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    a true classic

    Beloved Houston classical music festival showcasing young stars winds down this weekend

    Steven Devadanam
    Jun 23, 2022 | 5:35 pm
    Texas Music Festival Houston e Immanuel and Helen Olshan Texas Music Festival
    The festival features young, emerging talent.
    Photo courtesy of e Immanuel and Helen Olshan Texas Music Festival

    One of Houston’s most beloved music events is winding down this weekend, offering classical music fans a chance to enjoy burgeoning, top-tier talent.

    The Immanuel and Helen Olshan Texas Music Festival, which runs through June 26 at the University of Houston’s Moores School of Music on the school’s central campus, boasts performances from its Texas Music Festival Orchestral Institute as well as a showcase of piano, organ, harpsichord and fortepiano in its 2022 High School Keyboard Academy event.

    Another highlight is re(Discovery) Week (through June 25), which celebrates works by prominent Black composers — Samuel Coleridge-Taylor and William Dawson — through performance, discussion and appreciation. Fans can look forward to a panel discussion, pre-concert lecture, and concert on June 25. Paired with music and film, this panel will explore “The Fate of Black Classical Music.” Featured appearances include Joseph Horowitz, guest musicologist and author of Dvorak’s Prophecy and the Vexed Fate of Black Classical Music; Anne Lundy, founder of the Scott Joplin Chamber Orchestra; and Lucius R. Wyatt, a retired Prairie View A&M University professor.

    Concert goers can then expect William Dawson’s Negro Folk Symphony (1934), which has not been performed in Houston for more than 30 years, conducted by renowned artistic partner, Mei-Ann Chen.

    Tickets range from $15 to $30 and can be found online or by calling 713-743-3388.

    Founded in 1990, the month-long festival prominently features 80 college, graduate, and young professional players who are between the ages of 18-30. All selected TMF Orchestra Fellows receive fellowships covering tuition and weekly lessons valued around $3,500.

    These fellows study with faculty from the Moores and Shepherd schools of music, Houston Symphony, Houston Grand Opera and Ballet orchestras, and other distinguished orchestras and music schools and conservatories.

    Participants also take master classes with renowned musicians as well as principals and members of the Houston Symphony and other major orchestras, per press materials.

    Immanuel and Helen Olshan launched the festival in hopes of highlighting the considerable classical and jazz talent in Houston, exposing these young stars to the city’s most discriminating ears. The result is a now 32-year tradition and lasting tribute to two passionate supporters of the arts.

    -----

    The Immanuel and Helen Olshan Texas Music Festival; Moores School of Music, 3333 Cullen Blvd., Room 120; through Sunday, June 26. For tickets and more information, visit the festival site.

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    Get inspired

    Noted Houston street artist paints vibrant new mural at downtown venue

    Jef Rouner
    Dec 15, 2025 | 4:29 pm
    GONZO247 poses in front of his new mural, "Houston is Inspired" inside Hobby Center
    Photo courtesy of Hobby Center for the Performing Arts
    GONZO247 poses in front of his new mural, "Houston is Inspired" inside Hobby Center

    Visitors to the Hobby Center for the Performing Arts can now see an incredible new mural by one of Houston's most iconic street artists.Mario Enrique Figueroa, Jr., known as Gonzo247, debuted his piece, "Houston is Inspired" on Friday, December 12.

    “This piece is all about capturing the energy that makes Houston, Houston," said the artist in a statement. "It’s that raw, vibrant hustle — the music, the culture, the stories we’ve been telling for generations. I wanted to create something that pulls people in, gets them hyped for what they’re about to experience. Every color, every shape, every detail is telling a story, a vibe. This ain’t just a mural or a piece of art — it’s a journey. It's about the grind, the growth, and the inspiration we pass on to each other, on and off the stage.”

    The piece is called "Houston is Inspired," after the program at Hobby meant to showcase local performers by offering them week-long residencies on a prestigious stage. This season includes CJ Emmons's one-man comedy musical show I'm Freaking Talented; a rhythmic interactive storytelling experience called Our Road Home by Jakari Sherman; and Lavanya Rajagopalan's combination of music, dance and verse, Kāvya: Poetry in Motion. Information about all three shows, including ticket prices and availability, can be found at TheHobbyCenter.org.

    The last show (debuting May 1) was a particular inspiration to Gonzo247. Viewers may notice a pair of hands in a traditional Indian dance pose, a direct reference to Rajagopalan's show.

    The Houston is Inspired program was launched launched in the 2023-2024 season. In addition to the residency in Zilkha Hall, artists are given a $20,000 stipend for production and marketing costs. It is now a permanent fixture of the Hobby season. Applicants for future seasons can submit here.

    Known for his original "Houston is Inspired" mural in downtown's Market Square, Gonzo247 has been an active force in Houston art for 30 years, including producing the video series Aerosol Warfare about the street art scene in the 1990s and 2000s as well as founding the Graffiti and Street Art Museum. He also served as the artist liaison for Meow Wolf's Houston installation. If anyone's visual vision is perfect to welcome audience members to shows highlighting homegrown talent, it's him.

    “Art’s all about telling stories, but it ain’t just what you see — it’s what you feel," he said. "This piece speaks to the heart of everything we’re about: culture, rhythm, struggle, and triumph. When you walk into the space, you gotta feel the anticipation, the energy building up. That’s what I wanted to capture — the vibe of the whole city, the passion in the work, and that next-level hunger to rise up and create something fresh. It’s like the beat drops, and everything just connects.”

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