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    welcome home, tuts

    Houston's musical theater masters showcase dynamic new can't-miss season

    Tarra Gaines
    May 12, 2021 | 11:42 am

    With Broadway scheduled to reopen in September, Houston’s own major musical producer, Theatre Under the Stars, has just announced its revised 2021-2022 lineup. The Homecoming season will bring their audiences back to the Hobby Center for the first time in over a year.

    For those who had already signed up for the motley crew season of ’80s rockers, sea creatures, and hospitable singing Canadians don’t worry, many of the dazzling shows that were scheduled for last year have been moved to the coming season.

    Due to delays in its New York opening, the pre-Broadway tour of the 1776 revival will not make it to Houston, so as a musical treat, TUTS has added the fan favorite addition, Jersey Boys who will be working their way back to us next spring.

    “With increased access to vaccinations, we are feeling confident that we’ll be able to launch our season this October,” describes TUTS artistic director Dan Knechtges in a statement about the revised lineup and coming season. “We’re also thrilled to offer Houston audiences the true-life musical phenomenon, Jersey Boys. This is a show we often get requests for, and we’re excited to include it in this celebratory season.”

    So for those who never stopped believing TUTS would be back, this season’s for you.

    Rock of Ages (October 5 - 17)
    There’s jukebox musicals and then there’s Rock of Ages. This ’80s nostalgia love story between a LA rockstar wannabe and starry eyed Kansas girl lets all the fun melodrama loose to the music and lyrics of REO Speedwagon, Pat Benatar , Twisted Sister, Bon Jovi, Styx, and Journey.

    Jessica Hartman, who has designed the choreography for several recent TUTS shows will choreograph and direct this one.

    Sister Act (November 2-14)
    Based on the blockbuster Whoopi Goldberg film, Dan Knechtges will direct and choreograph this musical based on the blockbuster Whoopi Goldberg film, a TUTS premiere.

    Houston’s own Simone Gundy (NBC’s The Voice , TUTS Memphis) gets into a TUTS habit as Sister Mary Clarence, a.k.a nightclub singer Deloris Van Cartier, who must go into divine witness protection after witnessing a murder. She soon finds the music spirit as part of the convent choir.

    Disney’s Little Mermaid (December 7-24)
    Take a dive under the seas for the holidays with this revival of the Disney Broadway favorite with music by eight-time Academy Award winner, Alan Menken and lyrics by Howard Ashman and Glenn Slater.

    Mermaid Ariel gains legs but loses her voice to seek out new life and love on land. We don’t have to wait for the rumored live action on the screen version when we can have real live singing and dancing action on the Hobby stage in front of us.

    South Pacific (February 8-20)
    Winning a Pulitzer and 10 Tony’s in its time, the Rodgers and Hammerstein classic finds new audiences with each revival. The songs like “Younger Than Springtime” and “Some Enchanted Evening” continue to entice, while each generation can discover new nuances and meaning in this World War II story of prejudice, war, sacrifice, and love.

    Come From Away (March 22-April 3)
    This touring production of the award winning show about singular acts of kindness and connection will likely have new resonance after this past year of anxiety and isolation for many. Come From Away reveals the true story of what happened to some of the planes head to the U.S from Europe on 9/11 as they’re forced to land in Canada’s eastern-most province.

    The stranded passengers find hospitality and songs from small town Newfoundlanders. All of the characters are based on real individuals, including Dallas-based Beverley Bass, the first female American Airlines captain.

    Jersey Boys (May 10-22)
    The boys are back in town next spring, as TUTS invites the touring Broadway favorite for a stay.

    Houston musical lovers are always ready to relive the dramatic behind-the-music story of the early days and rise of Frankie Valli and The Four Seasons in a show that also features all their hits including “Sherry,” “Big Girls Don’t Cry,” “Oh What A Night,” “Walk Like A Man,” “Can’t Take My Eyes Off You,” and “Working My Way Back To You.”

    “Our incredible subscribers have hung in with us through so many ups and downs over the last year, and we cannot wait to bring them back to the theatre with this amazing season,” said Knechtges.

    The boys are back in town, the "Jersey Boys" that is for TUTS 2021-2022 homecoming season.

    Touring company of Jersey Boys
      
    Photo by Joan Marcus
    The boys are back in town, the "Jersey Boys" that is for TUTS 2021-2022 homecoming season.
    theater
    news/arts

    Salutations, Soon Youn

    Houston Ballet principal dancer announces retirement after 13 years

    Holly Beretto
    Jun 20, 2025 | 10:00 am
    ​Houston Ballet Principal Soo Youn Cho
    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.
    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    Houston Ballet principal dancer Soon Youn Cho has announced her retirement, after 13 years with the company.

    For more than a decade, she has captivated audiences with her elegance, emotional authenticity, and technical brilliance. Audiences have seen her in roles such as Aurora in The Sleeping Beauty, Kitri in Don Quixote, Odette/Odile in Swan Lake, the Sugar Plum Fairy in The Nutcracker, and Suzuki in Madame Butterfly, among many others.

    Cho’s retirement follows a period of recovery from spinal surgery prompted by chronic back issues that intensified during and after her pregnancy.

    "This decision was not made lightly, but with a great deal of reflection and acceptance over the past year," said Cho. “Since I first began ballet at the age of four, it has been the greatest love of my life. Even through pain and injury, I felt joy and purpose in every moment. I gave my best to every step along the way, and I now leave the stage with a peaceful heart and deep gratitude.”

    Cho further said that even before becoming pregnant, she had been managing chronic back issues throughout her career.

    “With dedication, careful conditioning, and the unwavering support of those around me, I was able to continue dancing for many years,” she said. “Despite my best efforts to recover, I’ve come to the difficult realization that I won’t be able to return to dancing at the level I once did. With a heavy but full heart, I’ve decided to retire from the stage.”

    Born in Korea and trained there, as well as in Canada and Germany, Cho danced with Opera Leipzig Ballet in Leipzig, Germany and the Tulsa Ballet in Tulsa, Oklahoma, where she was promoted to principal in 2010. She joined the Houston Ballet in 2012 as a demi soloist. She quickly rose through the ranks, promoted to soloist in 2014, then first soloist in 2016. In 2018, she became the Houston Ballet’s first Korean principal.

    Upon achieving the designation, she said, “I feel like I have made an important mark in history, along with other great dancers, for my people in such a great company.”

    Cho’s roles onstage reflected her wide artistic range and commitment to storytelling through dance. Her Houston Ballet colleagues and audiences admire and praise the passion and sincerity she brought to every performance. One of those, Cho’s portrayal of Suzuki in Madame Butterfly, is especially close to her heart, not only for its emotional depth but for the lifelong friendship it sparked with fellow principal Yuriko Kajiya.

    “Becoming part of this Company and working alongside such extraordinary people has been one of the greatest blessings and privileges of my life. I close this chapter with a full heart and immense appreciation for the art, the audiences, and the people who made it all so meaningful.”

    Cho said that while she doesn’t yet know what will come next, she departs the company filled with gratitude.

    “Looking back, I feel nothing but gratitude,” she said. “Gratitude for the incredible colleagues and mentors I’ve shared the studio with. Gratitude for the audiences who supported us performance after performance. And gratitude for the art form itself — so demanding, so beautiful, and so deeply rewarding. I leave the stage with peace in my heart. Because I gave everything I had to this journey, I can move forward without regret.”

    \u200bHouston Ballet Principal Soo Youn Cho
      

    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.

    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    houston balletsoon youn choperforming-arts
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