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    Monet Mania

    Another art coup for Houston: Blockbuster new MFAH exhibit is sure to leave an impression

    Elizabeth Rhodes
    May 31, 2014 | 11:27 am

    After the wildly successful Age of Impressionism exhibition, the Museum of Fine Arts, Houston is preparing to celebrate another master of Impressionism.

    "Our visitors clearly loved The Age of Impressionism, since it proved to be one of the best-attended of our recent exhibitions," MFAH director Gary Tinterow says.

    The past exhibition, comprised of the Sterling and Francine Clark Art Institute's incredible holdings of pieces from Manet, Degas, Renoir and the like, has led the museum to host the works of another incredible Impressionist — Claude Monet.

    The collection offers people the opportunity to get up close and personal with pieces many have only seen reproduced.

    The upcoming exhibition, Monet and the Seine: Impressions of a River, which begins on Oct. 26, will highlight Monet's fascination with the iconic French waterway. With more than 50 paintings on loan from museums, galleries and private collections from around the world, the exhibition accurately conveys Monet's love of the river, featured in works spanning his entire career.

    Whether as the focal point of the work or simply as the background for cityscapes or scenes of leisure and modern life, understanding Monet's love of the Seine is integral to fully grasping his identity as an artist.

    While the Monet exhibition doesn't open for a few months, the Magritte: The Mystery of the Ordinary exhibition at the Menil Collection finishes on Sunday. The collection features Belgian surrealist René Magritte's works from the early part of his career, specifically from 1926 to 1938. The exhibition features approximately 80 paintings, collages and objects, as well as a selection of photographs, periodicals and early commercial works, illustrating Magritte's formative years as an artist.

    As a collaboration between the Menil Collection, the Art Institute of Chicago and the Museum of Modern Art, the comprehensive collection offers people the opportunity to get up close and personal with pieces many have only seen reproduced, including The Treachery of Images ("Ceci n'est pas une pipe").

    If you can't make it to the Menil Collection by Sunday, Memories of a Voyage: The Late Work of René Magritte, which includes pieces such as The Dominion of Light, will be on display through July 13.

    Claude Monet, The Seine at Giverny, 1885, oil on canvas, Museum of Art, Rhode Island School of Design, Providence, Museum Appropriation Fund.

    MFAH Claude Monet May 2014 - The Seine at Giverny
    Photo courtesy of Museum of Fine Arts, Houston
    Claude Monet, The Seine at Giverny, 1885, oil on canvas, Museum of Art, Rhode Island School of Design, Providence, Museum Appropriation Fund.
    unspecified
    news/arts

    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

    houston balletbusiness
    news/arts

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