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    Difference Maker

    An amazing refugee story of loss, hope and helping others: Yani Rose Keo's operaworthy journey

    Braden Doyle
    Jun 16, 2012 | 6:01 am
    • New Arrivals tells the amazing story of Yani Rose Keo.
    • Yani Rose Keo and her husband on their wedding day.
    • The opera is part of World Refugee Day.

    Entering her office, it's hard to miss the awards, trophies and certificates among the clutter that seems to blanket every inch of space. Yani Rose Keo smiles and her eyes shine as she explains to me what each trophy and award is for, but the item that she is most excited to share with me is a photograph.

    The photograph is propped up against the wall facing her office chair. The photograph is old and starting to yellow. It features her in the center of the picture surrounded by a group of people. She points to the one closest to her and said “This man save my life.”

    The man she points to is my grandfather, Paul Doyle.

    This is a story of the intersection of two remarkable lives and how a shared passion for helping others forever impacted Houston.

    “I never dreamed that one day I would be a refugee myself,” Keo says.

    Yani Rose Keo was born in 1939 to a wealthy Cambodian family. Keo married Saoroth Keo, the director of the country’s railroads, when she was 15 years old.

    Given her affluent lifestyle and place in the Cambodian upper-class, she was able to devote her time to volunteer work and travel. Keo worked with the wives of the prime minister and other high-ranking officials to help refugees in Asia – little did she know that one day she would require the assistance she was offering.

    “I never dreamed that one day I would be a refugee myself,” Keo says.

    On April 4, 1975 Keo was instructed to leave the country. According to Keo, the Cambodians believed that “the Communists would come and make changes” and would not harm the country. For this reason she thought, “We have a private plane, we will come back.”

    Keo left her mother behind, telling her that she was going to Bangkok for a few days. She never saw her mother again. “They killed all of my family because they were educated and high-ranking,” she says of the infamous Cambodian killing fields.

    Without a single possession, Keo and her child boarded a private plane and left Cambodia.

    The private plane had only three passengers aboard. This plane ride became the basis of a new opera. New Arrivals, debuting Saturday as part of Houston’s Grand Opera's East + West Program, takes the audience through the emotional and physical journey experienced by Yani Rose Keo as she fled the Khmer Rouge and made her way to Houston.

    And what a wrenching journey it was.

    Shortly after that initial escape, Keo’s husband decided that he needed to return to his country. He and the prime minister met in Bangkok and went to the airport to board a plane back to Cambodia. After arriving at the airport intending to return to his native country, Saoroth discovered that he did not have his passport.

    “The ambassador said to my husband ‘Brother, you do not have a passport. If you go the police will not allow you to go to the plane,' ” Keo says.

    “I saw the plane my husband was supposed to be on land (in TV reports) and everybody was killed. Then I lost contact with my husband."

    An Unexpected Reunion

    Unbeknownst to Keo, Saoroth did not board the plane. It departed without him.

    Keo joined her four children in Paris and began working as a nurse, channeling her helping spirit into the medical profession. Seven months after she thought her husband was killed in September of 1975, Keo was approached by a doctor who informed her that someone from America was on the phone for her. It was her husband.

    Due to poor translating in the refugee camps, it was believed that Saoroth was a single male and a car mechanic.

    Saoroth Keo had been living in Houston with Paul and Mary Lu Doyle, having moved there after missing his flight. When the plane departed without him, Saoroth was placed in a refugee camp in Thailand. From Thailand, Saoroth traveled to America where he resided in military-organized refugee camps.

    Paul and Mary Lu Doyle had been very involved in Houston charities for years before they welcomed Saoroth into their home in 1975. Paul was the director of Catholic Charities at the time and was contacted by the United States Catholic Charities Conference about the possibility of sponsoring refugees.

    That summer, my uncles Gerald and Kevin Doyle began work on founding the refugee program for Catholic Charities. Once running, the organization was asked to help 35 refugees from the Pendleton refugee camp settle in the Houston area. Catholic Charities was able to find sponsors for 34 of the refugees — all of them except Saoroth Keo.

    Due to poor translating in the refugee camps, it was believed that Saoroth was a single male and a car mechanic. Thinking that housing and assisting a single male would not be too challenging, Paul, Mary Lu and their nine children welcomed him into their home.

    Once settled in the Doyle household, Saoroth informed the Doyle family that, contrary to the profile provided by the refugee camp, he had a wife and children that he wanted to be reunitied with.

    Staying up late one night due the time difference, Kevin placed a long distance call to Paris — using his knowledge of the French language to successfully reach Keo.

    “One day I received a call from Houston, Texas. My boss said somebody from the United States called for me. I said, ‘I hate the world, I’m so angry, I don’t want to talk.’ Then she put the phone by my ear and I heard my husband’s voice," Keo says.

    “My mind thought of the guns, horses and the cowboys and I thought, ‘Why Texas?’ All I knew about Texas was from the movies,” says Keo of learning of her husband’s whereabouts. Keo brought her children to Houston and began work helping fellow Cambodian refugees settle in America.

    Since taking him in, the Doyles had also discovered that Saoroth was not a mechanic, but a civil engineer by trade.

    Paul Doyle helped Saoroth find work as a draftsman at for a small architectural firm owned by a St. Michael’s parishioner, a firm that Saoroth would eventually become a partner at.

    Keo began working for the Houston Independent School District, using her ability to speak different languages to connect with parents. Keo also taught English as a Second Language courses at Houston Community College at night as a way to help other Cambodians settle into America.

    A Calling

    At the end of the summer of 1975, Kevin and Gerald Doyle had to return to the University of Notre Dame — leaving the refugee program without leadership or direction. Two women volunteered to lead the program. One was former Vietnamese refugee Pauline Van Tho. The other was Keo.

    Since then Keo has dedicated her life to helping refugees. After many years in charge of the refugee program at Catholic Charities, Keo decided to create a charity that’s sole purpose was helping refugees. “We sat down and said, ‘We need to organize one non-profit organization for refugees,’ ” she says.

    “I went through so much that I know what they need. I know how to rebuild a life," Keo says.

    Thus, her organization, Alliance for Multicultural Community Services, was born. Alliance is now the largest program in the area helping refugees. It is distinct in its inclusive nature; assisting refugees from both Asia and Africa. Keo believes that there should be no discrimination, and her beliefs are reflected in the diverse cultures and people that she helps on a daily basis.

    Alliance helps refugees in every aspect of their lives. The organization works to find them jobs, housing, and even takes the refugees to the Department of Public Services to help them get driver’s licenses.

    Keo also helps teach refugees how to farm and run their own business. After the refugees spend a year training, Keo encourages them to buy their own land and to become entrepreneurs.

    The pride in her voice was evident as she showed me posters of her latest venture — helping Bhutanese farmers learn how to start their own farms in Texas.

    “I went through so much that I know what they need. I know how to rebuild a life," Keo says.

    The Keo and the Doyle family will intersect once again this weekend, this time in attendance at the New Arrivals opera.

    In the performance on Saturday, Keo will be portrayed by Mihoko Kinoshita, a Japanese Opera singer who is being flown in from New York. Kinoshita has performed in Madama Butterfly, Verdi’s Requiem, Don Giovanni, La Boheme, Un Ballo in Maschera, Il Trovatore, Il Tabarro, La Traviata, Carmen and Turnadot.

    The Opera was composed John Glover and written by Catherine Filloux, an award-winning playwright and human rights activist.

    New Arrivals will be performed for free at the Baker-Ripley Neighborhood Center, Rothko Chapel, and Asia Society Texas Center.

    The opera serves as a conclusion to the week-long celebration of Houston’s diverse culture and population. The city hopes to raise public awareness about the difficulties facing refugees and to encourage people to join in the effort to help refugees settle in Houston with World Refugee Week.

    The week-long festivities, launched by Mayor Annise Parker in conjunction with a coalition of refugee services citywide, kicked off with the showing of Welcome to Shelbyville at the Houston Public Library.

    A Young Professionals Mixer was also held at the Nouveau Antique Art Bar to encourage refugees to enter the professional world.

    More than 20 organizations were in attendance at the resource fair, a place for refugees to seek help in settling in Houston. Catholic Charities, Interfaith Ministries, YMCA International and the Houston Food Bank are just a few of the groups that reached out to give a hand.

    Houston Grand Opera will peform New Arrivals five times:
    1 p.m. Saturday at the World Refugee Day Festival at the Baker Ripley Neighborhood Center
    4 p.m. Sunday in Rothko Chapel
    7 p.m. Tuesday at Baker Ripley
    7:30 p.m. June 22 and 2 p.m. June 23 at the Asia Society Texas Cen
    ter

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    Best March Art

    9 new art museum and gallery exhibits opening in Houston this month

    Tarra Gaines
    Mar 9, 2026 | 6:00 pm
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and
plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the
Caroline Wiess Law Accessions Endowment Fund
    © 2020 Ernesto Neto / photograph by Albert Sanchez
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund

    As spring returns so does a flowering of biannual, annual, and biennial art festivals and events this month. Art blooms indoors in Houston's favorite museums but also on the city's streets, parks, and even waterways. Lots of immersive art invites viewers to journey into the picture.

    The Museum of Fine Arts, Houston gets contemplative, and the Menil Collection displays some rare recent gifts. If that’s not enough art for one month, FotoFest celebrates a big anniversary, and the yearly “Night Light” art party heads downtown.

    “Global Visions – FotoFest at 40” programming across Houston (March)
    Marking four decades of photographic arts and education programming in Houston, this 2026 FotoFest looks back on key works and themes from the 20 previous biennials between 1986 and 2024. With participating art galleries and museums around the city offering special photography exhibitions over the next several month, FotoFest will feature more than 450 artists from the United States and 58 countries. Curated by FotoFest co-founder and former artistic director Wendy Watriss and FotoFest executive director Steven Evans, with co-curators Annick Dekiouk and Madi Murphy, “Global Visions” will explore some of the previous festival themes including geography, identity, war, ecology, and social change, while also celebrating FotoFest’s global reach and impact. Look for auctions, tours, conversations, art walks, and workshops as part of the programming.

    “Buddha/Nature: Five Dialogues on a Shared World” at the Museum of Fine Arts, Houston (now through May 10)
    Ancient and contemporary art converse in this extraordinary new exhibition at the MFAH that explores key teachings of Buddhism centered on how we engage with the natural world. The exhibition is organized crossed five thematically focused galleries, including Samsara, Impermanence, Karma, Compassion, and Awakening. Each gallery features one of five ancient Buddhist sculptures from the Xuzhou Collection, a private collection of Buddhist masterpieces, along with works by international and Texas contemporary artists.

    “This exhibition brings ancient Buddhist sculptures into dynamic dialogue with contemporary art,” explains Hao Sheng, consulting curator to the MFAH and organizing curator of the exhibition. “These sacred objects take on new resonance when paired with modern works that explore fundamental questions about existence and harmony. As we witness shifts in our natural environment, we are invited to reflect on the impact of our collective choices in order to achieve a deeper understanding of our place within a changing world.”

    “Blooming Wonders: A Celebration of Spring” at Artechouse (now through May 31)
    The Houston venue that acts as a greenhouse for art, science, and technology to grow together, Artechouse, brings back this hit exhibition from last year.To explore themes of growth, renewal, and sustainability, “Bloom wonders” showcases several dynamic installations, including “PIXELBLOOM: Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. In another immersive space, “BloomFall: Through the Infinite” guests enter an mirrored infinity room full of shifting floral dimensions. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” invites visitors to sculpt new forms using clay and a little help from an AI program.

    “Ernesto Neto: SunForceOceanLife” at the Museum of Fine Arts, Houston (now-September 7)
    Immersive art gets elevated as the MFAH brings back this commissioned installation that had museum goers walking on air. Looking something like a giant starfish or spiral galaxy from underneath, Ernesto Neto’s singular work floats above almost the entirety of Cullinan Hall in the Caroline Wiess Law Building. One of the largest crochet works to date by Neto, the sculpture consists of yellow, orange, and green materials hand-woven into a myriad of patterns and sewn together in a spiral formation. Visitors can enter this rising labyrinth and wander through different sections filled with soft, plastic balls underfoot that move with each step. Once they reach the center of work, they might pause to view the piece from within the art and reflect on their own journey through “SunForceOceanLife.”

    “Ernesto Neto created this site-specific piece as a tribute to the life-giving forces of the sun and the ocean. Inspired by crochet, which he learned from his grandmother, the piece transforms this traditional Brazilian craft into a massive, enveloping structure that engages the body and the mind,” remark Mari Carmen Ramírez, Wortham Curator of Latin American Art on the return of the monumental installation.

    True North 2026 along Heights Boulevard (now through December)
    Once again, art grows on the Height Boulevard esplanade with this annual outdoor sculpture exhibition sponsored and partnered by the nonprofit Houston Heights Association. The outdoor show features the latest work of some stellar Texas and Houston artists, including Hans Molzberger, Suzette Mouchaty, James D. Phillips, Roger Colombik, Mark Nelson, Robbie Barber, Jim Robertson, Keith Crane/Damon Thomas. Since the artists don’t always install their sculptures on the same days, True North is always an artful excuse to make time for a walk along the boulevard to see what new work has popped up. This beloved tradition is once again thanks to an all-volunteer team, along with the Houston Heights Association in cooperation with the City of Houston Parks and Recreation and Public Works Departments and the Houston Mayor’s Office of Cultural Affairs.

    "Rebel Girl" and “The Vanguard” at Houston Center for Photography (March 12-April 12)
    Just a few days after International Women’s Day, HCP continues their historic commitment to championing women’s photographic careers as they present two exhibition exploring the complexities of female identity. “Rebel Girl” exhibits the work of Luisa Dörr, Selina Román, and Jo Ann Chaus, artists whose work challenges convention while questioning stereotypes and illuminating the evolving roles and perceptions of women today. For “The Vanguard,” HCP executive director, Anne Leighton Massoni, went through their archives and selected the work of 20 trailblazing women who exhibited at HCP within its first 20 years. Taken together their work illustrate the diversity of women’s artistic visions and creativity.

    “The Gift of Drawing: Cy Twombly” at the Menil Collection (March 27-August 9)
    Perhaps as a nod to the Menil Collection being the home of the only permanent retrospective exhibition of 20th century pioneering artist, Cy Twombly’s, work, last year the Cy Twombly Foundation made an extraordinary gift of 121 of Twombly’s drawings to the institute. Now art lovers around the world will get to see some of that landmark gift, as the Menil Drawing Institute presents this exhibition featuring 30 of those works. Covering three decades of the artist’s activity, from the 1950s to the 1980s, the show will feature work created by Twombly’s use of a broad range of materials, from graphite to oil paint; techniques such as drawing and collage; and themes that are fundamental to his entire practice, such as classical antiquity, eroticism, and nature. Some highlight of the exhibition will be a series of lush and unrestrained landscapes from 1986 that verge on pure abstraction; two untitled works from 1970 that are related to the artist’s “blackboard paintings” on view in Cy Twombly Gallery; and Narcissus, 1975, a collage of paper, with oil, charcoal, and wax crayon on paper. None of these works have been exhibited in the U.S. before.

    “Night Light” at Allen’s Landing at Buffalo Bayou Park (March 28)
    The annual free festival of video art along Buffalo Bayou moves west this year from its usual setting along the industrial and residential landscapes of the Buffalo Bayou East trails to Allen’s Landing in downtown Houston. The concrete bridges and underbellies of the major city freeways that emerge from watery bayou depths become the canvases for three site-specific installations from some of Houston most innovative video and multidisciplinary artists. Co-presented by the Aurora Picture Show and Buffalo Bayou Partnership “Night Light” puts the spotlight on new works from artist, designer, and engineer, Corey De’Juan Sherrard Jr.; video, installation, and performance artist and Rice professor, Kenneth Tam; and award winning collaborative duo Hillerbrand+Magsamen. And it wouldn’t be an outdoor Houston event of any kind without food, so expect a lively night artisan market hosted by East End District and BLCK Market at East River featuring local vendors and food trucks plus tunes from DJ Gracie Chavez.

    Bayou City Art Festival Downtown at Sam Houston Park (March 28-29)
    Downtown Houston continues to sprout art everywhere, as the last weekend in March also heralds the biannual Bayou City Art Fest in Sam Houston Park. Showcasing art from 250 creators from around the country, the festival always brings a wide selection of paintings, prints, jewelry, sculptures, and functional art at all price levels. Fest goers also have the opportunity to meet the art makers and hear the stories behind the art. This year’s featured artists is Lijah Hanley, a digital photographer from Vancouver, WA who first found his place behind a camera lens when he was 13. Along with a day of art, a ticket includes live music all day long on two stages, roaming performers, exciting kids areas with interactive crafts, and culinary arts demonstrations.

    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and\nplastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the\nCaroline Wiess Law Accessions Endowment Fund
    © 2020 Ernesto Neto / photograph by Albert Sanchez
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
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