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    public meets private

    Menil picks Los Angeles architects Johnston Marklee to design new DrawingInstitute

    Tyler Rudick
    Jun 7, 2012 | 4:17 pm
    • Founded in Los Angeles by Mark Lee and Sharon Johnston in 1998, Johnston Markleehas made a name for itself with a deep dedication to architectural history andtheory.
    • View House, Rosario, Argentina, 2009.
      TopBoxDesign.com
    • Hill House, Pacific Palisades, CA, 2004.
      ArchiCentral.com
    • After several years of searching for an architecture firm to take on its newMenil Drawing Insitute, Menil officials announced this week that JohnstonMarklee will lead the design project.
      Courtesy photo

    Marking the 25th anniversary of the Menil Collection's public debut, museum trustees have announced their unanimous decision to select Los Angeles architecture firm Johnston Marklee as the designers of the new Menil Drawing Institute (MDI).

    Board members and museum officials packed into the lobby of the Menil library in late May for two days of presentations from the four finalists announced in April: Pritzker Prize-winners Sanaa, Menil master plan designers David Chipperfield Architects, the quickly-emerging Mexican firm of Tatiana Bilbao and, finally, Johnston Marklee, a relatively lesser-known architecture team with a deep commitment to architectural history and theory.

    "It may have been two of the greatest days of my professional career," Menil director Josef Helfenstein told CultureMap in a phone interview. "All four firms showed an impressive understanding of the subtle balance between public and private life on the campus, not to mention a deep respect for the museum's history."

    "This is a huge institutional moment for us," said Menil director Josef Helfenstein. " We were unbelievably thrilled when they arrived with this completely innovative proposal to create an intimate new facility."

    During final deliberations with the board of trustees, Johnston Marklee distinguished itself with a refined approach to the scale and landscape of the museum campus as well as a forward-thinking consideration of how delicate works on paper can be displayed with regard to the bright Houston sun.

    "This is a huge institutional moment for us," said Helfenstein. "There has never been a building designed specifically for modern and contemporary drawings. We were unbelievably thrilled when they arrived with this completely innovative proposal to create an intimate new facility."

    On the horizon

    After founding their semi-eponymous firm in 1998, architects Sharon Johnston and Mark Lee and have established themselves as a leaders in technical innovation with projects like the Hill House — a residential design placed along a 47-degree slope in Pacific Palisades — and a fully up-cycled "green" gas station in the heart of car-centric Los Angeles. Other works like the View House in Argentina stand as a testament to the firm's penchant for modernist reinvention.

    The firm presented a single-story structure built around a trio of open courtyards, two of which would serve as entry points at either end of the building. A dedicated research area wraps around the third courtyard. A "living room" space would be situated at the center of the MDI to provide a casual and intimate zone of interaction for staff, scholars and the public.

    Just off this central common area, the drawing institute's exhibition gallery — like the Renzo Piano buildings that house the Menil's main collection and Cy Twombly holdings — is proposed to be lit from above by a highly-controlled system of reflected natural daylight.

    "One of the major challenges of this project is the sensitivity of the materials to light," Mark Lee told CultureMap from the firm's LA headquarters. "On the other hand, you have to take into account the gradations of light as one moves from the outdoors to the indoor. The proposal calls for a gradual progression so you don't feel like your suddenly in the dark, producing a so-called 'matinee effect.'"

    "There's a relation between architecture and open space that's tremendously important to the campus' rich tapestry of residential and institutional buildings," said Johnston Marklee co-founder Sharon Johnston.

    "There's a relation between architecture and open space that's tremendously important to the campus' rich tapestry of residential and institutional buildings," explained Sharon Johnston.

    "Philip Johnson's original house for Dominique de Menil (on San Felipe in River Oaks) was essential to us in that it provides a kind of DNA found in Renzo Piano's designs and throughout the campus, particularly in the way domestic scale and courtyards factor into the overall visitor experience."

    Details of the project, such as building materials and a site selection, are expected to emerge this summer as Lee and Johnston begin their collaborative meetings with the museum's architecture committee. Helfenstein stressed that the selection of Johnston Marklee has never been about choosing a specific design, but rather about establishing an architectural working relationship.

    "Sharon and Mark take this very holistic approach to the project," he said. "Buildings need to come from their surroundings and this idea couldn't be more true for the Menil campus. The MDI has to be philosophically part of this family of buildings here. Johnston Marklee completely got it. Their point of departure into something new is just right."

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    untitled art 2026

    Prestigious contemporary art fair returns to Houston for 2026

    Holly Beretto
    Apr 9, 2026 | 12:30 pm
    Untitled Art entry way
    Courtesy of World Red Eye
    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

    A prestigious contemporary art fair is coming back to the Bayou City. Untitled Art, Houston returns this October for its second edition. To mark the occasion and kick off plans, the show commissioned two artist projects that will be unveiled this weekend at the 39th annual Art Car Parade on Saturday, April 11 in downtown Houston.

    The art show will be held at the George R. Brown Convention Center October 2 to 4. An invitation-only VIP and Press Preview will take place on Thursday, October 1.

    Houston was the organization’s first expansion from its home base in Miami. When the show arrived in the city last fall, it showcased the works of contemporary artists from Houston, other parts of Texas, and around the world.

    Houstonians showed lots of enthusiasm for last year’s inaugural fair. The organization reported that several galleries reported six-figure sales and sold-out booths, and leaders from the Museum of Fine Arts, Houston, The Menil Collection, and Contemporary Arts Museum Houston were in attendance all weekend.

    This year, the show promises to be even more dynamic, with programming that includes live podcast recordings, panel discussions, culinary activations, and artist-led projects with an emphasis on embedding the fair within Houston’s civic and cultural fabric. Show attendees can expect an international roster of galleries alongside collectors, curators, and artists increasingly attuned to Houston’s evolving position as both a cultural gateway to Latin America and a substantial force in the international art scene.

    “Houston has proven to be a vital artery for the contemporary art market, blending a deep institutional history with a bold, global future,” Jeffrey Lawson, founder of Untitled Art, said in a statement. “We are thrilled to return and deepen our commitment to the city’s creative community.”

    Beyond the exhibits at the show, Untitled Art has made a commitment to helping ensure art and art collecting is accessible to the larger community. Last year, programming events took place all over the the city, with private collection visits, studio tours with artists, and guided engagements at institutions such as the Museum of Fine Arts, Houston, The Menil Collection, Contemporary Arts Museum Houston, and Asia Society Texas Center, in collaboration with more than two dozen cultural partners.

    This year’s Art Car entry marks the first of its kind for the organization. Untitled Art commissioned collaborations with ascendant emerging Los Angeles-based artists Aryo Toh Djojo and Mario Ayala. Ayala's exhibition Seven Vans is currently on view at the Contemporary Arts Museum Houston.

    “Houston continues to assert itself as a cultural capital of the South, and the inaugural edition confirmed that there is a serious and attentive audience invested in contemporary art from local, national, and international dealers alike," said Michael Slenske, director of Untitled Art, Houston.

    Information about ticket sales will be available closer to the opening.

    Untitled Art entry way
    Courtesy of World Red Eye

    Untitled Art, the acclaimed contemporary art fair, returns to Houston this October.

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