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    Dance Studio Closes

    Cutting-edge Houston dance company plans to close studio, end classes

    Joel Luks
    Apr 19, 2014 | 8:31 am

    It takes a lot of courage to look at yourself in the mirror, to be truthful, to acknowledge that something has to give, to tell the world that you've reached an obstacle that can only be conquered by taking a step backward before leaping forward.

    Anyone who's ever crossed paths with arts entrepreneur Jane Weiner is instantly captivated by her ability to get things done, to find a way to fix things. It's because of Weiner's determination that her decision to close down Hope Stone Studio will come both as a surprise and as a warning to art consumers and supporters.

    "We have made the hard decision to take a year to right-size our business by reducing overhead and closing Hope Stone Studio, refocusing on the programs that make the greatest impact, and deploying our resources in the most cost-effective way," Weiner explains in an email to the company's subscribers. "This has been a difficult decision, but I believe the right one for the organization."

    The positive vibe in Houston may lead many to assume that someone else will nonchalantly pick up the tab.

    The space, located in the Art Deco Tribeca Lofts on West Clay Street, has hosted dance and movement classes for children and adults for 10 years. An artist-in-residence program offered emerging choreographers a rehearsal and performance venue in which they could embark on their creative journeys.

    Weiner explains that all commitments have been met for the 2013-14 season. Classes will continue through May 16. It's important to note that it's only the physical space that's ceasing operations. Founded in 1997, Hope Stone Dance Company will continue its performance series.

    Weiner moved from New York City to Houston to support her sister, Susan Rafte, who was on a mission to kick breast cancer's butt. The two founded the Pink Ribbons Project, a nonprofit that raises awareness about the disease through the arts. Since then, Weiner has established herself as an innovative dance maker, passionate educator and tireless advocate for her métier (just listen to her TEDx Houston presentation).

    While most Houstonians walk with their heads high touting Houston's diversity, active arts community and generous philanthropic spirit — an oasis that's rare amid the rest of the country's doom-and-gloom panorama — those hallmarks don't automatically guarantee that all nonprofits will prevail.

    In fact, arts administration and fundraising are some of the most trying vocations out there.

    The positive vibe in Houston may lead many to assume that someone else will nonchalantly pick up the tab. But if more citizens don't put their monies where their mouths' are . . . can you imagine Houston as a plain, ugly and boring city?

    Who wants that?

    Children in dance movement class at Hope Stone Studio.

    Hope Stone
    Photo by Simon Gentry
    Children in dance movement class at Hope Stone Studio.
    unspecified
    news/arts

    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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