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    The CultureMap Interview

    Glee star jets into Houston for the Symphony's Centennial Ball, dishes on his wedding & lucky boots

    Joel Luks
    May 16, 2014 | 12:04 pm

    There was a time when the name of Glee character Will Schuester was more familiar to the public than the actor who portrayed him. Perhaps for some that's still the case. But you really can't blame anyone for that.

    Whether it's because viewers strongly relate to having one educator who helped shape their identities or because they wished they had such a positive role model in their lives, Mr. Schue is an archetype who inspires fans to follow their dreams.

    But the man who plays Mr. Schue is more than a symbol. Actor, dancer, musician and singer-songwriter Matthew Morrison is slated to headline the Houston Symphony's "Centennial Ball," scheduled for Saturday at Jones Hall. The fundraiser, chaired by Cora Sue and Harry Mach and Joella and Steven Mach, is a white-tie event that celebrates the curtain call of the orchestra's 100th anniversary season.

    Ahead of the glitzy musicale, CultureMap chatted with Morrison over the phone to learn more about his journey in show biz.

    CultureMap: We love Mr. Schue because he reminds us of that one high school teacher who really believed in us. Curious, did you have a role model like Mr. Schue growing up?

    Matthew Morrison: I actually did. My teacher, his name was Mr. Doran, was my ninth grade English teacher. He's an enthusiastic guy — I don't know if he taught me how to use a comma — but you couldn't help being captivated by him. He owned the room, had an infectious attitude and you could tell he loved teaching, and that's why he made you love being a student in his class. He made you feel like you wanted to be there because he obviously wanted to be there.

    I went to his classroom one day after I got Glee and said to him, "I am basing a lot of my character on you, and I would like to take something from your classroom to bring into my choir room." It's in probably almost every episode of Glee when you see the choir room. It's a porcelain wiener dog, a plant holder or something, that we switch around and put in different places. It's my homage to Mr. Doran.

    CM: What's the most important value he imparted in you?

    I think what I learned most from Cory was the power of dedication. He was so dedicated to getting better every single day.

    MM: To enjoy live. That was in him. His thing was carpe diem, and that's something that was instilled in me.

    CM: I'd like to think that everyone with whom we cross paths influences us in someway. Cory Monteith's death was tragic, a loss that affected everyone. What did you learn from Cory?

    MM: When we started Glee, Cory was our biggest project. He was the person who we didn't know would work because he hadn't sung before professionally. He was kind of the question mark.

    I think what I learned most from Cory was the power of dedication. He was so dedicated to getting better every single day. Throughout the years, I, as someone who was with him everyday, saw that growth. As a viewer you saw that, too, in his character, in his performance. I was really proud of him.

    He would have been a lifelong friend for me. He was probably the person whom I was most close to in the show. It was a tragic loss — for everyone.

    CM: Do you have a favorite Glee episode or one you watch the most?

    MM: I think I watch the pilot episode more than others probably because it was the first one out. You see a script, and we thought it was a good script, but we didn't know what it was going to evolve into. After a couple of screenings, we would get together at someone's house and watch it. We would take a dinner break and watch it again. We couldn't believe how it turned out. It was so amazing and beautiful. It really set the tone for the rest of the series.

    CM: How did you land the part of Mr. Schue in the first place?

    MM: I was doing South Pacific on Broadway at the time, and I just put myself on tape. The producer saw it, they auditioned me in New York and I guess they really liked me. They flew me out to Los Angeles and I got the part. Luckily, South Pacific was good enough to let me out for a month to shoot the pilot. And that's how it happened.

    I try to emulate the classic look of Frank Sinatra, Gene Kelly and Sammy Davis.

    CM: I hear there was lucky footwear involved. Is that true?

    MM: Ryan Murphy (Glee co-creator) is really into fashion. He was admiring my boots, a pair of beat up old motorcycle boots that he just absolutely loved. When I came into the audition, it wasn't about me. It was about the boots. We had a 15 minute conversation before I even got to audition.

    CM: For your shows, you seem to pull off the classic look of the 1960s. Where do you shop?

    MM: I do classic American standards. So I try to emulate the classic look of Frank Sinatra, Gene Kelly and Sammy Davis. Those are the people that I look to for style, but I put my own twist on it and modernize it with a bow tie or a little accessory that changes a whole outfit.

    For my shows, I love Brooks Brothers. They've been around for a long time; they were around in that period. It's a classic American company. Especially in the past two years, because they did the Great Gatsby movie, they have many great pieces.

    CM: From your albums and singles, what's the song that has the most personal meaning for you?

    MM: There's a song called "My Name." It's a very personal song that I wrote with this English guy named Eg White. The song represents what I was going through at the time. It was a time when I would walk down the street and people would yell, "Mr. Schue, Mr. Schue!" That's how people identified me. No one really knew my name.

    CM: Are wedding plans still on for next year? Where are you and Renee Puente getting married?

    MM: They sure are. We've had a great time doing it, too. You hear all these horror stories about wedding planning, but we have this great wedding planer, his name is Kevin Covey. He's done a lot of weddings nationally and he's someone who's made life really easy for us. It's going to be a very small wedding in Hawaii.

    I wanted to take a departure from Mr. Schuester. He's a dark character, a guy who's been running away from life.

    CM: I hear you're about to start filming a new movie?

    MM: That is true! It's called After the Reality. It's a script that I came across and I wanted to do it. I decided to executive produce it as well as star in it. It's a great indie flick. I've put a lot of work into reworking scenes.

    For my role, I wanted to take a departure from Mr. Schuester. He's a dark character, a guy who's been running away from life. He and his sister, who's played by a great actress, Sarah Chalke, they are dealing with the death of their father so they have to come back home and rekindle things with their family. It's a great movie with a lot of twists and turns. We've assembled a great cast so expect a lot of fun cameos in it.

    CM: What do you have planned for your Houston Symphony performance?

    MM: I will be finishing up a long day on Friday with the movie and flying just in time for Saturday. I am excited also because Steven Reineke is conducting. He's someone with whom I just worked a couple of weeks ago for my Carnegie Hall debut. He's a fantastic conductor. He's already familiar with a lot of my songs, but I am going to throw in a few new songs that I haven't done before as well.

    CM: Have you been to Houston before?

    MM: My dad and I took a road trip years ago from New York to California. We drove through Houston but didn't stop there. Unfortunately I have to fly in and fly out.

    CM: If you can, get in some barbecue while you are here.

    MM: I will do that. Sounds like a great plan.

    ___

    Matthew Morrison will star in the Houston Symphony's Centennial Ball, set for 6 p.m. Saturday at Jones Hall. Individual tickets start at $3,000 and be purchased by calling 713-238-1485 or by emailing specialevents@houstonsymphony.org. Doors to Jones Hall open at 6 p.m.; the performance begins at 7 p.m., with no late seating. An after party starts at 10:30 p.m.

    Actor, dancer, musician and singer-songwriter Matthew Morrison is better known as Will Schuester from Glee.

    Matthew Morrison
    Courtesy of the artist
    Actor, dancer, musician and singer-songwriter Matthew Morrison is better known as Will Schuester from Glee.
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    Best March Art

    9 new art museum and gallery exhibits opening in Houston this month

    Tarra Gaines
    Mar 9, 2026 | 6:00 pm
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and
plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the
Caroline Wiess Law Accessions Endowment Fund
    © 2020 Ernesto Neto / photograph by Albert Sanchez
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund

    As spring returns so does a flowering of biannual, annual, and biennial art festivals and events this month. Art blooms indoors in Houston's favorite museums but also on the city's streets, parks, and even waterways. Lots of immersive art invites viewers to journey into the picture.

    The Museum of Fine Arts, Houston gets contemplative, and the Menil Collection displays some rare recent gifts. If that’s not enough art for one month, FotoFest celebrates a big anniversary, and the yearly “Night Light” art party heads downtown.

    “Global Visions – FotoFest at 40” programming across Houston (March)
    Marking four decades of photographic arts and education programming in Houston, this 2026 FotoFest looks back on key works and themes from the 20 previous biennials between 1986 and 2024. With participating art galleries and museums around the city offering special photography exhibitions over the next several month, FotoFest will feature more than 450 artists from the United States and 58 countries. Curated by FotoFest co-founder and former artistic director Wendy Watriss and FotoFest executive director Steven Evans, with co-curators Annick Dekiouk and Madi Murphy, “Global Visions” will explore some of the previous festival themes including geography, identity, war, ecology, and social change, while also celebrating FotoFest’s global reach and impact. Look for auctions, tours, conversations, art walks, and workshops as part of the programming.

    “Buddha/Nature: Five Dialogues on a Shared World” at the Museum of Fine Arts, Houston (now through May 10)
    Ancient and contemporary art converse in this extraordinary new exhibition at the MFAH that explores key teachings of Buddhism centered on how we engage with the natural world. The exhibition is organized crossed five thematically focused galleries, including Samsara, Impermanence, Karma, Compassion, and Awakening. Each gallery features one of five ancient Buddhist sculptures from the Xuzhou Collection, a private collection of Buddhist masterpieces, along with works by international and Texas contemporary artists.

    “This exhibition brings ancient Buddhist sculptures into dynamic dialogue with contemporary art,” explains Hao Sheng, consulting curator to the MFAH and organizing curator of the exhibition. “These sacred objects take on new resonance when paired with modern works that explore fundamental questions about existence and harmony. As we witness shifts in our natural environment, we are invited to reflect on the impact of our collective choices in order to achieve a deeper understanding of our place within a changing world.”

    “Blooming Wonders: A Celebration of Spring” at Artechouse (now through May 31)
    The Houston venue that acts as a greenhouse for art, science, and technology to grow together, Artechouse, brings back this hit exhibition from last year.To explore themes of growth, renewal, and sustainability, “Bloom wonders” showcases several dynamic installations, including “PIXELBLOOM: Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. In another immersive space, “BloomFall: Through the Infinite” guests enter an mirrored infinity room full of shifting floral dimensions. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” invites visitors to sculpt new forms using clay and a little help from an AI program.

    “Ernesto Neto: SunForceOceanLife” at the Museum of Fine Arts, Houston (now-September 7)
    Immersive art gets elevated as the MFAH brings back this commissioned installation that had museum goers walking on air. Looking something like a giant starfish or spiral galaxy from underneath, Ernesto Neto’s singular work floats above almost the entirety of Cullinan Hall in the Caroline Wiess Law Building. One of the largest crochet works to date by Neto, the sculpture consists of yellow, orange, and green materials hand-woven into a myriad of patterns and sewn together in a spiral formation. Visitors can enter this rising labyrinth and wander through different sections filled with soft, plastic balls underfoot that move with each step. Once they reach the center of work, they might pause to view the piece from within the art and reflect on their own journey through “SunForceOceanLife.”

    “Ernesto Neto created this site-specific piece as a tribute to the life-giving forces of the sun and the ocean. Inspired by crochet, which he learned from his grandmother, the piece transforms this traditional Brazilian craft into a massive, enveloping structure that engages the body and the mind,” remark Mari Carmen Ramírez, Wortham Curator of Latin American Art on the return of the monumental installation.

    True North 2026 along Heights Boulevard (now through December)
    Once again, art grows on the Height Boulevard esplanade with this annual outdoor sculpture exhibition sponsored and partnered by the nonprofit Houston Heights Association. The outdoor show features the latest work of some stellar Texas and Houston artists, including Hans Molzberger, Suzette Mouchaty, James D. Phillips, Roger Colombik, Mark Nelson, Robbie Barber, Jim Robertson, Keith Crane/Damon Thomas. Since the artists don’t always install their sculptures on the same days, True North is always an artful excuse to make time for a walk along the boulevard to see what new work has popped up. This beloved tradition is once again thanks to an all-volunteer team, along with the Houston Heights Association in cooperation with the City of Houston Parks and Recreation and Public Works Departments and the Houston Mayor’s Office of Cultural Affairs.

    "Rebel Girl" and “The Vanguard” at Houston Center for Photography (March 12-April 12)
    Just a few days after International Women’s Day, HCP continues their historic commitment to championing women’s photographic careers as they present two exhibition exploring the complexities of female identity. “Rebel Girl” exhibits the work of Luisa Dörr, Selina Román, and Jo Ann Chaus, artists whose work challenges convention while questioning stereotypes and illuminating the evolving roles and perceptions of women today. For “The Vanguard,” HCP executive director, Anne Leighton Massoni, went through their archives and selected the work of 20 trailblazing women who exhibited at HCP within its first 20 years. Taken together their work illustrate the diversity of women’s artistic visions and creativity.

    “The Gift of Drawing: Cy Twombly” at the Menil Collection (March 27-August 9)
    Perhaps as a nod to the Menil Collection being the home of the only permanent retrospective exhibition of 20th century pioneering artist, Cy Twombly’s, work, last year the Cy Twombly Foundation made an extraordinary gift of 121 of Twombly’s drawings to the institute. Now art lovers around the world will get to see some of that landmark gift, as the Menil Drawing Institute presents this exhibition featuring 30 of those works. Covering three decades of the artist’s activity, from the 1950s to the 1980s, the show will feature work created by Twombly’s use of a broad range of materials, from graphite to oil paint; techniques such as drawing and collage; and themes that are fundamental to his entire practice, such as classical antiquity, eroticism, and nature. Some highlight of the exhibition will be a series of lush and unrestrained landscapes from 1986 that verge on pure abstraction; two untitled works from 1970 that are related to the artist’s “blackboard paintings” on view in Cy Twombly Gallery; and Narcissus, 1975, a collage of paper, with oil, charcoal, and wax crayon on paper. None of these works have been exhibited in the U.S. before.

    “Night Light” at Allen’s Landing at Buffalo Bayou Park (March 28)
    The annual free festival of video art along Buffalo Bayou moves west this year from its usual setting along the industrial and residential landscapes of the Buffalo Bayou East trails to Allen’s Landing in downtown Houston. The concrete bridges and underbellies of the major city freeways that emerge from watery bayou depths become the canvases for three site-specific installations from some of Houston most innovative video and multidisciplinary artists. Co-presented by the Aurora Picture Show and Buffalo Bayou Partnership “Night Light” puts the spotlight on new works from artist, designer, and engineer, Corey De’Juan Sherrard Jr.; video, installation, and performance artist and Rice professor, Kenneth Tam; and award winning collaborative duo Hillerbrand+Magsamen. And it wouldn’t be an outdoor Houston event of any kind without food, so expect a lively night artisan market hosted by East End District and BLCK Market at East River featuring local vendors and food trucks plus tunes from DJ Gracie Chavez.

    Bayou City Art Festival Downtown at Sam Houston Park (March 28-29)
    Downtown Houston continues to sprout art everywhere, as the last weekend in March also heralds the biannual Bayou City Art Fest in Sam Houston Park. Showcasing art from 250 creators from around the country, the festival always brings a wide selection of paintings, prints, jewelry, sculptures, and functional art at all price levels. Fest goers also have the opportunity to meet the art makers and hear the stories behind the art. This year’s featured artists is Lijah Hanley, a digital photographer from Vancouver, WA who first found his place behind a camera lens when he was 13. Along with a day of art, a ticket includes live music all day long on two stages, roaming performers, exciting kids areas with interactive crafts, and culinary arts demonstrations.

    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and\nplastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the\nCaroline Wiess Law Accessions Endowment Fund
    © 2020 Ernesto Neto / photograph by Albert Sanchez
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
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