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    The CultureMap Interview

    An affair with Brando & Muppet love: Trailblazing actress reveals all in 45 minutes

    Joel Luks
    May 1, 2014 | 7:08 am

    Go ahead: Try to sum up your life in 45 minutes or less. Possible?

    If so, pretend you've had affairs with mega celebs, that you've single handedly altered Hollywood and that you've garnered almost every show business industry award possible. Add that you're in your 80s and you are still going strong.

    Rita Moreno doesn't have to pretend. Those tidbits frame a life that has fascinated the world.

    Moreno is the featured guest at a Houston Arts Alliance benefit, set for 6:30 p.m Thursday at Hotel ZaZa. Prior to arriving in the Bayou City, CultureMap chatted with the trailblazer on the phone to learn more about what makes this extraordinary gal tick.

    CultureMap: What do you consider to be your big break in show biz?

    Rita Moreno: That would have to be my first film. It was called, and I love the title, So Young, So Bad. Soon after that, I was 16, a talent scout saw me perform at a dance school recital in New York City. That's how it happened. But there was a secret kind of racism during that time.

    CM: You weren't satisfied with keeping the status quo.

    RM: A lot of people in the Latino community called me la pionera — the pioneer. I wasn't willing to accept a part that was one of those stereotypical Conchita Lolitas. But that cost me.

    I won an Oscar and I won a Golden Globe for my work in West Side Story and then I didn't get to do anything for seven years. It broke my heart, absolutely broke my heart. That was a horrible time for me.

    CM: Have things changed for minority actors?

    RM: I am in no position to tell you that. You would have to ask others.

    "I wasn't willing to accept a part that was one of those stereotypical Conchita Lolitas. But that cost me."

    I made a decision once I won those two wonderful awards that I would not talk with an accent — unless it made perfect sense — or do any of those maiden roles. Ha! I showed them. Of course I'm being sarcastic. I didn't do a movie for seven years. It was a slap in the face from the industry.

    CM: You overcame that obstacle.

    RM: Yes. One of the reasons is that I do it all. I sing, I dance, I act, I do comedy, I do drama. There aren't many people who do all that, especially nowadays. In my time, there were more people who were well versed in all those skills.

    CM: Which of your roles or engagements do you enjoy watching?

    RM: I love The Muppets. "Fever" with Animal? I still watch it. I love that skit. I laugh and laugh.

    CM: Do any of your roles more closely resembles the real Rita Moreno?

    RM: Not necessarily, but that's what being an actor is. An actor is a person who takes on another personality — and that's pretty terrific.

    However, the role I'm doing right now for a pilot is part me, part someone else. This is a woman who's a songwriter from the old days of Broadway. The cast is all older actors except for the young woman lead, Natasha Lyonne, who's in Orange Is the New Black. The character I play is close to me in the sense that she's in show business, but she has this notion that she can still dance. But she can't.

    She just never gets anything. And has a big mouth. She's gruff. She's always getting into trouble.

    CM: About Marlon Brando, you've said in past interviews that your relationship with him drove you to the point of madness. If you could, is there a moment of your relationship you'd want to relive?

    RM: Just meeting him and becoming my lover became an extraordinary experience. He was very charismatic. After that our relationship turned horribly tumultuous, maddening, frustrating and heartbreaking. But one of the most electric moments was connecting with him for the first time.

    CM: Your upcoming appearance in Houston: What do you have planned?

    "You have to do what's important to you. Being in a job that one hates, that must be so tough."

    RM: The title of my show is A Life in Words and Music. It's really a biographical kind of piece, but it's not a real autobiography. That would take days. I wanted to do a piece — and I've never done this before — where I could do some songs that followed along what I was talking about in my life. With the help of my manager, we put that together. It's fun, quite funny, it's sad. It's got all kinds of pieces of my life. Maybe I should call it that. Pieces of my life.

    It's not chronological. That would take, well, days. This is 45 minutes.

    CM: How will you summarize your life in 45 minutes? Is that even possible?

    RM: Precisely, you don't. I am going to amuse. I am going to entertain. I am going to help people to come into a life that has been quite interesting. Here I am at 82, and I feel like the Energizer Bunny.

    CM: Will you ever retire?

    RM: I don't know what the word means. What are you crazy? I do what I love to do. Why on earth would I want to give that up?

    I know there are a lot of things that can happen physically when you get into your 80s, but keeping active is a wonderful kind of medication. When you get the brain going, everything else falls into place. You have to do what's important to you. Being in a job that one hates, that must be so tough.

    CM: Last time in Houston?

    RM: On my god, it must have been 15 years ago. And by the way I love your city. I love the (Museum of Fine Arts, Houston) — it's gorgeous.

    I was in Houston right around the time I started to do talks. An organization flew me in for a luncheon. They also showed me around the city, which I found to be remarkable.

    CM: Fondest memory of your visit?

    RM: I remember thinking: What on earth is a Holocaust museum doing in Houston? It made perfect sense when I was told that there was an influx of Jewish people who had survived the Holocaust that lived in Houston. The day I visited the Holocaust Museum, a docent was showing us around, about a group of five.

    There was a series of photos of concentration camp prisoners wearing those horrific black and white uniforms. They were pounding stones, building a structure where they would eventually be gassed.

    The docent was telling us that the prisoners had to go to the bottom of the quarry, break stones and climb a long way. He was about to tell us how many steps there were when a man in the group told us just how many. We all looked at him as he said, "That's me in the picture."

    All of us froze.

    ___


    Houston Arts Alliance hosts "An Intimate Evening with Rita Moreno" on Thursday, 6:30 p.m., at the Hotel ZaZa. Individual tickets start at $500.

    Rita Moreno.

    Rita Moreno
    Photo by Mike LaMonica
    Rita Moreno.
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    And the Winner Is

    Houston's Alley Theatre only Texas winner of prestigious new play award

    Lindsey Wilson
    Dec 5, 2025 | 11:31 am
    Audience at Alley Theatre
    Photo courtesy of Alley Theatre
    Bring a friend to the theater for free.

    The Tony Award-winning Alley Theatre has once again earned national recognition, becoming the only Texas theater selected for a 2025 Edgerton Foundation New Play Award, a prestigious honor known for helping launch some of the most influential plays and musicals of the past two decades.

    The award will support the Alley’s May 2026 world premiere of Dear Alien by Liz Duffy Adams, giving the production additional rehearsal time that has proven essential for shaping new work.

    The Edgerton Awards have a powerful legacy behind them. Past recipients include phenomenon-level titles such as Hamilton, Dear Evan Hansen, The Prom, Next to Normal, and Vanya and Sonia and Masha and Spike — shows that went on to win Tony Awards, earn Pulitzer Prizes, and define contemporary American theater.

    “I’m so grateful to the Edgerton Foundation for their support of Liz Duffy Adams’ play Dear Alien," says Alley artistic director Rob Melrose in a release. "Getting an additional week of rehearsal on a new play makes a tremendous difference. In Dear Alien, the titular role (played by resident acting company member Dylan Godwin) is onstage the entire show, and it is going to be quite a challenge. Supporting new plays is incredibly important for the health of the American theater. Four years ago, Alley Theatre premiered Liz’s play Born with Teeth, and it is currently having a run on the West End after gracing the stages of major theaters in the U.S. such as the Guthrie, Asolo Rep, and Oregon Shakespeare Festival."

    Alley Theatre has a significant history with developing new work. In 1996, the Alley won the Regional Theatre Tony Award after debuting the world premiere of the musical Jekyll & Hyde, which went on to tour 40 cities and play for two years on Broadway (it lives on thanks to a DVD and VHS recording starring David Hasselhoff in the title roles).

    In 1998, the Alley staged the American premiere of a rediscovered Tennessee Williams play, Not About Nightingales, which later enjoyed a successful Broadway run.

    The Edgerton Foundation New Plays Program, directed by Brad and Louise Edgerton, was piloted in 2006 with Center Theatre Group in Los Angeles by offering two musicals in development an extended rehearsal period for the entire creative team, including the playwrights. The Edgertons launched the program nationally in 2007 and have supported 569 plays to date at over 50 different theaters across the country. Over the last 19 years, the Edgerton Foundation has awarded $19,670,534 to 569 productions.

    Among the 2025 winners are pop-country star Jennifer Nettles' new musical Giulia: The Poison Queen of Palermo at Perelman Performing Arts Center in New York City; Claudia Shear's The Recipe, about the early life of Julia Child, at La Jolla Playhouse in California; and prolific playwright David Lindsay-Abaire's latest title, The Balusters, at Manhattan Theatre Club. See the complete list here.

    awardsalley theatredear alienliz duffy adamsedgerton foundationedgerton foundation new play awardtheater
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