explores ancient Greek geometry through light, mirrors, and sound, creating an object that feels as if it could transport humans across space and time.

    “This season, we’ve continued to bring new media art from around the world to Houston with digital art ranging from the Islamic world to the Incan traditions of the Andes,” said Kirby Liu, founder and curator of Art Club Houston and managing director of POST. “The theme is the conviction that the binaries we use to see the world – whether analog versus digital, human versus machine, or tradition versus technology – are no longer doing the work we ask of them.”

    “Horizon” at The Plaza at Avenida Houston (now through September 7)
    Outdoor art gets expansive with these new interactive installations set between George R. Brown Convention Center and Discovery Green. Created by acclaimed multidisciplinary artist and set designer, Olivier Landreville, in collaboration with sound and light designer, Serge Maheu, “Horizon” invites Houstonians to take a seat inside these domed art structures and contemplate the sculpted skies. Gently rocking the chairs within the pieces will trigger a series of light and soundscapes.

    Houston First Corporation has partnered with international public art producers Creos and Init to present Horizon with the hope it gives Houstonians and all the national and international visitors we’ve had this summer to slow down, unwind, and enjoy one of our favorite community spaces.

    “George Washington: America's Enduring Icon” at Bayou Bend (now through November 22)
    The MFAH celebrates America's first president with this fascinating decorative art exhibition at its Bayou Bend house museum. “Enduring Icon” includes objects from the 18th, 19th, and 20th centuries featuring images of George Washington during his lifetime, as well as many that mourned or honored him after his death. The exhibition examines the many ways that Americans have recognized, honored, celebrated, memorialized, and appropriated Washington as both a man and icon.

    “America 250” at the Museum of Fine Arts, Houston (now through January 3)
    The 4th of July might have passed, but Houstonians and visitors from around the world can continue to celebrate the United States’ 250th birthday by taking this special marked journey through the MFAH. Instead of a contained exhibition, museum curators have chosen over 70 artworks from the collection across the campus to tell a uniquely American story through art.

    From golden antiquities to Native American pottery to vast painted landscapes to large-scale installations of futuristic cities, these pieces reflect the complexity and diversity of the American experience, while drawing connections between our nation and the MFAH's history as a collecting institution. As visitors explore the museum, indoors and out, they’ll find guides to the artworks, along with newly created audio stops and labels that discuss each artwork from these historical and cultural perspectives.

    "On the occasion of the nation’s 250th anniversary, we saw a singular opportunity to look at our collections and select objects that reflect the multitudes of individuals who have contributed to the identity of our nation,” describes MFAH director, Gary Tinterow. “The curators’ choices will allow our visitors to experience our collections framed within a series of illuminating and sometimes surprising narratives.”

    "Representation of Form" at MATCH (July 9-12)
    Photography and choreography dance together as Group Accord and photographer Christopher Peddecord collaborate in the creation of this multidisciplinary art event. Peddecord has taken photographs of Group Acorde dance artists and layers the images with one another. Those photographs will then be displayed and projected throughout the MATCH Box 1 space. During live performances, the dancers will move within the images of themselves. Audiences will also be free to move about the space, immersing themselves within the installation.

    “Casa de Cultura: The Living Archive” at the Fresh Arts Gallery in Winter Street Studios (July 9-August 22)
    Fresh Arts’ ongoing Space Taking Artist Residency invites traditionally underrepresented local artists to experiment and “take over” Fresh Arts’ gallery space at Sawyer Yards. The initiative has produced some stunning and surprising artwork and live performance experiences over the past few years.

    For “Casa de Cultura,” Violeta Alvarez, an award-winning local photographer, will present work inspired by her mother’s life and journeys. Alvarez will create a “Living Archive” exploring cultural identity, migration and collective memory. The project will feature two photography exhibitions: one a curated selection of Alvarez’s music photography, including her early work with Justice Records, and the second built entirely from open-call live portrait sessions of individuals with ancestral ties to Mesoamerica. Several live events and performances will take place throughout the residency, including community photo sessions, panel discussions, a podcast recording, Aztec dance performances, Chicanx artist vendors for Second Saturdays, and community drives.

    "World of Color” at Laura Rathe Fine Art (July 16-August 14)
    This exhibition brings together a group of artists working in different mediums and producing very distinct imagery, but all their art explores vivid colors and manifests a sense of wonder and play. "World of Color" explores color as both a meaningful and nostalgic force, brought to life through Miriam Fitzgerald’s intricately folded paper, Gian Garofalo’s flowing stripes of pigmented resin, Pablo Dona’s miniature figures swimming within teacups, and Lynn Sanders' layered colorscapes. Exhibition organizers note that through curious and intuitive explorations of color, each artist engages with combinations that create a childlike sense of discovery.

    "Learning Curve 18” at Houston Center for Photography (July 16-August 16)
    This annual exhibition celebrates the HCP students’ work over a given year, and for the 18th iteration, the exhibition will showcase students from various programs at the Center doing a range of photographic work from digital to alternative processes. Jessi Bowman, the Houston-based photographer, curator, and founder of FLATS, a community darkroom and photo lab, is this year’s juror. Bowman has intentionally selected pieces exploring photography from a multitude of approaches, subjects, and perspectives in order to create an show that reveals artists working in community.

    “As a juror, I was drawn to work that embraced curiosity and possibility. The strongest images often reflected a willingness to take risks,” explains Bowman in a statement about the selections, adding “Many of these photographs show artists pushing beyond technical proficiency toward a more personal visual voice.”

    \u200bOrkhan Mammadov\u2019s \u201cVisions\u201d at Art Club

    Photo courtesy of Art Club

    Orkhan Mammadov’s “Visions” at Art Club

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