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    a grand recovery

    Houston Grand Opera restores furloughed staff thanks to $2.5 million loan

    Steven Devadanam
    May 5, 2020 | 10:40 am
    Houston Grand Opera presents Aida
    Houston Grand Opera will restore all furloughed employees and cancel salary rollbacks thanks to a PPP loan.
    Photo by Tristram Kenton

    Houston arts groups have struggled mightily during the COVID-19 pandemic. In April, the Houston Ballet canceled its 2019-2020; in March, as CultureMap reported, the Alley Theatre announced that it was temporarily laying off 75 percent of its staff and asking the remainder who make more than $50,000 per year to take a pay cut, in addition to cancelling the rest of its 2019-2020 season.

    But slowly, certain organizations are rebounding, offering a happy twist to this dystopian nightmare. Houston Grand Opera announced that it has received a Payroll Protection Plan (PPP) loan from the Small Business Administration (SBA) for $2.5 million.

    The funding will allow HGO to restore all furloughed employees and to cancel salary rollbacks that were slated to go into effect this week.

    As fans and patrons know, the opera had to cancel its spring repertory of Salome and The Magic Flute, as well as its annual Opera Ball, its major annual fundraiser. The company did not receive a PPP loan in the first round and was forced to furlough 20 percent of the staff and institute tiered salary reductions, according to an HGO statement. The second round of loans means HGO can now keep all staff members employed.

    “We are thrilled that our loan application was approved quickly and that HGO can now move forward in a more secure financial position, including retaining our entire staff,” said Perryn Leech, HGO’s managing director, in a statement.

    “The economic effects of the pandemic have been far reaching for HGO and many other arts organizations. Our staff members have been steadfast and unwavering in their support during this difficult time, as they were during Hurricane Harvey. I’m relieved that we can continue their employment as we look forward to our 2020-21 season starting in October.” Leech also tips a hat to the team at Frost Bank, which helped the application process for the SBA loan.

    opera
    news/arts

    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

    houston balletbusiness
    news/arts
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