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    Appreciation

    HGO's Guyla Pircher remembered for her grand events, personal style andconsummate professionalism

    Shelby Hodge
    Jun 27, 2012 | 5:53 pm
    • Guyla Pircher at one of the many Houston Grand Opera function that she oversaw
      Photo by Anthony Rathbun
    • Guyla Pircher, second from left, at 2010 Steer Breakfast
      Photo by Shelby Hodge
    • Guyla Pircher, center, at Pinkwell Flash Mob event
      Photo by Michelle Watson/CatchLightGroup.com
    • At Dancing with the Houston Stars, with Boyd Harris
      Photo by Gary Fountain

    The woman behind some of Houston Grand Opera's most spectacular productions in the fundraising arena succumbed to brain cancer Wednesday afternoon.

    Guyla Pircher, HGO director of special events, had been with the company for almost seven years, orchestrating a host of memorable balls, opening night galas and scores of other successful fundraising events. As HGO chief advancement officer Greg Robertson said, "Guyla was an incredibly creative person, who could think very strategically."

    Indeed, she was the congenial diva behind the opera's highly successful balls that in recent history have consistently raised more than $1 million. Last April's white-tie-and-tails gala brought in $2 million. In 2011, the event raised $4 million. Last fall, she presided, albeit behind the scenes, over HGO's delightful "Singing With the Houston Idols" fundraiser.

    HGO managing director Perryn Leech, who is in England, wrote in an email to the HGO board of directors, "A consummate professional, Guyla believed that the quality of your work reflected your values . . . She believed that through work we could make the world a better place."

    Even in the latter throes of her illness, Pircher continued to work on behalf of HGO. She lined up chairs for next fall's opening night gala, for the Concert of Arias and for next spring's opera ball.

    "Guyla knew how to walk that line between kissing and kicking. And she knew when kissing would work and when kicking was required."

    Robertson appointed Pircher to her position shortly after her arrival at the company, recognizing in her "the unique quality of being able to work with such a broad cross section of folks" ranging from patrons to suppliers. "Guyla knew how to walk that line between kissing and kicking. And she knew when kissing would work and when kicking was required."

    Pircher was known for her high sense of style (thanks in part to a fashion background), a dry wit and consumate professionalism that allowed her to flourish in the highly-challenging world of non-profit special events. She was on the scene on weekends, holidays and many long nights insuring that her events came off flawlessly.

    HGO board member Donna Bruni is one of many Pircher fans. As opera ball chair, she worked closely with Guyla and they ultimately became close personal friends. "What a talent she was," Bruni said. "How gracious she was. How dedicated she was to what she did and she always did an excellent job."

    As Leech closed his remarks, "We will miss her tremendously and keep her in our hearts forever."

    She is survived by her husband, Boyd Harris. At her request, there will be no funeral service nor public memorial.

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    And the Winner Is

    Houston's Alley Theatre only Texas winner of prestigious new play award

    Lindsey Wilson
    Dec 5, 2025 | 11:31 am
    Audience at Alley Theatre
    Photo courtesy of Alley Theatre
    Bring a friend to the theater for free.

    The Tony Award-winning Alley Theatre has once again earned national recognition, becoming the only Texas theater selected for a 2025 Edgerton Foundation New Play Award, a prestigious honor known for helping launch some of the most influential plays and musicals of the past two decades.

    The award will support the Alley’s May 2026 world premiere of Dear Alien by Liz Duffy Adams, giving the production additional rehearsal time that has proven essential for shaping new work.

    The Edgerton Awards have a powerful legacy behind them. Past recipients include phenomenon-level titles such as Hamilton, Dear Evan Hansen, The Prom, Next to Normal, and Vanya and Sonia and Masha and Spike — shows that went on to win Tony Awards, earn Pulitzer Prizes, and define contemporary American theater.

    “I’m so grateful to the Edgerton Foundation for their support of Liz Duffy Adams’ play Dear Alien," says Alley artistic director Rob Melrose in a release. "Getting an additional week of rehearsal on a new play makes a tremendous difference. In Dear Alien, the titular role (played by resident acting company member Dylan Godwin) is onstage the entire show, and it is going to be quite a challenge. Supporting new plays is incredibly important for the health of the American theater. Four years ago, Alley Theatre premiered Liz’s play Born with Teeth, and it is currently having a run on the West End after gracing the stages of major theaters in the U.S. such as the Guthrie, Asolo Rep, and Oregon Shakespeare Festival."

    Alley Theatre has a significant history with developing new work. In 1996, the Alley won the Regional Theatre Tony Award after debuting the world premiere of the musical Jekyll & Hyde, which went on to tour 40 cities and play for two years on Broadway (it lives on thanks to a DVD and VHS recording starring David Hasselhoff in the title roles).

    In 1998, the Alley staged the American premiere of a rediscovered Tennessee Williams play, Not About Nightingales, which later enjoyed a successful Broadway run.

    The Edgerton Foundation New Plays Program, directed by Brad and Louise Edgerton, was piloted in 2006 with Center Theatre Group in Los Angeles by offering two musicals in development an extended rehearsal period for the entire creative team, including the playwrights. The Edgertons launched the program nationally in 2007 and have supported 569 plays to date at over 50 different theaters across the country. Over the last 19 years, the Edgerton Foundation has awarded $19,670,534 to 569 productions.

    Among the 2025 winners are pop-country star Jennifer Nettles' new musical Giulia: The Poison Queen of Palermo at Perelman Performing Arts Center in New York City; Claudia Shear's The Recipe, about the early life of Julia Child, at La Jolla Playhouse in California; and prolific playwright David Lindsay-Abaire's latest title, The Balusters, at Manhattan Theatre Club. See the complete list here.

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